Quiet young Orfamay Quest from Kansas has hired private detective Philip Marlowe to find her brother. After two leads turn up with ice picks stuck in them, he discovers blackmail photos ... See full summary »
Britt Reid, daring young owner/publisher of "The Daily Sentinel," dons a mask and fights crime as The Green Hornet. While the police and public believe the Hornet to be a ruthless criminal, the District Attorney knows Reid's secret identity, and welcomes his assistance in fighting racketeers and criminals. Also assisting Reid in his crusade are his secretary, Lenore Case, and his faithful valet, Kato, who is a kung fu expert and who drives the sleek "Black Beauty," the Hornet's well armed car. Written by
Leonard R. Cleavelin <firstname.lastname@example.org>
Al Hirt, who had a big hit with the song "Java," was grabbed by Billy May to perform the opening and closing title music. Hirt used a technique that musicians know as "triple-tonguing" Which is extremely difficult, especially for the amount of time he used the technique in the theme music. See more »
A mistake which runs throughout all Green Hornet incarnations is pronouncing the Japanese name Kato as Kayto rather than the correct Kahto. See more »
Another challenge for the Green Hornet, his aide Kato, and their rolling arsenal, the Black Beauty. On Police records a wanted criminal, Green Hornet is really Britt Reid, owner-publisher of the Daily Sentinel, his dual identity known only to his secretary and to the district attorney. And now, to protect the rights and lives of decent citizens, rides THE GREEN HORNET."
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This was meant to be an action-adventure series about the grand-nephew of Texas Ranger John Reid (better known as The Lone Ranger) and a stacked luxury car named "Black Beauty", but ended up being a vehicle for the great Bruce Lee and his amazing exhibitions of the martial arts.
While it didn't have the hilarious campiness of William Dozier's other series "Batman", it did have some goofiness about it. I recall one show featuring Canadian actor Larry D. Mann as some kind of freaky space dude who landed at Britt Reid's home to negotiate their takeover of humanity through the Daily Sentinel. This episode also showed Reid interrupting his TV station's programming via some broadcast console in his living room (yeah, no home should be without one) to warn viewers to take shelter and stay calm.
The fact they had this false floor in Britt Reid's garage that clamps onto that bitchin' sports car, so that the floor can turn upside down and allow Black Beauty to roar out and save the day was kinda fun. Oddly, the Reid estate seems to be within a block of a seedy area of Central City, as Green Hornet, Kato and the rolling arsenal fly out from behind a billboarded wall, onto a conveniently abandoned street!!
Of course, we can forgive all the wacky inconsistencies of the show, when we see the great Bruce Lee in action. Well worth sitting through all the silliness just to see that. How sad sexy Wende Wagner watched her career nosedive after Green Hornet. I always liked the idea of a fighting reporter like Mike Axford. Britt Reid must have been a one-of-a-kind publisher, because I just couldn't imagine a maverick like Axford working for control-freaks like William Randolph Hearst.
Did I mention that I liked Bruce Lee?
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