Stu Bailey and Jeff Spencer were the wisecracking, womanizing private detective heroes of this Warner Brothers drama. Stu and Jeff worked out of an office located at 77 Sunset Strip in Los ... See full summary »
Efrem Zimbalist Jr.,
The City of Angels is falling apart, and crime pervades the city to the core. The mayor is corrupt, the police are inept, the city needs a figure to take control of the situation. Then in ... See full summary »
A crime drama that focused on the lives of the detectives of New York's 65th Precinct. The emphasis in the stories was mostly on real-life crime and the human element. Season one stars were... See full summary »
Britt Reid, daring young owner/publisher of "The Daily Sentinel," dons a mask and fights crime as The Green Hornet. While the police and public believe the Hornet to be a ruthless criminal, the District Attorney knows Reid's secret identity, and welcomes his assistance in fighting racketeers and criminals. Also assisting Reid in his crusade are his secretary, Lenore Case, and his faithful valet, Kato, who is a kung fu expert and who drives the sleek "Black Beauty," the Hornet's well armed car. Written by
Leonard R. Cleavelin <email@example.com>
Al Hirt, who had a big hit with the song "Java," was grabbed by Billy May to perform the opening and closing title music. Hirt used a technique that musicians know as "triple-tonguing" Which is extremely difficult, especially for the amount of time he used the technique in the theme music. See more »
A mistake which runs throughout all Green Hornet incarnations is pronouncing the Japanese name Kato as Kayto rather than the correct Kahto. See more »
Another challenge for the Green Hornet, his aide Kato, and their rolling arsenal, the Black Beauty. On Police records a wanted criminal, Green Hornet is really Britt Reid, owner-publisher of the Daily Sentinel, his dual identity known only to his secretary and to the district attorney. And now, to protect the rights and lives of decent citizens, rides THE GREEN HORNET."
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Being an avid comic book fan, watching the BATMAN tv series as a kid made me ill; it lent credibility, I thought, to the wonky "seduction of the innocent" scenario espoused by one gonzo nutso. Along came THE GREEN HORNET, and suddenly there was a good reason to watch superheroes on tv again. These guys were serious about stopping crime: they went after drug dealers (unheard of at that time on television- at least the television I watched) and murderers (something superheroes very, very rarely did in the comics of the day). To top it all off, The Hornet's sidekick, Kato, hit below the belt. For a kid who'd grown up on comics, this was a tv show with real grit. I was fascinated by Bruce Lee's Gung Fu. Kato stole the show, to be sure, but that's not to suggest that The Hornet was just another masked man: Van Williams was a solid performer in his own right, and was totally believable in the lead. I've since listened to the old radio plays (which I love; they rank right up there with the best of THE SHADOW), and have recently acquired the entire tv series on video tape. Guess what: the show still holds up, after all these years. The two features that were cobbled together from various episodes were watchable, but nothing beats the series in its original format. If anyone's listening (anyone with clout, with a good eye for a potential goldmine just waiting to be mined), I'd suggest putting four thirty minute episodes per tape in a six-tape boxed set and selling it for whatever the market will bear. Think of it this way: bootleggers have been selling washed-out third generation copies (for far more than they're worth) at comic conventions for decades. Let it slide, and those aforementioned bootleggers will continue to rip off people dying to see the series and the network that financed the series in the first place will continue to lose millions of dollars.
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