6.4/10
2,758
25 user 23 critic

Viva Maria! (1965)

Not Rated | | Adventure, Comedy, Romance | 18 December 1965 (USA)
Somewhere in Central America in 1907: Maria II is the daughter of an Irish terrorist. After her father's death, she meets Maria I, a singer in a circus. She decides to stay with the circus,... See full summary »

Director:

Writers:

(scenario and dialogue), (scenario and dialogue) (as Jean-Claude Carriere)
Reviews

Watch Now

From $4.99 (SD) on Amazon Video

ON DISC
Won 1 BAFTA Film Award. Another 2 nominations. See more awards »

Photos

Learn more

People who liked this also liked... 

Drama
    1 2 3 4 5 6 7 8 9 10 5.6/10 X  

When Jill becomes a movie star, she soon discovers that her private life is destroyed by persistent fans that won't leave her alone. Her mother's ex-lover, Fabio, tries to protect her.

Director: Louis Malle
Stars: Brigitte Bardot, Marcello Mastroianni, Nicolas Bataille
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  

In sunny St. Tropez, a young sexpot loves one brother but marries the other.

Director: Roger Vadim
Stars: Brigitte Bardot, Curd Jürgens, Jean-Louis Trintignant
Comedy | Crime | Drama
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

In Paris around 1900, Georges Randal is brought up by his wealthy uncle, who steals his inheritance. Georges hopes to marry his cousin Charlotte, but his uncle arranges for her to marry a ... See full summary »

Director: Louis Malle
Stars: Jean-Paul Belmondo, Geneviève Bujold, Marie Dubois
La Parisienne (1957)
Comedy
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  

Set against the picturesque springtime in Paris, the prime minister's daughter marries a buttoned down cabinet official, but when her new husband starts stepping out behind her back, the young bride takes of for the Riviera.

Director: Michel Boisrond
Stars: Charles Boyer, Henri Vidal, Brigitte Bardot
The Lovers (1958)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Saddled with a dull husband and a foolish lover, a woman has an affair with a stranger.

Director: Louis Malle
Stars: Jeanne Moreau, Alain Cuny, Jean-Marc Bory
Comedy
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

Sophie, a flighty young model, learns that her boyfriend is planning to leave her for another woman. Sophie resolves to either win him back or assassinate her rival. A handsome doctor (who ... See full summary »

Director: Roger Vadim
Stars: Brigitte Bardot, Joséphine James, Mireille Darc
The Truth (1960)
Drama
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

Dominique Marceau is on trial for the murder of Gilbert Tellier. The counsels duel relentlessly, elaborating explanations for why the pretty, idle and fickle girl killed the talented and ... See full summary »

Director: Henri-Georges Clouzot
Stars: Brigitte Bardot, Paul Meurisse, Charles Vanel
Certificate: GP Comedy
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

Cellist Gaspard is living in a big house in the country with his son and three nieces. He likes being quiet. One day, his modest car bumps into a Rolls-Royce, driven by Felicia, a young, ... See full summary »

Director: Michel Deville
Stars: Brigitte Bardot, Jean-Pierre Cassel, Daniel Ceccaldi
Romance | Drama
    1 2 3 4 5 6 7 8 9 10 5.5/10 X  

A young girl rescues a man from a suicide attempt. He turns out to be a sociopath, who begins to take over her life, abusing her both verbally and emotionally, yet she can't seem to tear herself away from him.

Director: Roger Vadim
Stars: Brigitte Bardot, Robert Hossein, Jean-Marc Bory
Naughty Girl (1956)
Comedy | Musical | Romance
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

Nightclub entertainer Jean Clery discovers too late that the 'baby' he agreed to take care of is a wild, shapely sex kitten.

Director: Michel Boisrond
Stars: Brigitte Bardot, Jean Bretonnière, Françoise Fabian
Frenchie King (1971)
Comedy | Western
    1 2 3 4 5 6 7 8 9 10 5.3/10 X  

Outlaw sisters in the old West inherit a ranch and try to settle down and develop relationships with neighboring family of lots of brothers.

Directors: Christian-Jaque, Guy Casaril
Stars: Brigitte Bardot, Claudia Cardinale, Michael J. Pollard
Les femmes (1969)
Comedy
    1 2 3 4 5 6 7 8 9 10 5.5/10 X  

Clara becomes a secretary who must cater to all the desires of the womanizing writer Jérôme, while he tries to write his memoirs.

Director: Jean Aurel
Stars: Brigitte Bardot, Maurice Ronet, Christina Holme
Edit

Cast

Cast overview, first billed only:
...
...
...
...
Mme Diogène
Gregor von Rezzori ...
Diogène (as Gregor Von Rezzori)
Poldo Bendandi ...
Werther
...
The Great Rodolfo
...
Rodríguez (as Carlos Lopez Moctezuma)
Jonathan Eden ...
Juanito Diogène
Francisco Reiguera ...
Father Superior
Adriana Roel ...
Janine
José Baviera ...
Don Alvaro
José Ángel Espinosa 'Ferrusquilla' ...
The Dictator of San Miguel (as José Ángel Espinoza)
Fernando Wagner ...
Father of Maria II
Roberto Pedret ...
Pablo
Edit

Storyline

Somewhere in Central America in 1907: Maria II is the daughter of an Irish terrorist. After her father's death, she meets Maria I, a singer in a circus. She decides to stay with the circus, and on her debut as a singer, she unintentionally invents the strip-tease and makes the circus famous. Then they accidentally meet a socialist revolutionary and find themselves leading a revolution against the dictator, the capitalists and the Church. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Taglines:

Viva Bardot! Viva Moreau! (Viva Don't Miss It!) See more »


Certificate:

Not Rated | See all certifications »
Edit

Details

Country:

|

Language:

| | |

Release Date:

18 December 1965 (USA)  »

Also Known As:

Viva Maria  »

Filming Locations:

 »

Edit

Box Office

Budget:

$2,200,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on  »

Technical Specs

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

2.35 : 1
See  »
Edit

Did You Know?

Trivia

The gun that shoots around a corner that "The Great Rodolfo" develops as part of this story is found in a similar weapon called the periscope rifle in 1915 which allowed for the actuation of the trigger from beneath the line of sight of the firearm. Simmilarly, the Krummlauf was a bent barrel attachment was created in WWII for shooting around corners from a safe position. And CornerShot, designed in the early 2000s, allows its operator to both see and attack an armed target, without exposing the operator to counterattack. See more »

Goofs

The two Marias' underpants during the strip scene. See more »

Connections

Referenced in Le Bonheur (1965) See more »

Soundtracks

L'Irlandaise
Music by Georges Delerue
Lyrics by Louis Malle and Jean-Claude Carrière
Performed by Claudio Brook
(p) 1965, Philips
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
What that Revolution really needed were two good female revolutionaries
22 December 2005 | by See all my reviews

This was an amusing film, which was the first movie that I saw starring either Bridget Bardot or Jeanne Moreau. I actually saw it on a double bill back in 1965. It is of interest because it brings up a matter that American films about Mexico's Revolution (or that of the other Latin American Countries) rarely touch upon. This is the position of the Roman Catholic Church in these matters.

The only time the issue of the Church and the Revolutionaries came up in American films was in the John Ford / Henry Fonda movie "The Fugitive". That (based on Graham Greene's novel "The Power And The Glory")dealt with the anti-Clericalism of the PRI regimes that ruled the country after 1920. In it Fonda is a fugitive priest who is trying to continue his religious role, despite the anti-clericalism of the regime. Greene (and Ford) were good Catholics, and stressed the negative actions of the revolutionary regime in Mexico (similar to the anti-religious viewpoint of the Communist regime in Russia). But the view barely notes why the anti-Clericalism developed.

One of the largest land owning groups in Mexico (and in most of Latin America's countries) was the Church. And, due to the holdings, the Church tended to be rather conservative politically. In the 19th Century the greatest figure of reform in Mexico was Benito Juarez, who was from a poor native Indian background. But most of his career was in trying to strengthen Mexican democratic government, and to drive the French invasion (that briefly set up Archduke Maximillian of Austria) as Emperor. But after the French were driven out, Juarez spent the remainder of his years in office (1867 - 1872) trying to get through some kind of fair land reform. This did not sit well with the Church. It supported the regime of his successor (Porfirio Diaz), who was opposed to land reform - he invited foreign investors (many Americans) into Mexico. Diaz's policies were good in giving Mexico a stable economy and political peace for three decades (the longest growth period until the later 20th Century).

The key character to watch in "Viva Maria" is Francisco Regueira, who plays the sinister Father Superior. It is he who is constantly in communication with the dictator, the landowner, and their minions. The role (as is the film) is played for laughs, but it is his behavior, conspiring against the two Marias and their friends, which is telling.

The plot is interesting in bringing in the universality of revolution. Bardot is shown growing up, the daughter of an Irish revolutionary, constantly destroying British forts and other sites with his daughter assisting. When she joins forces with Moreau the latter's sister has committed suicide, so that she needs Bardot to replace the sister. It is a circus group, but Bardot and Moreau do a singing and strip-tease act. They are brought into the Mexican Revolution by the brutality of the local landowner (who rules like he has a mini-kingdom).

The film was pure escapism: the circus group's resident marksman finds one of his special rifles is badly bent after an explosion - he doesn't throw it out, but attach-es a mirror to the barrel and uses the bent gun to shoot people around the corner. George Hamilton plays a local "Zapata" type hero, who is wounded and in hiding. When Bardot speaks in his honor, the members of the circus group listen to her words comments critically on her use of language, and on his theatricality - as though she is acting on stage.

It is not a major film, even for director Louis Malle (don't compare it with "Atlantic City", for example). But as an enjoyable romp it's worth watching.


12 of 20 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 25 user reviews »

Contribute to This Page