Andrey Rublyov
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Andrei Rublev (1966) More at IMDbPro »Andrey Rublyov (original title)

2015 | 2014 | 2013 | 2012 | 2010 | 2009

6 items from 2015

Black Dragon Press posters for Andrei Rublev films are a thing of beauty

26 August 2015 3:50 PM, PDT | SoundOnSight | See recent SoundOnSight news »

Not too long ago, Black Dragon Press released the first installment in a series of licensed alternative movie posters celebrating the work of cult director Andrei Tarkovsky by artists Edward Kinsella and Victo Ngai. These illustrations beautifully capture the sense of awe and beauty in Tarkovsky’s work, and are easily some of the most beautiful posters I’ve seen released this year. Check out the posters below.

Andrei Rublev by Edward Kinsella

Andrei Rublev by Andrei Tarkovsky is dark, bleak, vast, and quiet. It’s about oppression, corruption, war, and death. It’s about an artist finding his way through an oppressive world and all the trials he faces along the way. There was so much material to draw from for this poster. What I aimed to create was a powerful/quiet image of Andrei Rublev, trapped, but still moving, through a suffocating forest.” – Edward Kinsella

Andrei Rublev (regular »

- Ricky

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David Reviews Robert Wise’s Star Trek: The Motion Picture

1 June 2015 7:00 AM, PDT | CriterionCast | See recent CriterionCast news »

Let’s get the obvious question out of the way: why in the world is Criterion Cast posting a review of Star Trek: The Motion Picture? The film was released in the late Seventies, no new version has been recently issued on either Blu-ray or in a new theatrical run, and while it’s not completely out of the realm of possibility for this site to take a look at mainstream big budget productions aimed at the mass audience, it’s also pretty obvious that St:tmp isn’t the sort of movie that fits all that comfortably alongside the foreign, independent and alternative cinematic expressions that typically draw our critical attention.

The reason I’m posting this review here is that I agreed to participate in the 2015 White Elephant Blogathon, a project organized by Philip Tatler in which he solicits nominations from a couple dozen movie bloggers for offbeat films »

- David Blakeslee

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Olivier Assayas Gives Criterion His Top Movies

29 May 2015 1:57 PM, PDT | Thompson on Hollywood | See recent Thompson on Hollywood news »

One of our favorite directors, Olivier Assayas ("Summer Hours," "Clouds of Sils Maria") has a predictably eclectic Top Ten List, detailed at Criterion, which is actually a much longer list than ten. He offers American entries from Steven Soderbergh, Richard Linklater, Michael Mann, Robert Altman, Wes Anderson and Noah Baumbach! Have you seen them all? I've never seen the director's cut of Michael Cimino's "Heaven's Gate," the TV cut of Ingmar Bergman's "Fanny and Alexander," Sacha Guitry's "Désiré" or "Judex" by Georges Franju. I will have to remedy that.  1. "The Leopard" (Luchino Visconti) 2. "Pickpocket" (Robert Bresson) (tie) "Andrei Rublev (Andrei Tarkovsky) (tie) "White Material" (Claire Denis) (tie) "A Christmas Tale" (Arnaud Desplechin) (tie) "Chungking Express" (Wong Kar-wai) (tie)  "Dazed and Confused" »

- Anne Thompson

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Movie Poster of the Week: Andrei Tarkovsky’s “Andrei Rublev”

23 May 2015 2:28 PM, PDT | MUBI | See recent MUBI news »

Above: a 1973 UK quad poster for Andrei Rublev (1966), artist unknown.It’s hard to say exactly when the 50th anniversary of Andrei Rublev should be celebrated. Andrei Tarkovsky’s biopic of the great 15th century Russian icon painter—originally titled The Passion According to Andrei—had initially been proposed to Mosfilm in 1961, took 4 years to get off the ground, and spent five years in bureaucratic limbo until it was finally released in the Ussr in 1971. 50 years ago, in May 1965, Tarkovsky was a month into the year-long filming of his magnum opus.As befits one of the great films about an artist and about artistic creation (although we almost never see Rublev at work in the film), Tarkovsky’s film has inspired many a great poster artist over the years. On the occasion of this tentative anniversary and also of a rare 35mm showing of the film at Bam this month, »

- Adrian Curry

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The Coast of Utopia: Andrei Zvyagintsev's "Leviathan"

21 February 2015 10:25 AM, PST | MUBI | See recent MUBI news »

There's a scene near the exact midpoint of Leviathan where the main characters, their legal troubles apparently over, go for an idyll on the Russian coastline.  They tease each other, drink vodka, and create their own makeshift shooting range—first with empty bottles, then with a framed portrait of Brezhnev.  There's a tartness to the scene, not just from the booze and guns, but from the fact that just about everyone in the film has a dark, boorish side; corruption on a small scale instead of a large one. But there's a merry populism mixed in as well. One of the true surprises of Leviathan is how, for such a dour film, so much humor can be found in it.  These people could just as easily be the townsfolk of Bedford Falls or John Ford's Ireland, and the film feels genuinely fond of them, corruption and all.  It's easily Leviathan's funniest, »

- Duncan Gray

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Watch: 'Fire & Bach' Video Essay Explores The Audio And Visual Language Of Andrei Tarkovsky

19 February 2015 4:02 PM, PST | The Playlist | See recent The Playlist news »

Andrei Tarkovsky belongs on a very short list with a group of directors that includes Werner Herzog, Rainer Werner Fassbinder, Alejandro Jodorowsky and Kenneth Anger: shit-kicking rebels who brought ruthless and transgressive art cinema into the second half of the twentieth century. These men simultaneously destroyed and re-defined the boundaries of what was, at the time, considered to be a traditional cinematic narrative. Their weapon of choice was celluloid. Ingmar Bergman once proclaimed the Soviet-born Tarkovsky as “the greatest [director] of them all… the one who invented a new language” (Bergman’s cinematographer Sven Nykvist lensed Tarkovsky’s last feature “The Sacrifice,” about a man who makes a bargain with God to save the world) and although I’ve only seen three of his seven features – “Ivan’s Childhood,” a tone poem to war and youth; “Andrei Rublev,” a stark and brilliant evocation of 15th-century Moscow; and his epochal “Solaris »

- Nicholas Laskin

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2015 | 2014 | 2013 | 2012 | 2010 | 2009

6 items from 2015, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.

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