Herzog's film is based upon the true and mysterious story of Kaspar Hauser, a young man who suddenly appeared in Nuremberg in 1828, barely able to speak or walk, and bearing a strange note;... See full summary »
Danzig in the 1920s/1930s. Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up ... See full summary »
Andreiv Rublev charts the life of the great icon painter through a turbulent period of 15th Century Russian history, a period marked by endless fighting between rival Princes and by Tatar invasions. Written by
L.H. Wong <email@example.com>
The movie was completed and shown to selected people in private screenings in the winter of 1966. The first official screening was in February 1969 in Moscow, followed by a screening at the Cannes film festival in May 1969. International distribution started in 1973. See more »
The smoothly-cut logs that feature many times in the early scenes are clearly cut with machinery not available in the early C15th. See more »
Considering the great quantity of films in existence, there are very few that even come close to being considered the greatest of all time. Having seen my share of 'masterpieces' I have come to regard Andrei Rublev as the greatest of them all, although I admit that this is debatable. Nonetheless, this film seems to be stigmatized as being too long or boring - maybe because it's by Tarkovksy, or that it's black and white, or that it's Russian - I really don't know where this comes from. If you can get past any preconceived notions of what the movie is going to be like,and just sit down for a few seconds and watch it, you will probably be able to see from the beginning that this is an extremely important, unmissable film - not to mention captivating and exciting, although very dark and disturbing throughout. The amount of skill and thought, and work that went into this film echoes within the timeless imagery that the director has created. Any serious fan of the cinema would be doing themselves a serious disservice by avoiding this movie any longer. If you interested in the works of Gurdjieff and Ouspensky, you'll be able to take something of another level from this film, as there are many subtle references and parallels to their writings and teachings throughout this movie. It could be argued that the film itself is a cinematic representation of the law of three. Regardless, this is a truly extraordinary thing to behold.
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