An intelligent, articulate scholar, Harrison MacWhite, survives a hostile Senate confirmation hearing at the hands of conservatives to become ambassador to Sarkan, a southeast Asian country... See full summary »
The professional mercenary Sir William Walker instigates a slave revolt on the Caribbean island of Queimada in order to help improve the British sugar trade. Years later he is sent again to... See full summary »
The destiny of three soldiers during World War II. The German officer Christian Diestl approves less and less of the war. Jewish-American Noah Ackerman deals with antisemitism at home and ... See full summary »
Tom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous "regulator", to hunt down the horse thieves; one at a time.
Matt Fletcher, a Mexican-American buffalo hunter is constantly harassed and humiliated by bandit general Chuy Medina. When the bandit steals his horse - the appaloosa of the title - he sets out to even scores; at the climax, single-handedly, he takes on the whole gang. Written by
According to Bob Thomas' 1973 biography "Marlon: Portrait of the Artist as a Rebel," producer Alan Miller, appalled at his star's lack of interest in the film and his lackluster performance, pinned a bit of doggerel about Marlon Brando, whose character is called "Mateo" by his Mexican friend in the film, "Mateo, his heart/It bleeds for the mass,/But the people he works with/He kicks in the ass." See more »
In the final scene with Chuy, Brando weaves his leather poncho belt with his hat band, to lasso his rifle. When the shooting is finished and he stands up, the belt is back on his poncho, although there was no time to unweave the lasso and retie the belt. See more »
[enters confessional booth]
I'm having a little trouble getting started, Father.
You are in the House of God now, my son. Speak from your heart.
Well, I've done a lot of killin'. I've killed a lot of men and sinned a lot of women. But the men I killed needed killin' and the women wanted sinnin', and well, I never was one much to argue.
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Over the years I seemed to have missed "THE APPOLOSSA" and was thrilled to see Marlon Brando and John Saxon perform excellent roles as bandit and horse owner. The photography and close-ups kept you glued to the screen. Brando was at his best and eleven years later made "Missouri Breakes" another picture to match this one.
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