During World War II, tug boats conduct what are called salvage missions - picking up disabled ships. Not well equipped with weaponry, the tugs are sitting ducks for enemy fire. As such, the... See full summary »
A wonderful fairy tale of the misadventures of a beautiful but temperamental Neapolitan peasant, Isabella, when she meets the ill- tempered Spanish Prince Rodrigo Ferrante y Davalos. The ... See full summary »
Discovering her boyfriend is married, a young lady attempts to take her life, pausing only to phone a Help Line. Finding herself very much alive in hospital she meets the priest who took ... See full summary »
Cesira and her 13-year-old daughter, Rosetta, flee from the allied bombs in Rome during the second world war. They travel to the village where Cesira was born. During their journey and in ... See full summary »
Pasquale and Maria, husband and wife, live in a palace supposedly haunted by ghosts and pay no rent. When Pasquale finds some food in the cupboard he thinks the ghosts are at work. Actually... See full summary »
Professor David Pollock is an expert in ancient Arabic hieroglyphics. A Middle Eastern Prime Minister convinces Pollock to infiltrate the organization of a man named Beshraavi, who is involved in a plot against the Prime Minister. The nature of the plot is believed to be found in a hieroglyphic code. Beshraavi's mistress, Yasmin Azir is a mystery intertwined in the plot. Pollock needs her help, but when she repeatedly seems to double cross him in one escapade after another, he can't decide on whose side she is working. Ultimately working together, Pollock and Yasmin decipher the plot and set out to stop an assassination of the Prime Minister. Written by
E.W. DesMarais <firstname.lastname@example.org>
In the race to the airport Gregory Peck guides the lorry into a wall and the section to the left of the truck is seen to collapse however, in the next shot the same section of wall is seen to be still standing. See more »
Not only is the whole cinematography clever (love those shots with actors in the mirrors) but this is one of those hidden gems from the '60s. The whole look and feel just oozes what you imagine the '60s to be--intrigue, mysterious/swarthy foreign spies, a totally cool/hot babe (Sophia Loren could not be any more gorgeous) and a handsome yet bumbling professor (Gregory Peck out harrison Ford-ing Harrison Ford years ahead of the curve). The dialog also sparkles with that old sort of Kate Hepburn--Cary Grant type interplay albeit at a much more languid and sexier pace. There are also hints of Hitchcock and Orson Welles in the story telling and directorial style.
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