Gerry Anderson's third SF supermarionation saga told the adventures of the WASPs (the World Aquanaut Security Patrol) as they explored the oceans and kept the world safe from a variety of ... See full summary »
Fireball XL5 was part of the fleet of interplanetary rockets protecting Sector 25 of the Solar System from alien invasion under the supervision of the World Space Patrol. In command of XL5 ... See full summary »
The International Rescue team is faced with one of its toughest challenges yet, as the revolutionary lighter-than-air craft Skyship One is hijacked while on her maiden voyage around the ... See full summary »
In the year 2020 Earth is under threat from Martian androids who want revenge on the human race. They consist of Zelda, her son Yung-star and her sister called Cy-star. An organisation is ... See full summary »
Gerry Anderson's first science fiction Supermarionation series. Super Car was a prototype vehicle that could travel in the air, on land or beneath the sea. Its test pilot was Mike Mercury, ... See full summary »
Children's animation from the 'Smallfilms' team of Postgate and Firmin. In the 'top, left hand corner of Wales' runs an archaic railway line staffed by such characters as Jones the Steam ... See full summary »
Popular British children's animation series, repeated almost constantly since 1971. Mr Benn is the ordinary, bowler-hatted office worker who lives in the ordinary suburban street of Festive... See full summary »
Iconic British children's animated series set in the fictional, picturesque village of the title. Each episode opens with a character emerging from a music box and they will be the central character of the forthcoming story.
A misunderstanding on Mars provokes an alien race called the Mysterons to declare a war of nerves on Earth. Throughout the series, they continually make terrorist threats and attempt to follow through with their ability to create obedient duplicates of anyone they kill. Their key opponent is the international intelligence organization, Spectrum, whose agents are code-named according to various colours. Their top agent in this war is Captain Scarlet, an agent who was subjected to the duplication process, but was still alive at the time. As a result, his clone was able to shake off the Mysterons' control, but leaving being him indestructible and able to survive any wound. Together with his partners, Captain Blue and Spectrum's fighter squadron, The Angels, the now immortal Captain Scarlet must constantly struggle to thwart the Mysterons' ever present threats. Written by
Kenneth Chisholm <email@example.com>
Lieutenant Green is the only leading black male character to appear in any Gerry Anderson series. See more »
[Their last line, from series finale]
This is the voice of the Mysterons. We know you can hear us, Earthmen. The powers of the Mysterons are infinite. We can distort space and time. We have shown you the consequences of your primitive and aggressive behavior. It has been decided by our Imperial Council that a peaceful settlement with the planet Earth might someday be possible. So we will spare you. Be warned, Earthmen: Your warlike behavior can only result in disaster for your planet. One day, ...
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The opening credit sequence of some early episodes ends with the spoken warning: "Captain Scarlet is indestructible. You are not - remember this. Do not try to imitate him." See more »
Perhaps an entire generation was scarred by the voices of the Mysterons - between them and the Daleks I spent a good part of my childhood hiding behind the sofa. It was certainly a golden age for children with the prodigious talents of Gerry Anderson ensuring a constant stream of spectacular programmes for after school entertainment.
'Captain Scarlet' was a follow-on to the immensely successful 'Thunderbirds', and whilst technically superior it never achieved the same level of popularity. Why? I think the answer lies in 'Captain Scarlet' being a darker production, sometime after 'Thunderbirds' Gerry Anderson seems to have lost a lot of his faith in humanity. The Mysteron conflict is started by human stupidity. Technology goes horribly wrong - and this time people die as a consequence.
Or maybe it's just unpopular because the theme music isn't anywhere as catchy.
Storywise, well there is a common plot. The Mysterons kindly inform Earth of their latest plan by means of a cryptic clue, (obviously they are a race of frustrated Martian crossword compilers). Shortly afterwards they use their patented replication technology to make a copy of a person who then goes about fulfilling the Mysteron plans; think 'Invasion of the Bodysnatchers' remade for kids. The Mysteron chief agent on Earth was the creepy Captain Black who desperately needed a shave and somehow managed to escape every week. It's all up to Captain Scarlet and his colour-coordinated sidekicks to save the day in a nuclear-powered, high-rise, high-speed world.
It is clear that Gerry Anderson was just itching to move into live-action television (something he would achieve with the later 'UFO'), and was running into the limitations of puppets. Whilst technical advances between 'Thunderbirds' and 'Captain Scarlet' meant that it was possible to produce anatomically correctly proportioned puppets; string puppets could not be made to walk convincingly. So 'Captain Scarlet' is filled with shots of sitting people, moving walkways or head and shoulder shots. The use of much thinner strings on the puppets and insert shots for hands helps sell the illusion.
In the end the weaknesses don't matter. The Century 21 team had established the formula with 'Thunderbirds'. Mix some high speed chases, a perilous situation for the heroes and end it all with a satisfying explosion or two and you can ensure that 25 minutes whip past before anyone can nit-pick.
Like any Anderson production, the story used a lavish number of models and sets (almost all of which ended up in ruins by the end of the programme). Many of them are now classics - the SPV tank and the futuristic Spectrum Patrol Car were lovingly moulded into die-cast toys and were repeatedly crashed in living rooms around the country. If anyone has mine, please let me know! As always the special effects were of the very highest standard (many of the people involved went on to work with Kubrick on '2001') and still look good today.
Re-watching the programme, one thing I found particularly striking were the strong roles given to women characters people who weren't British or American. Spectrum agents are a mix of all nationalities and ethnicities, apparently Anderson wanted children of all races to have heroes and learn to play together - not a bad aim for the 1960s and something that more programmes could remember.
Looking at it today, 'Captain Scarlet' has survived much better than most programming of the era. Produced on a lavish budget and shot on film, it has been digitally remastered for re-broadcast and DVD and positively glows. Somehow the colours look richer than modern productions and the storytelling doesn't appear to be designed for the very stupid. Even down to the classic retro-futuristic fonts and the wonderful Century 21 logo it still looks modern.
In short, I still love it.
As they used to say at the end of each show; Captain Scarlet is indestructible. You are not. Remember this, do not try to imitate him.
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