A fictional account of the real life, eleven day, never explained 1926 disappearance of famed murder mystery writer Agatha Christie is presented. On a cold winter day, her damaged car with ... See full summary »
In this travelogue, actor David Suchet journeys across Europe abroad the world famous Orient Express Train, as he prepares to play Poirot in an adaptation of Agatha Christie's "Murder on the Orient Express."
The Belgian detective Hercule Poirot investigates a series of murders in London in which the victims are killed according to their initials. The first victim is A.A. the second B.B. and so on. Poirot is assisted in his investigations by Captain Hastings and Inspector Japp. Written by
Mike Hatchett <firstname.lastname@example.org>
As Tony Randall is climbing out of the trunk of the car that he was hiding in. The tail lights are clearly on. But when Robert Morley is sitting in the car the tail lights are off. In 1965, automatic headlights were not yet available for cars. Especially cheap models like this one. See more »
Where have you been? What have you been doing?
Arranging a little extra insurance my friend.
Oh really? Personally I always feel perfectly safe with British railways. Mind you its very different in France, isn't it?
I wouldn't know. I am not French, I am Belgian.
Well it's the same thing, you both eat horsemeat.
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Tony Randall emerges from Borehamwood Studios' Stage 4 to introduce the film and acknowledge his own starring credit, first as himself and then in full Poirot make-up and character. See more »
Being one of the more elusive films this side of the pond, The Alphabet Murders delivers no more or less than expected (hence the 5/10). But I think you have to ask yourself why your watching it before you condemn it. Christie purists are up in arms, Randall fans defend him, yadda yadda yadda. Personally, I got it for the all too brief Dame Margaret. That said, there's little else to say about it.
Tony Randal is an acquired taste as Poirot, almost getting up your nose with an abysmal accent and acting as if he's the only one with grey cells, and overdoing that. The constant referring of him as a 'short' Belgian is the biggest mystery, as he's taller than most in the film. Poor Robert Morley tries his best, but the tedium of the film mainly comes from the rather repetitive score. Plotwise it doesn't really test the viewer, but enough is happening to keep you guessing. 30 seconds of Margaret Rutherford and spouse puts a much needed grin on the face, but it's not enough by far.
Certainly one to add to the collection, but don't rush for it at the garage sale. Overall, a huge waste of talent. Pity.
Oh, and a reviewer thinks Finney's Poirot was a masterpiece? Yeah. Right.
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