"The camera strips woman right down to her skin," proclaimed the ads,"...lays bare the secrets of her mind and body!" Using outtakes from MONDO CANE as their foundation, Directors Gualtiero... See full summary »
Candide, lovelorn youth and eternal seeker from the pages of Voltaire's immortal classic novel, finds himself thrown out of an entirely comfortable castle after his affection for the ... See full summary »
A young woman teams up with an adventurer to find her missing sister in the jungles of New Guinea and they stumble upon a religious cult led by a deranged preacher whom has located his commune in an area inhabited by cannibals.
The Burning Moon centers on two bedtime stories that a delinquent brother reads his kid sister. These disturbingly morbid stories focus on a serial killing blind date and a murderous, ... See full summary »
From the producers of 'Mondo Cane' comes this violent document of a continent in transition; the change from white colonialism to independent black statehood. Often times, this resulted in the wholesale massacre of thousands of people and the indiscriminate extermination of wild life. Captured on film are mercenary killer squads wiping out entire villages, executions, Mau-Mau massacres and more! Written by
Sujit R. Varma
Three actual persons appear uncredited in this documentary. The first person is Julius Nyerere, the first president of Tanzania(Formerly Tanganyika). The second person is Richard Gordon Turnbull, the last colonial governor of Tanzania. The third person is Moise Tshombe, a Congolese politician who returned to Congo to "stop the rebellion" and later died 3 years after Africa Addio was made. See more »
Words cannot explain the dilemma I have with this film
Truly presents the world as a dark place without a happy ending, or an ending at all, a world full of intolerance part of the human condition. Even worse, there is great indifference towards this intolerance, even displayed by the filmmakers themselves as they arguably exploit the rape of Africa, equally marvelled by the human tragedy and the cinematic scope of Africa in crisis. Yet, the images are genuine, if not presented in a genuine way, and the use of editing, music, and all the techniques of cinema masterfully create a tour de force that commands debate, thought, and maybe - someday- action.
Is this perhaps an example of what "art" really is, for better and for worse?
The fact that it took me over a year to really put into words why this film affected me so much, and yet was still villainous in many ways (a paradox to be sure), makes me think that it is.
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