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See You in Hell, Darling (1966)

An American Dream (original title)
Not Rated | | Drama | 28 October 1966 (UK)
A TV talk-show host who may have killed his wife finds himself being pursued by both the police and a gang of hoods.

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, (novel)
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Nominated for 1 Oscar. Another 1 win. See more awards »
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Cast

Cast overview, first billed only:
...
Stephen Richard Rojack
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Cherry McMahon
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Deborah Kelly Rojack
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Police Lt. G. Roberts
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Barney Kelly
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Arthur Kabot
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Police Sgt. Walt Leznicki
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Ruta
Les Crane ...
Nicky
...
Johnny Dell
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Eddie Ganucci
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Detective O'Brien
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Shago Martin
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Ganucci's Attorney
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Attorney Ord Long
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Storyline

A TV talk-show host who may have killed his wife finds himself being pursued by both the police and a gang of hoods.

Plot Summary | Add Synopsis

Taglines:

Young Mrs. Rojack has some weird ideas. She's the stuff that dreams are made of. Or is it nightmares...? See more »

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

28 October 1966 (UK)  »

Also Known As:

See You in Hell, Darling  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Janet Leigh's singing voice was dubbed by Jackie Ward. See more »

Quotes

Stephen Richard Rojack: I never stopped thinking about you for a minute. Not even at the marriage ceremony. When the man said, "Do you take this woman as your wife?" a picture of you came into my mind.
Cherry McMahon: [Slightly sarcastic] I hope you slept in a big bed on your honeymoon. I wouldn't want to feel I crowded you.
See more »

Connections

Referenced in Lusting Hours (1967) See more »

Soundtracks

A Time for Love
Music by Johnny Mandel
Lyrics by Paul Francis Webster
Performed by Janet Leigh (dubbed by Jackie Ward)
See more »

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User Reviews

 
Producers of 'American Dream' Can't Tell Mailer from Robbins
11 July 2010 | by (United States) – See all my reviews

A Norman Mailer novel gets filmed as if it's a Harold Robbins story. I knew I was in for a campy treat from the opening scenes, featuring Eleanor Parker as the rich, alcoholic harpy Deborah, rolling naked on silk sheets (the camera very careful not to show any naughty bits), demanding whiskey refills from her hunky bed partner with impudent hand gestures and burning his hand with a cigarette when he tries to initiate sex. "Later!" she barks, eyes glued to the TV, watching her husband Rojack (Stuart Whitman), the host of a controversial call-in show. Parker's high-rise wallow is so arresting that Rojack's accusations that the LAPD has a protection deal with a notorious Mafia kingpin hardly register. The action ramps up when Rojack visits his estranged wife. Parker, also in the notorious show biz howler "The Oscar" the same year this was released, goes for broke and over the top, hurling cutting insults and highballs at her square-jawed husband. As Rojack, Whitman stoically endures Deborah's rant until she pantomimes castrating him, and then all hell breaks loose. Rojack finally walks out, but barely makes it to the front door before he's confronted by Deborah's sexy maid (Susan Denberg), wrapped only in a towel but willing to drop it for her boss's husband. Rojack sidesteps the seduction, but in this movie that's actually the wrong decision. Returning to his wife's bedroom for his wallet, another mêlée ensues that ends with Deborah falling off the penthouse terrace, where she's immediately run over by a limo transporting the very same Mafia kingpin Rojack accused of being in bed—figuratively, of course—with the police.

Once Parker's out of the picture "An American Dream" becomes a little less interesting, though a few actors try to match her scenery chewing, J.D. Cannon as a hot-tempered cop chief among them. Janet Leigh as Cherry McMahon, Rojack's former flame prior to his marrying Deborah and now a singer/Mafia moll, does a lot of glaring and glowering. As many other reviewers have pointed out, this often looks like a TV movie, with much of the action happening in flatly lit, claustrophobic sets (though lushly photographed). As tacky as this movie is, the novel's story actually has been sanitized for the protection of 1966 audiences. Mailer's misogyny—the one quality he shared with hack Robbins—is left well intact, however. In "An American Dream," women are just bitches and/or hos.

Though not quite in the same league as other trash-tastic movies of the 1960s, fans of "The Carpetbaggers," "Valley of the Dolls," or the aforementioned "The Oscar," will want to be sure to catch "An American Dream." Fans of Norman Mailer are best advised to skip it.


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