Edwardian adventurer Adam Adamant is frozen alive in a block of ice by his arch-nemesis The Face in 1902 ; in 1966 workmen discover him and he is revived, perfectly preserved... but ...
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This spin-off from the earlier "Department S" continued the adventures of hedonistic, womanizing dandy Jason King. After leaving Department S, Jason settled down to a full-time career of ... See full summary »
A young woman lives a life filled with bad choices. She marries and has a child with an abusive thief at a young age who quickly ends up in prison. Left alone she takes up with his mate (... See full summary »
An elite department within Interpol, Department S inherited those cases which the other member groups had failed to solve. The brains of the group was Jason King, a hedonistic maverick who ... See full summary »
WWII drama follows a group of British, Dutch, and Australian women; from the bombing of Singapore to their years spent in prison camps and eventually to the end of the war where the survivors try to readjust to civilian life.
Michael Portillo makes various railway journeys across the UK, using a 150-year-old Bradshaw's Guide (a collection of railway timetables and a guidebook). He looks at the history, culture ... See full summary »
Edwardian adventurer Adam Adamant is frozen alive in a block of ice by his arch-nemesis The Face in 1902 ; in 1966 workmen discover him and he is revived, perfectly preserved... but completely bewildered by his new environment, "swinging 60's" London, until he meets up with the beautiful Georgina Jones, who helps him adapt - and before long, he is back to adventuring, solving crime & fighting evil wherever it may lurk... Written by
Having just turned off half way through the first episode, I'm afraid in my opinion Adam Adamant Lives was badly acted and had an appalling script. Adamant is meant to be an Edwardian gent, but has never come across underground trains, escalators, cars, electric lights or telephones. Of course this is a fantasy but I do expect a certain amount of internal consistency. Why not have Adamant as a Victorian detective (say having been frozen for 100 years instead of 60)? I don't feel I need to make allowances for the budget or the production values that British TV had at the time - it costs nothing to have a decent standard of script writing or acting.
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