When a Tong war breaks out in Chinatown, Britt and the paper investigate and think that it's actually a protection racket moving into Chinatown. When someone calls him telling him is he wants to know...
Legendary martial artist Bruce Lee is the subject of this thoughtful documentary by Lee aficionado John Little. Using interviews, behind-the-scenes footage and action sequences from Lee's ... See full summary »
While investigating his friend Chin Ku's (Hwang Jang Lee) death, martial artist Billy Lo (Bruce Lee) is killed. His younger brother, Bobby Lo (Kim Tai Chung), investigates both deaths. His ... See full summary »
Britt Reid, daring young owner/publisher of "The Daily Sentinel," dons a mask and fights crime as The Green Hornet. While the police and public believe the Hornet to be a ruthless criminal, the District Attorney knows Reid's secret identity, and welcomes his assistance in fighting racketeers and criminals. Also assisting Reid in his crusade are his secretary, Lenore Case, and his faithful valet, Kato, who is a kung fu expert and who drives the sleek "Black Beauty," the Hornet's well armed car. Written by
Leonard R. Cleavelin <firstname.lastname@example.org>
In the radio version of the show, the character of Frank Scanlon was the police commissioner. However, since Batman (1966) already had the character of Commissioner Gordon, it was decided to make Scanlon the district attorney to avoid confusion with the other show. See more »
A mistake which runs throughout all Green Hornet incarnations is pronouncing the Japanese name Kato as Kayto rather than the correct Kahto. See more »
Another challenge for the Green Hornet, his aide Kato, and their rolling arsenal, the Black Beauty. On Police records a wanted criminal, Green Hornet is really Britt Reid, owner-publisher of the Daily Sentinel, his dual identity known only to his secretary and to the district attorney. And now, to protect the rights and lives of decent citizens, rides THE GREEN HORNET."
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Being an avid comic book fan, watching the BATMAN tv series as a kid made me ill; it lent credibility, I thought, to the wonky "seduction of the innocent" scenario espoused by one gonzo nutso. Along came THE GREEN HORNET, and suddenly there was a good reason to watch superheroes on tv again. These guys were serious about stopping crime: they went after drug dealers (unheard of at that time on television- at least the television I watched) and murderers (something superheroes very, very rarely did in the comics of the day). To top it all off, The Hornet's sidekick, Kato, hit below the belt. For a kid who'd grown up on comics, this was a tv show with real grit. I was fascinated by Bruce Lee's Gung Fu. Kato stole the show, to be sure, but that's not to suggest that The Hornet was just another masked man: Van Williams was a solid performer in his own right, and was totally believable in the lead. I've since listened to the old radio plays (which I love; they rank right up there with the best of THE SHADOW), and have recently acquired the entire tv series on video tape. Guess what: the show still holds up, after all these years. The two features that were cobbled together from various episodes were watchable, but nothing beats the series in its original format. If anyone's listening (anyone with clout, with a good eye for a potential goldmine just waiting to be mined), I'd suggest putting four thirty minute episodes per tape in a six-tape boxed set and selling it for whatever the market will bear. Think of it this way: bootleggers have been selling washed-out third generation copies (for far more than they're worth) at comic conventions for decades. Let it slide, and those aforementioned bootleggers will continue to rip off people dying to see the series and the network that financed the series in the first place will continue to lose millions of dollars.
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