The Monkees are asked to appear as extras in Luther Kramm's new beach movie, but soon take offense to the film's star, Frankie Catalina. After upstaging him during the production, Catalina walks off ...
Micky 'Magic Fingers' Dolenz hits a lucky streak in Vegas, not realizing the roulette table is rigged. The Boss and Biggy soon steal the ill begotten money back from the Monkees, who are then given ...
One of the many variety shows available in the 1970s (along with Sonny and Cher, Captain and Tennille, Donny and Marie, etc). Hosted by black comic Flip Wilson, this show featured skits, ... See full summary »
An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.
Not very long running comedy about the extremely Beatles-esque band, The Monkees. The group of four (Micky, Davy, Mike, and Peter) encounter interesting events and tie-in their music with each episode to encompass fast-moving scenes of comedy. Written by
The opening title sequence seen in syndication is from the second season (it's used for the first-season episodes as well). The producers redid the sequence to include clips from "The Monkees on Tour" (the first-season finale) and even some second-season episodes such as "The Devil and Peter Tork" before they even aired. In the final three episodes of the second (and last) season, three of the Monkees invited special musical guests onto the show. Davy Jones talked to Charlie Smalls about soul, Michael Nesmith interviewed Frank Zappa and vice versa, and Micky Dolenz introduced a song by Tim Buckley. Peter Tork had planned to do a similar item with Janis Joplin but this never came about. See more »
In a number of second-season episodes, Micky's hairstyle changes back and forth from a straight hairdo to a curly "permed" look. This was due to the fact that second-season episodes were filmed at two different times, the spring of 1967 (when a number of the actual episode storylines were filmed) and then later that fall (during which time all the song performances were filmed). During the summer break, Micky let his hair grow out. The difference is perhaps most notable in the episode "It's a Nice Place to Visit," when at one moment Micky is performing a song with his hair curled, and is then seen leaving the stage with his hair straight. See more »
What's in the morning paper, Peter?
Oh, "Li'l Abner," "Peanuts"... Oh, say, this is funny!
This big guy hits the little guy with a club, and the little guy hits the big guy in the jaw!
[laughs some more]
What comic strip is that?
What, comic strip? This is the editorial page.
See more »
"The Christmas Show" ends with the Monkees giving the TV audience a Christmas wish of peace. The group then brings the crew-members on to the set and gives them all a very happy and raucous opportunity to give their loved ones at home a Christmas greeting, all while the closing credits play over this. See more »
I was 9 or 10 years old when The Monkees debuted on NBC. I have been a fan ever since. I even saw them in concert during the summer of 1967. I was very peeved at not being able to hear them due to the screaming girls. I thought girls must be the dumbest creatures on earth, but of course I changed my feelings before long. They were still dumb as far as I could tell, but they were cute, too. I saw the Monkees again when three of them (minus Nesmith) reunited in the mid-eighties and late nineties. The Monkees have been unfairly ostracized for decades. "They don't play their own instruments", their critics complained. They were not allowed to play on their first two albums. Don Kirshner, their egomaniacal producer, wanted total control. This ultimately got him fired by the band. He released More of The Monkees without permission from the band. If that weren't bad enough, the album's liner notes were pure Kirshner. Kirshner's egomania is all too apparent. He shamelessly name drops and barely mentions The Monkees at all. Michael Nesmith put his fist through a wall when the band met with Kirshner later. According to Micky Dolenz, Nez snarled, "That coulda been your face, motherf-----!" In any event, that was it for Kirshner as far as The Monkees were concerned. They finally had creative control of the music. For their third album, The Monkees Headquarters, they played on every song with minimal outside accompaniment. They credited the extra 2 or 3 musicians in the liner notes, something other bands (Beatles included) were not so forthcoming about. Micky Dolenz has never gotten the credit he deserves as a great rock vocalist. Just listen to No Time, Randy Scouse Git, Going' Down, Words, Pleasant Valley Sunday, etc. Each Monkey had talent. Micky had a great voice, Mike Nesmith was a good singer and musician, Peter Tork played about a dozen instruments, and Davy Jones was a superb showman and a pretty good singer. About 20 years ago, there was talk of a Monkees TV special. Davy was explaining how it would be set up. "Mike would produce, Micky would direct, and Peter would be in charge of the music." "But what would you do?" Davy was asked. "I would be the star, of course, and get all the girls!" When I see some of the acts who have been inducted into the Rock and Roll Hall of Fame (the Sex Pistols?!) there is no doubt The Monkees deserve to be enshrined. They certainly are more deserving than many who are already in.
24 of 26 people found this review helpful.
Was this review helpful to you?