The IMF is up against a contract killer who makes decisions at random at the last minute to ensure his moves are unpredictable. As Barney stands in for the intended victim, the IMF must prepare for ...
Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
Jim Phelps is the head of a super-secret government agency ("Impossible Missions"), and is often given secret anonymous covert missions to attempt; quite often they are unmasking of criminals or the rescuing of hostages. He picks his team depending on which tasks need to be done. One thing is vital on an Impossible Mission: the mission must be carried out in entire secrecy, often relying on high-tech equipment and elaborate deceptions. Written by
Murray Chapman <email@example.com>
When the reel-to-reel tape recorder is playing the mission's instructions, it is actually in a "rewind" mode rather than a "play" mode. This was done because the tape moved too slowly to be believed when it was "playing". See more »
In multiple cases, Barney acts as a character such as a guard or an electrical worker in Eastern Europe. Since Eastern Europe had virtually no immigration from Africa during the 1960s, Barney's obvious African heritage would arouse immediate and very consequential suspicion. See more »
During the first season, Martin Landau was credited as a special guest star. This was because Landau refused to sign a standard five-year contract, but producer Bruce Geller wanted him badly enough that he agreed to use him on a "guest star" basis. Although Landau ended up appearing in a majority of the Season One episodes, he didn't sign a contract (and then only for a year at a time) until the second season. See more »
I fondly remember back in the late sixties and early seventies anxiously awaiting and then enjoying each episode of "Mission: Impossible", from the opening montage to the final credits. As far as I know, no other show has (before or since) come up with anything as clever as the opening montage, where certain clips from that week's episode were shown as the theme song played, before the showing of the pictures of the stars of the show. It was always fun for me to try to pick out the scenes as the show progressed (they always looked more dramatic in the montage than they did in the actual episode). The shows were always well written and the cast did an excellent job of portraying a crew that were all good at their jobs and that even enjoyed their jobs, dangerous though they were.
And the music! Lalo Schifrin's music was excellent!
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