A young wife decides to complete her education and take her exams. She meets a professor who teaches her to value her own insights while still being able to beat the exams. The change in ... See full summary »
For Alfie, the only real life is sex life; only then can he kid himself he is living. Sex is not used as the working-class boy's way to 'the top'. Executive status has no appeal for Alfie. Nor has class mobility. He is quite content to stay where he is, as long as the 'birds' are in 'beautiful condition', as he assures us they are in one of the candid, over-the-shoulder asides to the camera which the film carries over from "Tom Jones". The film shows how much of the 'swinging 60's' quality of London life was a male creation, and through the dominance of the fashion photographers, a male prerogative. Written by
When Alfie speaks with Siddie in the final scene, the ambient light level varies between twilight and dark night. See more »
[talking about Gilda's appearance while she is pregnant]
Mind you, she came over quite beautified for a while, particularly during the early months. And I told her: I said "Blimey, girl, you ain't as ugly as I thought".
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At the beginning of the film Michael Caine talks to camera and explains that there will be no opening credits. See more »
I have just managed to pick this film up on DVD for a bargain price for what is a classic in any era. The way the film is shot, Caine's acting and the music score just draw you in to Alfie's tale. The film does not hide from the grim consequences of Alfie's selfish life but at the end of it you feel sorry for him as his life is really empty as a result. A Film with a message & Caine is mesmerising in the lead role. Great soundtrack from Jazzman Sonny Rollins & the end theme by Burt Bacharach (and sung by Cher) is a classic ballad that leaves you in deep though after what you have seen ...
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