A young wife decides to complete her education and take her exams. She meets a professor who teaches her to value her own insights while still being able to beat the exams. The change in ... See full summary »
Alfie returns, up to his old womanizing ways, until he meets his match in a sophisticated magazine editor Abby. His pursuit is complicated by his encounter with Norma and the fact that a ... See full summary »
For Alfie, the only real life is sex life; only then can he kid himself he is living. Sex is not used as the working-class boy's way to 'the top'. Executive status has no appeal for Alfie. Nor has class mobility. He is quite content to stay where he is, as long as the 'birds' are in 'beautiful condition', as he assures us they are in one of the candid, over-the-shoulder asides to the camera which the film carries over from "Tom Jones". The film shows how much of the 'swinging 60's' quality of London life was a male creation, and through the dominance of the fashion photographers, a male prerogative. Written by
On its original release, the film had an all instrumental soundtrack, by Sonny Rollins. The Oscar nominated song, by Bacharach and David, was added for the American release, and to a British re-release. For the UK release, the song was sung by Cilla Black over the end credits, which went to #9 on the British charts. For the US release, the song was originally to be sung by Dionne Warwick over the end credits, but was replaced at the last minute by the version sung by Cher. Ironically, Warwick's version outperformed Cher's on the Billboard charts. See more »
We see a streetsign showing that Alfie's flat is in Chepstow Road, W3. Later in the film he goes for a walk with his neighbour leaving Lilly in the flat. They are seen walking in the area behind King's Cross station, several miles from W3. See more »
If you lose a bird you can always replace her. But with a child it's different.
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At the beginning of the film Michael Caine talks to camera and explains that there will be no opening credits. See more »
Great period piece dealing with universal questions
This movie has long been one of my favorites. It is one of the few quintessentially "60's" movies, using filming methods that were quite unusual at the time (the direct dialogue between the main character and the audience, for example). While its style is clearly confined to that era, and England in particular, its subject matter is profoundly universal.
The subjects of love and devotion, or more accurately their opposites, philandering and infidelity, are treated with a unique sensitivity in the script. Michael Caine is at once both lovable and detestable, perfectly characterizing the age-old dynamic between the need for love and the need for physical pleasure. But this is not a feel-good movie, it is a movie that explores the difficult decisions that confront a person as they mature in both life and love, and it conveys the basic feelings that are present in all human beings, regardless of outward appearances.
I would recommend this as a thought-provoking exploration of human nature.
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