A young wife decides to complete her education and take her exams. She meets a professor who teaches her to value her own insights while still being able to beat the exams. The change in ... See full summary »
Alfie returns, up to his old womanizing ways, until he meets his match in a sophisticated magazine editor Abby. His pursuit is complicated by his encounter with Norma and the fact that a ... See full summary »
For Alfie, the only real life is sex life; only then can he kid himself he is living. Sex is not used as the working-class boy's way to 'the top'. Executive status has no appeal for Alfie. Nor has class mobility. He is quite content to stay where he is, as long as the 'birds' are in 'beautiful condition', as he assures us they are in one of the candid, over-the-shoulder asides to the camera which the film carries over from "Tom Jones". The film shows how much of the 'swinging 60's' quality of London life was a male creation, and through the dominance of the fashion photographers, a male prerogative. Written by
On its original release, the film had an all instrumental soundtrack, by Sonny Rollins. The Oscar nominated song, by Bacharach and David, was added for the American release, and to a British re-release. For the UK release, the song was sung by Cilla Black over the end credits, which went to #9 on the British charts. For the US release, the song was originally to be sung by Dionne Warwick over the end credits, but was replaced at the last minute by the version sung by Cher. Ironically, Warwick's version outperformed Cher's on the Billboard charts. See more »
When Alfie speaks with Siddie in the final scene, the ambient light level varies between twilight and dark night. See more »
Make a married woman laugh and you're halfway there.
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At the beginning of the film Michael Caine talks to camera and explains that there will be no opening credits. See more »
Having seen most of Michael Caine's work before, it was a pleasant surprise to see one of his first films. You can tell that it is one of his early roles and was not made with a large budget, but, as a good film should portray, it is quite clearly the quality of the script and the acting that outshines the sets and other superfluous aspects.
Caine's character is inherently unlikeable, but, he exudes such a strong charisma that one warms to him gradually. The films choice of supporting actress is also well done as they are controlled by Caine's character, but not upstaged.
The ending, for me is the key point in liking Caine's character, as without spoiling the film, the final scene, set against the Thames at night, is an outstanding piece of writing and direction.
Alfie is an excellent introduction to Michael Caine's work and, for all its flaws, it remains an outstanding film.
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