A look at the careers of Gualtiero Jacopetti and Franco Prosperi who invented the mondo genre with MONDO CANE in 1962. It follows their career until their split in following the making of GOODBYE UNCLE TOM in 1971.
Fascinated by forbidden rituals and ceremonies, world explorer Arthur Davis takes a crew with hidden cameras to Africa and South America to secretly record the beauty and horror of the "law... See full summary »
A "hidden camera" takes the viewer on a worldwide tour of sexual practices and rituals, including Tijuana strippers, Asian sex shows, British prostitutes, New York devil worshipers and a Mexican slave market.
This successor to "Faces of Death" collection is a collection of archive film and borrowed stock footage. In its opening you see the death of a woman named Maritza Martin, who was gunned ... See full summary »
Maritza Martin Munoz,
From the producers of 'Mondo Cane' comes this violent document of a continent in transition; the change from white colonialism to independent black statehood. Often times, this resulted in the wholesale massacre of thousands of people and the indiscriminate extermination of wild life. Captured on film are mercenary killer squads wiping out entire villages, executions, Mau-Mau massacres and more! Written by
Sujit R. Varma
Despite having almost half of the original material removed, the English print under the title Africa Blood and Guts is noted as being more gruesome than the original, uncut print, as any scenes of pleasantness or history have been removed, leaving only the most violent and disturbing footage untouched. See more »
This is the most impressive documentary I have ever seen.
I watched this film last month and I was blown away. In the documentary form, some film makers use a narrator while others let the subjects tell the story in their own words. This film uses bold and dynamic cinematography to tell this gripping and sadly true tale in a way more powerful than any other narrative format. This movie was filmed using a variety of 16mm and 35mm motion pictures cameras. Virtually all of the shots are hand held and I was not surprised to later learn the the Director of Photography was awarded an Oscar for one of his previous works. I spent the summer of 2002 touring Africa and I stayed in a few of the locations shown in this film. I was amazed to see the splendor of the cities in this film which stood in stark contrast to the squalid ruins I witness less than forty years after this masterpiece was made. It was amazing to see how beautiful and vibrant these areas once were. Now it's a wasteland were life is both short and very cheap. This film is pure genius. It also represents a cautionary tale to other peoples of what can happen when the political and economic stability of a society dissipates. Also, one can't help but realize the severe consequences visited upon those naive souls who traded their prosperity, freedoms and security with the avid encouragement of those lefty do-gooders who led them down the path of ruin in the name of "casting away the chains of imperialism." After the continent imploded, these would be social engineers disappeared in the dark of night returning to their homes in London, New York and Paris to see what other societies they could ruin with their idealogical snake oil. They, by default, left to other the impossible task of cleaning up their mess.
The democracy our hapless African brothers and sisters thought they would receive never materialized and when their paternalistic European guardians left, most of these people suffered under the most brutal forms totalitarianism, crime, starvation and tribal genocide. They jumped blindfolded from their frying pans and landed in the fire. Would anyone dare say they are better off today then they were forty years ago? Food for thought.
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