This spin-off from the earlier "Department S" continued the adventures of hedonistic, womanizing dandy Jason King. After leaving Department S, Jason settled down to a full-time career of ... See full summary »
An elite department within Interpol, Department S inherited those cases which the other member groups had failed to solve. The brains of the group was Jason King, a hedonistic maverick who ... See full summary »
John Steed and his new accomplices Purdey and Gambit find themselves facing new and deadly dangers in the bizarre world of espionage. Mixing fantasy with a darker edge, the trio face ... See full summary »
McGill (known as "Mac") was a former U.S. intelligence agent based in London. After being thrown out of the agency for something he did not do, he finds his "false" reputation has preceded ... See full summary »
John Drake is a special operative for NATO, specializing in security assignments against any subversive element which threatened world peace. The series featured exotic locales from all ... See full summary »
Craig Stirling, Sharron Macready and Richard Barrett were agents for Nemesis, an international intelligence organization based in Geneva. Their first mission as a team was to investigate ... See full summary »
The Protectors were Harry Rule, the Contessa di Contini and Paul Buchet, three freelance troubleshooters who ran an international crime fighting agency. Based in London, Harry was the ... See full summary »
Nyree Dawn Porter,
English Lord Brett Sinclair and American Danny Wilde are both wealthy playboys, they are teamed together by Judge Fullton to investigate crimes which the police can't solve. These two men ... See full summary »
This series chronicled the lives of Bodie and Doyle, top agents for Britain's CI5 (Criminal Intelligence 5), and their controller, George Cowley. The mandate of CI5 was to fight terrorism ... See full summary »
Boy is this show appalling, and this is unusual for ITC classics. Take a minor league American star like Steve Forrest to appeal to American audiences (supposedly), and set him up as a wealthy adventurer a la Simon Templar. It might have worked if the stories were any good, but they really weren't, and the production values were extremely cheap. The Saint had cheap production values, but this could easily be overlooked with Roger Moore's charisma and interesting stories. Danger Man/Secret Agent had comparatively high production values with some nice location/second unit work, and was probably done for similar money. If you're going to watch an ITC show, try The Saint, Secret Agent, or The Protectors.
But see for yourself. Anyone want to buy a half used DVD set of The Baron?
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