Maine coastal town Harrison Bay is broke, so deputy mayor Drew Cabot arranges a deal with a contractor to develop the abandoned lighthouse for tourism. Father Hendry fails to convince the ... See full summary »
Sarah Taylor, a police psychologist, meets a mysterious and seductive young man, Tony Ramirez, and falls in love with him. As a result of this relationship, she changes her personality when... See full summary »
Rebecca De Mornay,
Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
When Peter Plunkett's Irish castle turned hotel is about to be repossesed, he decides to spice up the attraction a bit for the 'Yanks' by having his staff pretend to haunt the castle. The ... See full summary »
Two friends, Ralph and Scott live in a small minded town at the onset of wide public dissatisfaction with the Vietnam war. While Scott's brother enlists, he and Ralph are outspoken in their... See full summary »
Robert Downey Jr.,
In 1944, Capt. Josiah J. Newman is the doctor in charge of Ward 7, the neuropsychiatric ward, at an Army Air Corps hospital in Arizona. The hospital is under-resourced and Newman scrounges ... See full summary »
Roistering sea captain Jonathan Clark, who poaches seal pelts from Russian Alaska, meets and woos Russian countess Marina in 1850 San Francisco. Events separate them, but after an exciting ... See full summary »
Professor David Pollock is an expert in ancient Arabic hieroglyphics. A Middle Eastern Prime Minister convinces Pollock to infiltrate the organization of a man named Beshraavi, who is involved in a plot against the Prime Minister. The nature of the plot is believed to be found in a hieroglyphic code. Beshraavi's mistress, Yasmin Azir is a mystery intertwined in the plot. Pollock needs her help, but when she repeatedly seems to double cross him in one escapade after another, he can't decide on whose side she is working. Ultimately working together, Pollock and Yasmin decipher the plot and set out to stop an assassination of the Prime Minister. Written by
E.W. DesMarais <email@example.com>
None of the actors featured in the movie are Arabic. See more »
When Gregory Peck's character is injected with a truth serum by his captors, it is the sleeve of his shirt's right arm that is torn for insertion of the syringe. But later, in a scene with Sophia Loren we see the torn sleeve alternate between the right and left of this very same shirt. See more »
[Addressing a uniformed Queen's Guardsman, under whose foot an important scrap of paper has lodged]
Excuse me, soldier...
He's a Guardsman.
Excuse me, Guardsman. I'm sorry to bother you. I know you're on duty, but... there is something under your foot that belongs to us.
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If I had the impossible task of naming one film as "My Favorite Most Enjoyable Movie" this and it's bookend, "Charade," would be it.
It is Stanley Donen's near perfect blend of Alfred Hitchcock meets James Bond. Donen made two simply wonderful films in the Hitchcock mold. The first was Charade in 1963 with Cary Grant and Audrey Hepburn. Arabesque is the second. They make a marvelous bookend set.
Both films are light, breezy and loaded with wit and humorous dialog. Both feature classic Henry Mancini scores, stylish female ward-robing by the likes of Givenchy and Christian Dior and both feature memorable titles by 007's legendary title master, Maurice Binder.
But it's Arabesque's wildly inventive cinematography which sets it apart from virtually every other action film. The cinematography is pure art school. It's amazingly inventive use of reflection and shot within a shot camera work is what first interested me in the art of cinematography as a teenager. The cinematography in Arabesque fascinates me and entertains me no end to this day.
Gregory Peck's square yet hip college professor plays perfectly with Sophia Loren's chic spy - and Sophia was never more flat-out stunning. Wow! Check out Arabesque. It's two hours of great fun.
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