Val Xavier, a drifter of obscure origins arrives at a small town and gets a job in a store run by Lady Torrence, a sex-starved woman whose husband Jabe M. Torrance is dying of cancer ... See full summary »
Tom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous "regulator", to hunt down the horse thieves; one at a time.
Natascha, a White Russian countess, stows away on a luxury liner at Hong Kong, determined to seek a new life in America. Natascha hides in the cabin of Ogden Mears, a millionaire diplomat, ... See full summary »
Ben du Toit is a schoolteacher who always has considered himself a man of caring and justice, at least on the individual level. When his gardener's son is brutally beaten up by the police ... See full summary »
The Bounty leaves Portsmouth in 1787. Its destination: to sail to Tahiti and load bread-fruit. Captain Bligh will do anything to get there as fast as possible, using any means to keep up a ... See full summary »
The destiny of three soldiers during World War II. The German officer Christian Diestl approves less and less of the war. Jewish-American Noah Ackerman deals with antisemitism at home and ... See full summary »
Walrus-like warden, Sven "Swede" Sorenson, a cross between Bluto and Wimpy, runs the prison, murders convicts who escape, and has the FBI on his trail in the form of agent Karen Polarski, ... See full summary »
Matt Fletcher, a Mexican-American buffalo hunter is constantly harassed and humiliated by bandit general Chuy Medina. When the bandit steals his horse - the appaloosa of the title - he sets out to even scores; at the climax, single-handedly, he takes on the whole gang. Written by
According to co-star John Saxon, Marlon Brando's relationship with director Sidney J. Furie got to the point where Brando, when getting ready to do a close-up, would be reading a book. He would only lower the book when Furie yelled "Action". When he yelled "Cut", Brando would raise the book again. According to Peter Manso's book on Brando, however, Brando and Furie met years later. Brando was quoted to have said, "I thought you were a no-good double-crosser, and I didn't know if I could trust you, but I saw the film and you have the great sense of the best visual directors. Let's do another movie together." Furie, according to the book, replied, "Never!" Furie, for his part, claims that they only came to blows once on the entire shoot of The Appaloosa. See more »
The Appaloosa which portrays the title character was actually a registered Appaloosa stallion named Cojo Rojo. He was born in 1960 and just prior to being used for the film he was racing on the California tracks. He sired several foals, including several race champions. During filming a few other similarly marked horses were used as stunt horses, but the majority of work was done by Cojo Rojo. See more »
[enters confessional booth]
I'm having a little trouble getting started, Father.
You are in the House of God now, my son. Speak from your heart.
Well, I've done a lot of killin'. I've killed a lot of men and sinned a lot of women. But the men I killed needed killin' and the women wanted sinnin', and well, I never was one much to argue.
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I'd seen this film years ago, and rented the video last night. Brando was at the zenith of his career:
strong, vital, and fit. His understated, controled acting along with his easy interaction with the other actors made this film a delight to watch. Especially moving was his relationship with Paco (Rafael Campos)-a close bond which was a major force in the film as revealed by the amazing speech relating Mateo's (Brando) growing up in the household of Paco and his family. The scenery was magnificent. A fine western, with qualities that would cross over into any genre.
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