During World War II, 12-year old Ivan works as a spy on the eastern front. The small Ivan can cross the German lines unnoticed to collect information. Three Soviet officers try to take care... See full summary »
The Russian poet Andrei Gorchakov, accompanied by guide and translator Eugenia, is traveling through Italy researching the life of an 18th-century Russian composer. In an ancient spa town, ... See full summary »
Like the Russian poet of 'Nostalghia', who, accompanied by his Italian guide and translator, traveled through Italy researching the life of an 18th-century Russian composer, Andrei ... See full summary »
Andreiv Rublev charts the life of the great icon painter through a turbulent period of 15th Century Russian history, a period marked by endless fighting between rival Princes and by Tatar invasions. Written by
L.H. Wong <email@example.com>
Metal being cast while molten is generally accomplished using a special type of totally dry sand for the mold, not clay. Clay normally contains moisture and should not be used for casting metal because when the metal touches the clay, steam is produced in large volumes, causing the metal to splash about wildly. Evidently neither Tarkovsky nor Konchalovsky (the scriptwriters) knew this, or if the film is historically accurate, then there must have commonly been a lot of injuries or deaths in the Russian bell casting trade in the 15th century. See more »
The smoothly-cut logs that feature many times in the early scenes are clearly cut with machinery not available in the early C15th. See more »
You just spoke of Jesus. Perhaps he was born and crucified to reconcile God and man. Jesus came from God, so he is all-powerful. And if He died on the cross it was predetermined and His crucifixion and death were God's will. That would have aroused hatred not in those that crucified him but in those that loved him if they had been near him at that moment, because they loved him as a man only. But if He, of His own will, left them, He displayed injustice, or even cruelty. Maybe those who ...
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This movie is set in mediaeval Russia, the world of unspeakable cruelty, poverty and injustice. And yet, this is a profoundly humanistic, profoundly spiritual, profoundly individualistic and profoundly uncompromising film. The photography is absolutely beautiful, mesmerising, original and superb. But it is the anguished soul and conscience of this film and of its main hero that truly make this a great picture.
There are no cliches here, no stereotypes and no sucking up to the audience. A brutally honest and yet very moving, touching and optimistic film. And it is not about the nature of a genius. Rather, it is about a man's ability and duty to preserve and be true to his humanity, his freedom, his soul, his heart and his gift, no matter what century it is or what the circumstances are. Watch it to remind yourself of what it really means to be human.
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