7.1/10
947
28 user 17 critic

Africa addio (1966)

The cruel acts of animal poaching and violence, executions, and tribal slaughtering, all taking place on the African continent.
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2 wins & 1 nomination. See more awards »
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Cast

Credited cast:
Sergio Rossi ...
Narrator (voice)
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Storyline

From the producers of 'Mondo Cane' comes this violent document of a continent in transition; the change from white colonialism to independent black statehood. Often times, this resulted in the wholesale massacre of thousands of people and the indiscriminate extermination of wild life. Captured on film are mercenary killer squads wiping out entire villages, executions, Mau-Mau massacres and more! Written by Sujit R. Varma

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You May LOVE It! You May HATE It! But You'll Not FORGET It! See more »


Certificate:

R | See all certifications »

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Release Date:

11 February 1966 (Italy)  »

Also Known As:

Africa Blood and Guts  »

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Technical Specs

Runtime:

| (1970 release)

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Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Three actual persons appear uncredited in this documentary. The first person is Julius Nyerere, the first president of Tanzania(Formerly Tanganyika). The second person is Richard Gordon Turnbull, the last colonial governor of Tanzania. The third person is Moise Tshombe, a Congolese politician who returned to Congo to "stop the rebellion" and later died 3 years after Africa Addio was made. See more »

Connections

Featured in Mondo Mania (2016) See more »

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User Reviews

 
Words cannot explain the dilemma I have with this film
23 November 2006 | by (US) – See all my reviews

Truly presents the world as a dark place without a happy ending, or an ending at all, a world full of intolerance part of the human condition. Even worse, there is great indifference towards this intolerance, even displayed by the filmmakers themselves as they arguably exploit the rape of Africa, equally marvelled by the human tragedy and the cinematic scope of Africa in crisis. Yet, the images are genuine, if not presented in a genuine way, and the use of editing, music, and all the techniques of cinema masterfully create a tour de force that commands debate, thought, and maybe - someday- action.

Is this perhaps an example of what "art" really is, for better and for worse?

The fact that it took me over a year to really put into words why this film affected me so much, and yet was still villainous in many ways (a paradox to be sure), makes me think that it is.


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