Due to a political conspiracy an innocent man is sent to death row and his only hope is his brother who makes it his mission to deliberately get himself sent to the same prison in order to break the both of them out from the inside out.
Amos Burke was a Los Angeles chief of detectives who was also a millionaire with a chauffeur-driven Rolls Royce, a mansion, and a high-wheeling lifestyle. The hallmarks of this series were ... See full summary »
Three vietnam veterans (Nick Ryder, Cody Allen and Murray Bozinsky) now work as private eyes in sunny southern California. Nick and Cody are the muscles and Murray is a computer wizard of ... See full summary »
Jim Phelps is the head of a super-secret government agency ("Impossible Missions"), and is often given secret anonymous covert missions to attempt; quite often they are unmasking of criminals or the rescuing of hostages. He picks his team depending on which tasks need to be done. One thing is vital on an Impossible Mission: the mission must be carried out in entire secrecy, often relying on high-tech equipment and elaborate deceptions. Written by
Murray Chapman <email@example.com>
Lalo Schifrin's score - played in a highly uncommon 5/4 time signature earlier popularized by Dave Brubeck's "Take Five" (1959) - went on to achieve the dubious distinction of most parodied theme music closely paralleled by the Twilight Zone's eerie leitmotif trill. See more »
In numerous episodes one of the characters will unscrew an electrical outlet, then reach in and pull it out of the wall by grasping the sides of the outlet. This would put their fingers in direct contact with the wiring resulting in, at the very least, a severe shock. See more »
Episode titles were not shown on-screen. Although this became commonplace with dramatic series in the late 1980s, it was unusual in the 1960s for a one-hour action series to not have episode titles. See more »
I fondly remember back in the late sixties and early seventies anxiously awaiting and then enjoying each episode of "Mission: Impossible", from the opening montage to the final credits. As far as I know, no other show has (before or since) come up with anything as clever as the opening montage, where certain clips from that week's episode were shown as the theme song played, before the showing of the pictures of the stars of the show. It was always fun for me to try to pick out the scenes as the show progressed (they always looked more dramatic in the montage than they did in the actual episode). The shows were always well written and the cast did an excellent job of portraying a crew that were all good at their jobs and that even enjoyed their jobs, dangerous though they were.
And the music! Lalo Schifrin's music was excellent!
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