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Andrei Rublev (1966)
"Andrey Rublyov" (original title)

 -  Biography | Drama | History  -  1973 (USA)
8.3
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Ratings: 8.3/10 from 19,148 users  
Reviews: 99 user | 76 critic

The life, times and afflictions of the fifteenth-century Russian iconographer.

Director:

(as Andrey Tarkovskiy)
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Title: Andrei Rublev (1966)

Andrei Rublev (1966) on IMDb 8.3/10

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Cast

Cast overview, first billed only:
Anatoliy Solonitsyn ...
Ivan Lapikov ...
Kirill
Nikolay Grinko ...
Daniil Chyornyy
Nikolay Sergeev ...
Feofan Grek
Irina Tarkovskaya ...
Durochka (as Irma Raush)
Nikolay Burlyaev ...
Boriska
Yuriy Nazarov ...
Velikiy knyaz, Malyy knyaz
Yuriy Nikulin ...
Patrikey, monakh (as Yu. Nikulin)
Rolan Bykov ...
Skomorokh (as R. Bykov)
Nikolay Grabbe ...
Stepan, sotnik Velikogo knyazya (as N. Grabbe)
Mikhail Kononov ...
Foma, monakh (as M. Kononov)
Stepan Krylov ...
Starshiy liteyshchik (as S. Krylov)
Bolot Beyshenaliev ...
Tatarskiy khan (as B. Beyshenaliev)
B. Matysik ...
Pyotr
Anatoliy Obukhov ...
Aleksey, monakh (as A. Obukhov)
Edit

Storyline

Andreiv Rublev charts the life of the great icon painter through a turbulent period of 15th Century Russian history, a period marked by endless fighting between rival Princes and by Tatar invasions. Written by L.H. Wong <as9401k56@ntuvax.ntu.ac.sg>

Plot Summary | Plot Synopsis

Plot Keywords:

15th century | tatar | prince | invasion | icon | See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

1973 (USA)  »

Also Known As:

Andrei Rublev  »

Box Office

Budget:

RUR 1,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(re-edited) | (re-edited) | (2004 re-release) | (original length) | (UK) | (Blu-ray)

Sound Mix:

Color:

(Sovcolor)|

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Metal being cast while molten is generally accomplished using a special type of totally dry sand for the mold, not clay. Clay normally contains moisture and should not be used for casting metal because when the metal touches the clay, steam is produced in large volumes, causing the metal to splash about wildly. Evidently neither Tarkovsky nor Konchalovsky (the scriptwriters) knew this, or if the film is historically accurate, then there must have commonly been a lot of injuries or deaths in the Russian bell casting trade in the 15th century. See more »

Goofs

After Rublev comments that nothing is more terrible than snow falling in a temple, some of it lands on Durochka's hair and is clearly a white feather. See more »

Quotes

Andrei Rublyov: You just spoke of Jesus. Perhaps he was born and crucified to reconcile God and man. Jesus came from God, so he is all-powerful. And if He died on the cross it was predetermined and His crucifixion and death were God's will. That would have aroused hatred not in those that crucified him but in those that loved him if they had been near him at that moment, because they loved him as a man only. But if He, of His own will, left them, He displayed injustice, or even cruelty. Maybe those who ...
See more »

Connections

Featured in Zomergasten: Episode #19.3 (2006) See more »

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User Reviews

 
Arguably the greatest film ever.
1 February 2005 | by (Canada) – See all my reviews

Considering the great quantity of films in existence, there are very few that even come close to being considered the greatest of all time. Having seen my share of 'masterpieces' I have come to regard Andrei Rublev as the greatest of them all, although I admit that this is debatable. Nonetheless, this film seems to be stigmatized as being too long or boring - maybe because it's by Tarkovksy, or that it's black and white, or that it's Russian - I really don't know where this comes from. If you can get past any preconceived notions of what the movie is going to be like,and just sit down for a few seconds and watch it, you will probably be able to see from the beginning that this is an extremely important, unmissable film - not to mention captivating and exciting, although very dark and disturbing throughout. The amount of skill and thought, and work that went into this film echoes within the timeless imagery that the director has created. Any serious fan of the cinema would be doing themselves a serious disservice by avoiding this movie any longer. If you interested in the works of Gurdjieff and Ouspensky, you'll be able to take something of another level from this film, as there are many subtle references and parallels to their writings and teachings throughout this movie. It could be argued that the film itself is a cinematic representation of the law of three. Regardless, this is a truly extraordinary thing to behold.


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