Catherine, an out-spoken Parisian laundress follows Napoleon's army to the battlefront to be near her Sergeant Lefevre. The couple perform a deed of heroism which abets Napoleon's victory, ... See full summary »
An American scientist is sent to Red China to steal the formula for a newly developed agricultural enzyme. What he is not told by his bosses is that a micro-sized bomb has been planted in ... See full summary »
Discovering her boyfriend is married, a young lady attempts to take her life, pausing only to phone a Help Line. Finding herself very much alive in hospital she meets the priest who took ... See full summary »
Antonietta viene fotografata per caso e la sua foto finisce in copertina. Il suo fidanzato vuol far causa al giornale per questo, ma Antonietta decide di farsi conoscere e con l'aiuto di ... See full summary »
After mobsters murder her husband, Rose Bianco works long hours making artificial flowers, to support herself and her son. Some suspect that Rose's demand for a lavish lifestyle pushed her ... See full summary »
Peter Mark Richman
In 1944, Capt. Josiah J. Newman is the doctor in charge of Ward 7, the neuropsychiatric ward, at an Army Air Corps hospital in Arizona. The hospital is under-resourced and Newman scrounges ... See full summary »
Pasquale and Maria, husband and wife, live in a palace supposedly haunted by ghosts and pay no rent. When Pasquale finds some food in the cupboard he thinks the ghosts are at work. Actually... See full summary »
Professor David Pollock is an expert in ancient Arabic hieroglyphics. A Middle Eastern Prime Minister convinces Pollock to infiltrate the organization of a man named Beshraavi, who is involved in a plot against the Prime Minister. The nature of the plot is believed to be found in a hieroglyphic code. Beshraavi's mistress, Yasmin Azir is a mystery intertwined in the plot. Pollock needs her help, but when she repeatedly seems to double cross him in one escapade after another, he can't decide on whose side she is working. Ultimately working together, Pollock and Yasmin decipher the plot and set out to stop an assassination of the Prime Minister. Written by
E.W. DesMarais <firstname.lastname@example.org>
Great beauty and great fun! What more could one want? (Other than a coherent storyline . . .)
This has got to be one of the most beautifully photographed movies ever made. Stanley Donen really knows how to use the camera, shooting through chandeliers, using double mirrors for endless reflections, using ordinary objects to highlight the extraordinary--this movie is so wonderfully cinematic that the lack of a serious plot is almost negligible. Not to mention the presence of Gregory Peck, the beautiful Sophia Loren as well as the Henry Mancini score and the titles by Maurice Binder only add to the icing on the cake! "Pierre Marton" (yeah, we all know it's Peter Stone)'s script is sparklingly quotable and provides great fun and great entertainment--just don't think too hard about the plot when you're watching this. "Arabesque" should set the standard in cinematic beauty and it's a shame that this movie isn't more widely shown or known about. Just what happened to that song "We've Loved Before" that was composed for this film?
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