6 items from 2016
Marrakech, Morocco — The Marrakech Film Festival has been organizing country tributes since its fourth edition in 2004, honouring such grand filmmaking traditions as France, the U.K, and India and in the last three editions, Scandinavia, Japan and Canada.
But choosing to organize a tribute to Russia – whose landmass spans from Europe to the Far East, and which launched the world’s first film school, Vgik, and has spawned key filmmakers, including Eisenstein, Tarkovsky, Sokourov and Zviaguinstev – is perhaps the festival’s most ambitious challenge to date.
Two Russian films have won Marrakech’s top prize, the Golden Star: Mikhail Kalatozishvili’s “Wild Field” in 2008, and Ivan Tverdovsky’s “Corrections Class” in 2014. Tverdovsky’s coming-of-age drama “Zoology,” that won a Special Jury Prize at Karlovy Vary, is screening in Marrakech competition this year. It has been one of the most talked about pics at the fest.
An extensive delegation travelled to the red city, »
- Martin Dale
Film critique and academia oftentimes produce fascinating video essays. From an investigation of slow motion to how makeup has been used to age actors to even a parody of video essays themselves, these clips have offered an insightful look into the art of filmmaking — as well as some hysterical laughs for the lack thereof. But when one looks at greats like Stanley Kubrick and Andrei Tarkovsky, it’s bound to be a beautiful tribute, and Vimeo user Vugar Efendi has done just that in a comparison of the two giants’ styles.
The two directors, as Efendi claims, “have defined and pioneered the cinematic language.” Lingering through Kubrick classics such as “2001: A Space Odyssey,” “The Shining” and “Full Metal Jackets” alongside Tarkovsky greats such as “Solaris,” “Andrei Rublev” and “The Mirror,” the video shows clear »
- Kyle Kizu
"About suffering they were never wrong, the old masters," W.H. Auden wrote in his poem on Brueghel. The words could easily have applied to both the subject and the creator of Andrei Rublev, Andrei Tarkovsky's 1966 masterpiece. A film about suffering and art, the spiritual journey towards transendence, and the muddy, sodden reality of day-to-day life. It is one of the most profound and moving experiences that cinema has ever conveyed. It begins with a prologue as a man, some Leonardo or Galileo of the Steppes perhaps, takes a giddy flight with a cobbled together hot air balloon.
- CineVue UK
A significant new retrospective of the legendary and hugely influential Russian filmmaker is a fresh opportunity to see some gorgeous films on a big screen. I’m “biast” (pro): nothing
I’m “biast” (con): nothing
(what is this about? see my critic’s minifesto)
Ingmar Bergman called him the greatest director. Lars Von Trier calls him “God.” The legendary Russian filmmaker Andrei Tarkovsky, who died in 1986 aged only 54, is one of the most influential in the history of the medium, a cinematic philosopher who was constantly at odds with the Soviet government, which saw subversiveness in his morosely dreamy films… as, indeed, there may well have been. Tarkovsky called his style of filmmaking “sculpting in time,” and the ambiguous moodiness of his work often encompassed a particular Russian-flavored tumultuousness on the small scale of a human life reflected against human history, full of tragedy, trauma, and torment. But »
- MaryAnn Johanson
“I wouldn’t say that Westerns were a big influence on The Revenant at all, really,” Alejandro G. Iñárritu tells Film Comment. “I was looking more toward things like Dersu Uzala by Kurosawa, Tarkovsky’s Andrei Rublev—which is maybe my favorite film ever—Herzog’s Aguirre, the Wrath of God and Fitzcarraldo, even Apocalypse Now. These are movies that are epic, that have spectacle and are very grand statements, but are informed by the crazy fucking theatrical show that is the human condition. The beauty and harshness of nature impacts your state of mind in these movies. There’s a very intimate point of view from one single character in each. That’s the challenge. Anyone can film a beautiful landscape. Unless you have an emotionally grounded story in there, it’s all just fucking sorcery.”
While we’ve debated the merits of The Revenant‘s “emotionally grounded story, »
- Leonard Pearce
Jack Fisk at the Oscars for "There Will Be Blood" with his Best Actress wife Sissy SpacekThe Revenant, just nominated for eight (!) BAFTAs, opens nationwide today so here's our last interview of the week to celebrate this wilderness epic.
Jack Fisk, the Oscar-nominated Production Designer (There Will Be Blood) is no stranger to outdoor challenges. Many of his most famous films, due in no small part to his long collaboration with Terrence Malick, feel the spiritual pull of nature as does the man who designs them. He prefers to build on location and with the tools that would have been present at the time, whatever time the movie happens to take place in.
When he signed on for The Revenant, Alejandro Gonzalez Inarritu gave him a copy of Andrei Tarkovsky's Andrei Rublev which he used for inspiration of scale and detail. His longtime collaborators Emmanuel "Chivo" Lubezki (Cinematographer) and »
- NATHANIEL R
6 items from 2016
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners