In London, the twenty-seven year-old hairdresser Rita decides to complete her basic education before having children as desired by her husband Denny. She joins the literature course in an ... See full summary »
For Alfie, the only real life is sex life; only then can he kid himself he is living. Sex is not used as the working-class boy's way to 'the top'. Executive status has no appeal for Alfie. Nor has class mobility. He is quite content to stay where he is, as long as the 'birds' are in 'beautiful condition', as he assures us they are in one of the candid, over-the-shoulder asides to the camera which the film carries over from "Tom Jones". The film shows how much of the 'swinging 60's' quality of London life was a male creation, and through the dominance of the fashion photographers, a male prerogative. Written by
Fly-wire visible on the guy who is thrown through the paneling at the end of the pub fight. See more »
[speaking to camera as he is kissing Lily Clamacraft]
Well, what harm can it do? Old Harry will never know. And even if he did, he shouldn't begrudge me - or her, come to that. And it'll round off the tea nicely.
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At the beginning of the film Michael Caine talks to camera and explains that there will be no opening credits. See more »
This is a seriously good comedy. Michael Caine is delightfully saucy as the title character. He ought to seem a cad, and at times he is, but he takes his lumps too, and takes them in stride. The supporting cast is very effective, with especially excellent performances by Jane Asher, Shelley Winters and Millicent Martin. The camera work is also notable, and London serves as an effective backdrop. Definitely worth a look, and a reminder Michael Caine was as good then as he is now.
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