| Photos (See all 14 | slideshow) | Videos (see all 2) |
| Michael Caine | ... | Alfie | |
| Shelley Winters | ... | Ruby | |
| Millicent Martin | ... | Siddie | |
| Julia Foster | ... | Gilda | |
| Jane Asher | ... | Annie | |
| Shirley Anne Field | ... | Carla | |
| Vivien Merchant | ... | Lily | |
| Eleanor Bron | ... | The Doctor | |
| Denholm Elliott | ... | The Abortionist | |
| Alfie Bass | ... | Harry Clamacraft | |
| Graham Stark | ... | Humphrey | |
| Murray Melvin | ... | Nat | |
| Sydney Tafler | ... | Frank | |
| rest of cast listed alphabetically: | |||
| Pauline Boty | ... | One of Alfie's Girlfriends (uncredited) | |
| Peter Graves | ... | (uncredited) | |
| Harry Locke | ... | Foreman (uncredited) | |
| Bryan Marshall | ... | Perce (uncredited) | |
| Ken Morley | ... | Man (uncredited) | |
| James Payne | ... | Man in Pub Fight (uncredited) | |
| Cardew Robinson | ... | Gay Man in Pub (uncredited) | |
| Tony Selby | ... | Lace (uncredited) | |
| Queenie Watts | ... | Blonde Pub Singer (uncredited) | |
| Virginia Wetherell | ... | (uncredited) | |
| Neil Wilson | ... | Bus Passenger (uncredited) | |
Directed by | |||
| Lewis Gilbert | |||
Writing credits | ||
| Bill Naughton | (screenplay) | |
| Bill Naughton | (based on the play by: "Alfie") | |
Produced by | |||
| John Gilbert | .... | associate producer | |
| Lewis Gilbert | .... | producer | |
Original Music by | |||
| Sonny Rollins | (music by) | ||
Cinematography by | |||
| Otto Heller | (lighting cameraman) | ||
Film Editing by | |||
| Thelma Connell | |||
Art Direction by | |||
| Peter Mullins | |||
Makeup Department | |||
| Betty Glasow | .... | hairdresser | |
| Freddie Williamson | .... | make-up (as Fred Williamson) | |
Production Management | |||
| Denis Johnson | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| William P. Cartlidge | .... | assistant director (as Bill Cartlidge) | |
| Brian W. Cook | .... | third assistant director (uncredited) | |
| Ernie Lewis | .... | second assistant director (uncredited) | |
Art Department | |||
| Terence Morgan | .... | set dresser | |
| Gilbert Wood | .... | scenic artist (uncredited) | |
Sound Department | |||
| Stephen Dalby | .... | dubbing mixer (as Steve Dalby) | |
| Peter Davies | .... | sound recordist | |
| Peter Musgrave | .... | dubbing editor | |
| Gerry Humphreys | .... | dubbing crew (uncredited) | |
| Ken Nightingall | .... | boom operator (uncredited) | |
| Mike Silverlock | .... | sound camera operator (uncredited) | |
Stunts | |||
| Peter Diamond | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Harry Gillam | .... | camera operator | |
| Jack Dooley | .... | still photographer (uncredited) | |
| Ray Parslow | .... | second camera operator (uncredited) | |
| Ronnie Fox Rogers | .... | first assistant camera (uncredited) | |
Casting Department | |||
| Sally Nicholl | .... | casting supervisor | |
Costume and Wardrobe Department | |||
| Jack Dagemais | .... | costumes: Miss Winter's | |
| Jean Fairlie | .... | wardrobe supervisor | |
Editorial Department | |||
| Graham Shipham | .... | assistant editor | |
Music Department | |||
| Oliver Nelson | .... | conductor (uncredited) | |
| Oliver Nelson | .... | music arranger (uncredited) | |
Other crew | |||
| Pamela Davies | .... | continuity | |
| Loretta Ordewer | .... | production secretary | |
| Harri Peccinotti | .... | titles | |
| Vic Singh | .... | titles | |
| Geoff Freeman | .... | unit publicist (uncredited) | |
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| Darling | About a Boy | Alfie | Metroland | A Place in the Sun |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
Directed by Lewis Gilbert. Written by Bill Naughton. Running time: 114 minutes. Classified PG.
Alfie is a fantastic example of what I would call a perfect movie: it has a message, it states it clearly, it mixes humor with poignancy, and it's highly stylistic. And did I happen to mention that Michael Caine is in it? The story of the film revolves around a selfish cad (an exceptional Caine) who takes advantage of nearly every woman he encounters and, as a result, is eventually left alone. While Alfie has some very funny moments, it is far from being a comedy: at heart, it is a grim drama about the consequences of selfishness. From the opening scene -- an overview of London at night leading to a shot of Caine and one of his mistresses attempting to copulate in a car -- to the rather dismal conclusion -- another shot of London at night with Caine pondering the meaning of life -- Alfie is directed with flair and elegance. The cinematography is outstanding and the accompanying jazz score establishes an appropriate mood. Each performance is terrific in its own way: Shelley Winters is flawless as Alfie's counterpart, and Graham Stark (a recurring star in Blake Edwards' films) turns in a great supporting role as the ethical husband of one of Alfie's lovers. The script is taut, well-written, and highly influential (Alfie's occasional monologue to the camera is a technique that has been replicated countless times in modern films). Screenwriter Bill Naughton also made the clever decision to assign no last names to any of the principal characters. The only part with a surname belongs to Alfie Bass, who portrays a hospitalized father that stands out as the only truly virtuous character in the entire picture. There are some very light and witty moments in the film, but the scenes that stand out the most are the powerful ones revolving around Viven Merchant's abortion. Director Lewis Gilbert made the wise decision to not show anything explicit, but in the process he made these scenes increasingly haunting and heart-breaking. The shot that focuses on Caine's face as his emotions melt at the sight of his unborn child is remarkably intense. Over-all, Alfie is intriguing, entertaining, and oddly touching. Its influence can be seen in practically every romantic comedy since its release (even High Fidelity owes much of its success to this gem). Alfie went on to score five Oscar nominations, including nods for the extraordinary performances of Caine and Merchant.
**** - Classic