Ann Marie is working at a newsstand in an office building. She meets Donald Hollinger, a magazine writer who works there. Ann has just gotten an acting job for a television commercial filming in the ...
An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.
One of the many variety shows available in the 1970s (along with Sonny and Cher, Captain and Tennille, Donny and Marie, etc). Hosted by black comic Flip Wilson, this show featured skits, ... See full summary »
George Baxter was a highly successful corporation lawyer who was always in control of everything at the office, but almost nothing at home. When he returned from the office at day's end, to... See full summary »
Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him nab unsuspecting criminals despite his unbelieving boss.
Ann Marie is a struggling actress living in New York City. In between trying to find jobs acting and modeling she has time for her boyfriend, Don Hollinger, and her dad, Lou Marie. Written by
The running gag of having the pre-credit sequence ending with a character referring to Ann as "that girl" was originally only supposed to be used in the pilot as it was believed that they would never be able to keep finding ways to work it into the conversation. It ended up being used in almost all the episodes. See more »
Ann Marie moves to New York City from Brewster, NY, which is on the Metro North Railroad's Harlem Line to Grand Central Terminal. The footage behind the credits was shot on New Jersey Transit's Northeast Corridor Line (photographed from the rear of a train leaving New York and then shown backwards so the train appears to be going to New York, although on the wrong track). See more »
The opening for season 1 only is not the famous train tracks, but a breathless and beautiful Ann Marie running across a NY street to a building, dressed in a pale blue coat, white gloves and shoes, white pocketbook under her arm. The train tracks don't come until seasons 2, 3, & 4, and season 5 adds lyrics to the up-tempo opening music ("Diamonds, daisies, snowflakes..."). See more »
I wonder how many preteen boys had a crush on Marlo Thomas like I did during the run of this program. She was soooo beautiful, and Ted Bessell seemed like an awfully lucky guy to me, except that he had to live in constant fear of Ann Marie's father, which was realistic enough as Mr. Marie was rather menacing, which by the time the series ended I realized was because he considered the Donald Hollister character a threat to his daughter's virginity. (Wonder how much different, if any, Danny Thomas was about that issue in real life?) In retrospect, this show requires suspension of disbelief even more than most sitcoms, as Ann, a supposedly struggling actress, had a better apartment and nicer clothes than many steadily-employed New Yorkers could have possibly have afforded, then or now. It's a shame that the show only went as far as Donald's bachelor party; it would seem to have been better if they had actually shown the wedding with the implication that "they all lived happily ever after" and that this show, after all really was a modern fairy tale. A fun aspect of the show was seeing how they were going to work the words "that girl" into the opening sequence.
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