The Monkees are asked to appear as extras in Luther Kramm's new beach movie, but soon take offense to the film's star, Frankie Catalina. After upstaging him during the production, Catalina walks off ...
Micky 'Magic Fingers' Dolenz hits a lucky streak in Vegas, not realizing the roulette table is rigged. The Boss and Biggy soon steal the ill begotten money back from the Monkees, who are then given ...
An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.
One of the many variety shows available in the 1970s (along with Sonny and Cher, Captain and Tennille, Donny and Marie, etc). Hosted by African American comic actor Flip Wilson, this show ... See full summary »
Short-lived comedy about the extremely Beatles-esque band The Monkees. The group of four (Micky, Davy, Mike, and Peter) encounter interesting events and tie in their music with each episode to encompass fast-moving comedic scenes. Written by
Peter Tork actually did play guitar on "Papa Gene's Blues," one of the songs on their first album. This was done at the insistence of Michael Nesmith, who produced this song as well as "Sweet Young Thing" for the debut LP. Other than Peter's guitar deployment here, it is widely known that none of the four Monkees played any instruments on their first two albums, supplying only vocals; in the case of Nesmith's tracks he himself was producer. This all changed on their third LP, "Headquarters," in which they sang and played on every track, with some backup help from Mike's longtime bassist pal John London, producer Chip Douglas and bassist Jerry Yester. Their fourth album, "Pisces, Aquarius, Capricorn, and Jones Ltd." had a little of both studio musicians and Monkees playing the instruments (this was due to the crushing time constraints of a hectic concert tour as well as filming the TV show's second season; primary outside involvement revolved around the use of drummer "Fast Eddie" Ho), and by the fifth album, "The Birds, the Bees, & the Monkees," they had gone full circle, employing studio musicians and supplying only the vocals, again due to time constraints. They would continue this practice until they stopped recording altogether in 1970, but picked it back up for their 1996 comeback LP, "Justus." See more »
In a number of second-season episodes, Micky's hairstyle changes back and forth from a straight hairdo to a curly "permed" look. This was due to the fact that second-season episodes were filmed at two different times, the spring of 1967 (when a number of the actual episode storylines were filmed) and then later that fall (during which time all the song performances were filmed). During the summer break, Micky let his hair grow out. The difference is perhaps most notable in the episode "It's a Nice Place to Visit," when at one moment Micky is performing a song with his hair curled, and is then seen leaving the stage with his hair straight. See more »
Ooh! So, uh... That's, uh... That's what
is all about.
It's pretty scary.
You know what's even more scary?
You can't say
[...] See more »
"The Christmas Show" ends with the Monkees giving the TV audience a Christmas wish of peace. The group then brings the crew-members on to the set and gives them all a very happy and raucous opportunity to give their loved ones at home a Christmas greeting, all while the closing credits play over this. See more »
The Monkees may have been created as a Beatles-of-America series, but like The Fab Four the show and the group within had a pivotal role in pop music history. While the concept of quick-edit rock music pieces began with A Hard Days Night and its sequels, it was The Monkees that really fleshed out the concept that today is known as the music video.
The power of television proved itself with Monkee-mania, and seeing the series and listening to the records four decades after their debut reveals how fresh and engaging both still are. The sit-com concept was basically parodied, and the free-wheeling styles of Micky Dolenz, Michael Nesmith, Peter Tork, and David Jones made the parodies all the more cutting and funny. There is a magnetism to Micky, Mike, Peter, and Davy that still shows in the show and the music; the use of session hipsters in the backing tracks certainly created a strong baseline at the beginning, but in concert with session help or all on their own (in the album Headquarters and the songs from which the show made use), it was Micky, Mike, Peter, and Davy who gave the music a stamp that was undeniably theirs.
The same is true of the show - other singers have shown engaging humor (Alison Krauss is one of the funniest), but none show the magnetic zaniness of The Monkees (if anything, Ms. Krauss' sense of humor is more like Mike Nesmith's than anything).
This is why the show and the group will always endure.
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