The series begins when the heroic alien Urutoraman pursues an alien menace to Earth. In the pursuit, he collides with Hiyata, an officer of the Science Patrol who is investigating the chase. To make amends for the accident, the alien gives his life force to the human along with his regular form and powers should he ever need it. Thus Hiyata is returned to Earth alive and merged with the alien. This linking proves to be a most fortuitous event as the monster being pursued is but the first of a wave of destructive monsters and aliens that attack the planet. Hiyata investigates sightings of these beasts as part of the Patrol who fights these threats with the advanced weapons at their disposal. However, the monsters often prove too strong for the Earth forces to stop. When that happens, Hiyata uses a beta capsule given to him by the alien. When he activates it, he transforms into the giant superhero, Urutoraman, who has the power necessary to protect Earth. Written by
Kenneth Chisholm <email@example.com>
For about the first third of the series, the opening credits featured silhouettes of monsters that had appeared in "Ultra Q", such as Kanegon and Gorou. For the remaining episodes, silhouettes of "Ultraman" monsters like Gyango and the iconic Baltan were shown instead. See more »
In the Japanese version, the very beginning of the show (before the credits) has the same swirling-paint effect title shot from the previous TV series, Urutora Q (1965) (only in color), where the effect swirls into the "Ultra Q" title, and then, a sudden blast of red envelops the shot, with a white "Ultraman" appearing (The subtitle "A Special Effects Fantasy Series" then appears at the bottom). The US version has the very same effect, except that the English title "Ultra Man" is featured on both the swirling-paint effect and the red blast effect (both in the same font and instance). See more »
Sublime Wacked Out Monster Show - That's a Compliment!
The first giant robot Japanese Sci-Fi TV show has something that all the others (Ultraman sequels included) never achieved. It's set in a world of bizarre logic and weird film making that is hard to describe. Unlike American television shows, Ultraman seemed to be played for laughs, very strange laughs, but laughs none the less. Don't expect the self-conscious humor of Batman but a world where people say and do odd things, the plot lines take goofy turns and characters will suddenly turn to the camera and talk to you as if nothing strange is happening at all.
In one episode, the main characters (members of the "Science Patrol" in the Amrican translation) are sent out to find nuclear bombs that fell off a wayward space mission (!) and sank to the bottom of the sea. Unfortunately a sea creature found one of the bombs first and mutates into a giant monster (resembling the Creature from the Black Lagoon) that sinks boats and attacks ocean resorts. All the time a nuclear bomb is stuck on the monster's shoulder. The Science Patrol has the brilliant idea to sooth the enraged beast with music so they get the Japanese Coast Guard to play classical music from a destroyer! This has the opposite effect as the monster rips up and hurls trees around. One member of the Science Patrol make the incredible observation, "The monster doesn't like music, turn it off!". The show stops as the main characters try to figure out why their plan didn't work since "all wild beasts are soothed by music"! It's decided that radiation is the cause of the monster's inability to appreciate fine music!
If you are looking for "rational" entertainment, run far as you can from Ultraman. For the rest of us who enjoy goofy fun, you can't get better then this. The new DVD set has the original Japanese track which has increased my admiration for this show.
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