Due to a political conspiracy an innocent man is sent to death row and his only hope is his brother who makes it his mission to deliberately get himself sent to the same prison in order to break the both of them out from the inside out.
Amos Burke was a Los Angeles chief of detectives who was also a millionaire with a chauffeur-driven Rolls Royce, a mansion, and a high-wheeling lifestyle. The hallmarks of this series were ... See full summary »
Three vietnam veterans (Nick Ryder, Cody Allen and Murray Bozinsky) now work as private eyes in sunny southern California. Nick and Cody are the muscles and Murray is a computer wizard of ... See full summary »
Jim Phelps is the head of a super-secret government agency ("Impossible Missions"), and is often given secret anonymous covert missions to attempt; quite often they are unmasking of criminals or the rescuing of hostages. He picks his team depending on which tasks need to be done. One thing is vital on an Impossible Mission: the mission must be carried out in entire secrecy, often relying on high-tech equipment and elaborate deceptions. Written by
Murray Chapman <firstname.lastname@example.org>
Even though Rollin, Cinnamon, Paris and Willie were somewhat famous for their various professions outside of their work with the IMF, no one ever recognized them during any IMF missions, even the ones they undertook within the United States. See more »
In almost every episode someone has to pick a lock. They insert the pick, wiggle it a few times and open the door. To actually open a lock you must also rotate the cylinder just as you do with a key. For this you would use a second "L" or "Z" shaped pick to exert pressure while you moved the pins with the first pick. This is never done. See more »
Voice on Tape:
As always, should you or any of your IM force be caught or killed, the Secretary will disavow any knowledge of your actions. Good luck, Jim. This tape will self-destruct in five seconds.
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Many episodes end with a freeze-framed pan-and-tilt shot of the IMF team's getaway vehicle, with series creator Bruce Geller's credit superimposed over the shot. See more »
I fondly remember back in the late sixties and early seventies anxiously awaiting and then enjoying each episode of "Mission: Impossible", from the opening montage to the final credits. As far as I know, no other show has (before or since) come up with anything as clever as the opening montage, where certain clips from that week's episode were shown as the theme song played, before the showing of the pictures of the stars of the show. It was always fun for me to try to pick out the scenes as the show progressed (they always looked more dramatic in the montage than they did in the actual episode). The shows were always well written and the cast did an excellent job of portraying a crew that were all good at their jobs and that even enjoyed their jobs, dangerous though they were.
And the music! Lalo Schifrin's music was excellent!
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