Ann Marie is working at a newsstand in an office building. She meets Donald Hollinger, a magazine writer who works there. Ann has just gotten an acting job for a television commercial filming in the ...
Frances "Gidget" Lawrence lives with her widowed college professor father in California. Anne is her older sister who is married to John Cooper, a psychology student. Gidget spends most of ... See full summary »
One of the many variety shows available in the 1970s (along with Sonny and Cher, Captain and Tennille, Donny and Marie, etc). Hosted by black comic Flip Wilson, this show featured skits, ... See full summary »
George Baxter was a highly successful corporation lawyer who was always in control of everything at the office, but almost nothing at home. When he returned from the office at day's end, to... See full summary »
An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.
Fact-based drama about the life of Marie Balter, who spent most of her young life in mental institutions. At age 16, she first attempted suicide and the next 20 years she spent in and out ... See full summary »
Ann Marie is a struggling actress living in New York City. In between trying to find jobs acting and modeling she has time for her boyfriend, Don Hollinger, and her dad, Lou Marie. Written by
In the first season opening credits, Ann walks through Times Square and sees several Broadway marquees. "Philadelphia, Here I Come!" closed on 1 October 1966, while "Cabaret" opened on 20 December 1966 and Neil Simon's "The Star-Spangled Girl" opened on 21 December 1966. The three shows never ran at the same time. See more »
Ann Marie moves to New York City from Brewster, NY, which is on the Metro North Railroad's Harlem Line to Grand Central Terminal. The footage behind the credits was shot on New Jersey Transit's Northeast Corridor Line (photographed from the rear of a train leaving New York and then shown backwards so the train appears to be going to New York, although on the wrong track). See more »
I wonder how many preteen boys had a crush on Marlo Thomas like I did during the run of this program. She was soooo beautiful, and Ted Bessell seemed like an awfully lucky guy to me, except that he had to live in constant fear of Ann Marie's father, which was realistic enough as Mr. Marie was rather menacing, which by the time the series ended I realized was because he considered the Donald Hollister character a threat to his daughter's virginity. (Wonder how much different, if any, Danny Thomas was about that issue in real life?) In retrospect, this show requires suspension of disbelief even more than most sitcoms, as Ann, a supposedly struggling actress, had a better apartment and nicer clothes than many steadily-employed New Yorkers could have possibly have afforded, then or now. It's a shame that the show only went as far as Donald's bachelor party; it would seem to have been better if they had actually shown the wedding with the implication that "they all lived happily ever after" and that this show, after all really was a modern fairy tale. A fun aspect of the show was seeing how they were going to work the words "that girl" into the opening sequence.
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