| Photos (See all 21 | slideshow) |
| Brigitte Bardot | ... | Maria I | |
| Jeanne Moreau | ... | Maria II | |
| Paulette Dubost | ... | Mme Diogène | |
| Claudio Brook | ... | The Great Rodolfo | |
| Carlos López Moctezuma | ... | Rodríguez (as Carlos Lopez Moctezuma) | |
| Poldo Bendandi | ... | Werther | |
| Gregor von Rezzori | ... | Diogène (as Gregor Von Rezzori) | |
| Francisco Reiguera | ... | Father Superior | |
| Jonathan Eden | ... | Juanito Diogène | |
| Roberto Pedret | ... | Pablo | |
| José Ángel Espinosa 'Ferrusquilla' | ... | The Dictator of San Miguel (as José Ángel Espinoza) | |
| George Hamilton | ... | Flores | |
| rest of cast listed alphabetically: | |||
| José Baviera | ... | Don Alvaro (uncredited) | |
| Ramón Bugarini | ... | (uncredited) | |
| José Luis Campa | ... | Scout soldier (uncredited) | |
| Roberto Campa | ... | Scout soldier (uncredited) | |
| José Esqueda | ... | Scout soldier (uncredited) | |
| Eduardo Murillo | ... | Scout soldier (uncredited) | |
| Carlos Riquelme | ... | Town Major (in railroad station) (uncredited) | |
| Luis Rizo | ... | Strongman (uncredited) | |
| Adriana Roel | ... | Janine (uncredited) | |
| Fernando Wagner | ... | Father of Maria I (uncredited) | |
Directed by | |||
| Louis Malle | |||
Writing credits | ||
| Louis Malle | (scenario and dialogue) and | |
| Jean-Claude Carrière | (scenario and dialogue) (as Jean-Claude Carriere) | |
Produced by | |||
| Óscar Dancigers | .... | producer (as Oscar Dancigers) | |
Original Music by | |||
| Georges Delerue | |||
Cinematography by | |||
| Henri Decaë | (director of photography) (as Henri Decae) | ||
Film Editing by | |||
| Suzanne Baron | |||
| Kenout Peltier | |||
Production Design by | |||
| Bernard Evein | |||
Costume Design by | |||
| Ghislain Uhry | |||
Makeup Department | |||
| Jean-Pierre Berroyer | .... | hair stylist (as J.P. Berroyer) | |
| Odette Berroyer | .... | makeup artist (as O. Berroyer) | |
| Simone Knapp | .... | makeup artist (as S. Knapp) | |
Production Management | |||
| Pascual Aragonés | .... | production director (as Pascual Aragones) | |
| Alain Quefféléan | .... | production director (as Alain Queffelean) | |
Second Unit Director or Assistant Director | |||
| Juan Luis Buñuel | .... | assistant director (as Juan-Luis Buñuel) | |
| Manuel Muñoz | .... | assistant director (as Mañuel Muñoz) | |
| Volker Schlöndorff | .... | assistant director (as Volker Schloendorff) | |
Art Department | |||
| Rafael Suárez | .... | set dresser (as Rafael Suarez) | |
Sound Department | |||
| José B. Carles | .... | sound (as Jose Carles) | |
Special Effects by | |||
| Lee Zavitz | .... | special effects (as Lee Zavits) | |
Camera and Electrical Department | |||
| Alain Douarinou | .... | camera operator | |
Costume and Wardrobe Department | |||
| Georgette Somohano | .... | costumer (as G.Somoano) | |
Editorial Department | |||
| Claude Le Gallou | .... | assistant editor (as C. Le Gallou) | |
| Claudine Merlin | .... | assistant editor (as C. Merlin) | |
Other crew | |||
| Jacqueline Decaë | .... | script girl (as Jacqueline Decae) | |
| Georges Gillet | .... | administrator | |
| Ghislain Uhry | .... | color advisor | |
| 'Chema' Hernandez | .... | livestock coordinator: Mexico (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| The last striptease | haley-46 |
| Claudia Cardinale ? | Renard-4 |
| available on DVD | hmjunginger |
| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb France section |
If I was asked what genre this film should be put in, I'd really struggle. I guess it's a Vaudeville black farce comedy musical which occasionally breaks into a spaghetti Western. The daft thing is that it kind of works. Bardot must surely be one of the most gorgeous women ever to grace the silver screen, you simply cannot take your eyes off her. Skimpy clothing, wild strawberry hair and a machine gun in her hand, you need a cold shower after watching this! I'm not sure that I believed her as being of Irish descent but was willing to forgive her anything. There are moments of sublime comedy and I don't think I'll ever trust a homing pigeon again. Not to be taken too seriously but great, great fun.