The IMF is up against a contract killer who makes decisions at random at the last minute to ensure his moves are unpredictable. As Barney stands in for the intended victim, the IMF must prepare for ...
Sam McCloud is a Marshal from a Taos, New Mexico, who takes a temporary assignment in the New York City Police. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
Jim Phelps is the head of a super-secret government agency ("Impossible Missions"), and is often given secret anonymous covert missions to attempt; quite often they are unmasking of criminals or the rescuing of hostages. He picks his team depending on which tasks need to be done. One thing is vital on an Impossible Mission: the mission must be carried out in entire secrecy, often relying on high-tech equipment and elaborate deceptions. Written by
Murray Chapman <firstname.lastname@example.org>
In numerous episodes a large, white, ornate archway with a metal gate was used, usually as the entrance to a prison. This was, in reality, the old main gate at Paramount studios where the series was filmed. See more »
In almost every episode someone has to pick a lock. They insert the pick, wiggle it a few times and open the door. To actually open a lock you must also rotate the cylinder just as you do with a key. For this you would use a second "L" or "Z" shaped pick to exert pressure while you moved the pins with the first pick. This is never done. See more »
Voice on Tape:
As always, should you or any of your IM force be caught or killed, the Secretary will disavow any knowledge of your actions. Good luck, Jim. This tape will self-destruct in five seconds.
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Many episodes end with a freeze-framed pan-and-tilt shot of the IMF team's getaway vehicle, with series creator Bruce Geller's credit superimposed over the shot. See more »
"Mission : impossible" is the most complex espionage series ever conceived. What makes this show so unique ? It is its storyline, its characters, its visual style and its music : a real trade mark. What I like the most is first the ritual : the tape, the dossier and the apartment briefing, then the fast-paced clips as credits, the character of Martin Landau with his masks and gimmicks, the cinematography (very quick cuts, extreme close ups as inserts, the use of special lenses, pan-and-tilt shots, upside-down camera shots, hand-held camera shots, optical zoom shots as dramatic effects), the skillful montage, and finally, the music and its various themes. The show is an impeccable and Machiavellian play. Every details are planned in advance to fool and get rid of the enemy. Each scheming is tight and shocking. I like the use of the time warp concept in "Operation Rogosh" and the role of Fritz Weaver as the paranoid Soviet Union spy trapped in a fake Russian prison which is in California. I like the tension and the suspense created by silent actions. Anyway, the whole show is about simulacrum. The devious methods of the IMF agents are always delightful and clever. Don't miss the best episodes : "The mind of Stephan Miklos", "Live bait" and "The interrogator". This tape will self-destruct in five seconds, good luck. !
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