Val Xavier, a drifter of obscure origins arrives at a small town and gets a job in a store run by Lady Torrence, a sex-starved woman whose husband Jabe M. Torrance is dying of cancer ... See full summary »
Tom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous "regulator", to hunt down the horse thieves; one at a time.
Natascha, a White Russian countess, stows away on a luxury liner at Hong Kong, determined to seek a new life in America. Natascha hides in the cabin of Ogden Mears, a millionaire diplomat, ... See full summary »
A detective uncovers a formula that was devised by the Nazis in WW II to make gasoline from synthetic products, thereby eliminating the necessity for oil--and oil companies. A major oil ... See full summary »
John G. Avildsen
George C. Scott,
The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a ... See full summary »
The destiny of three soldiers during World War II. The German officer Christian Diestl approves less and less of the war. Jewish-American Noah Ackerman deals with antisemitism at home and ... See full summary »
Ben du Toit is a schoolteacher who always has considered himself a man of caring and justice, at least on the individual level. When his gardener's son is brutally beaten up by the police ... See full summary »
Matt Fletcher, a Mexican-American buffalo hunter is constantly harassed and humiliated by bandit general Chuy Medina. When the bandit steals his horse - the appaloosa of the title - he sets out to even scores; at the climax, single-handedly, he takes on the whole gang. Written by
According to Bob Thomas' 1973 biography "Marlon: Portrait of the Artist as a Rebel", producer Alan Miller, appalled at his star's lack of interest in the film and his lackluster performance, pinned a bit of doggerel about Marlon Brando, whose character is called "Mateo" by his Mexican friend in the film: "Mateo, his heart / It bleeds for the mass, / But the people he works with / He kicks in the ass." See more »
The Appaloosa which portrays the title character was actually a registered Appaloosa stallion named Cojo Rojo. He was born in 1960 and just prior to being used for the film he was racing on the California tracks. He sired several foals, including several race champions. During filming a few other similarly marked horses were used as stunt horses, but the majority of work was done by Cojo Rojo. See more »
[enters confessional booth]
I'm having a little trouble getting started, Father.
You are in the House of God now, my son. Speak from your heart.
Well, I've done a lot of killin'. I've killed a lot of men and sinned a lot of women. But the men I killed needed killin' and the women wanted sinnin', and well, I never was one much to argue.
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I also saw this when I was in my "tender" years(pre 24). It made a lasting impression on me. A man who was a looser came back to his roots to not only pay homage to them but too use them to make something of what he had left of his existence. There were the vultures that were more than ready to pick the meat off his flesh. With his guard let down he was humiliated. The worst thing in the world: To be humiliated.
He tried to "make amends." Not enough. His previous life came into play. Note the hat that he wore at the beginning of the movie. Still it was not enough. His anger was slow to arise.
Even at the last of the movie the angst was subdued. He called gunfire justice only with the utmost reluctance. This was the ultimate strength of the movie.
It truly was one of Brando's finest!
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