Somewhere in Middle America, 1907: Maria II, the daugther of an Irish terrorist, meets after the dead of her father Maria I, the singer of an circus. She decided to stay with the circus. On... See full summary »
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Somewhere in Middle America, 1907: Maria II, the daugther of an Irish terrorist, meets after the dead of her father Maria I, the singer of an circus. She decided to stay with the circus. On her debue as a singer, she accidently invented strip-tease, that made the circus famous. But accidently they meet an sozialist revolutionair and finding themselves leading this revolution against the dictaor, the capitalists and the church. Written by
Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>
This movie was the subject of one of two U.S. Supreme Court cases that led to the establishment of the MPAA Ratings Code. Upon the U.S. release of this "Viva Maria," the movie classification board of the city of Dallas, Texas, banned the movie within the city on the grounds that it was too racy. The American distributor sued - case title: "Interstate Circuit, Inc. v. City of Dallas (1968) - and, on 22 April 1968, won. In its ruling, the Supreme Court stated that censorship aimed at minors was okay, but censorship could not be applied to adults. On the same day, the Supreme Court handed down its ruling in a second case, titled "Ginsberg v. New York (1968)," which established that 17 years of age constituted adulthood in cases of censorship. The case involved a New York City luncheonette owner named Sam Ginsberg who was caught selling a "Playboy" magazine to a 16 year old in a NYPD sting operation. The Supreme Court ruled that if the boy had been 17 years old, then Ginsberg would have done no wrong in selling him the magazine. By combining these two rulings, the Supreme Court established the precedent that adult-oriented movies were acceptable as long as "no one under 17 is admitted without parent or adult guardian." See more »
Goofs
The Pound sign on the wanted poster has been placed after the figure. This is the French practice. In England it would be in front. See more »
VIVA MARIA, a French-Italian co-production, is set in the revolution-torn Mexico in the early 1900s. Maria (Brigitte Bardot) - the daughter of an IRA operative - journeys to Mexico and meets up with her namesake Jeanne Moreau. Under the guise of circus/vaudevillian entertainers, they pursue their revolutionary activities around the countryside. The illustrious pair are captured but escape to fight with an enthusiastic peasantry to free San Miguel from its Spanish oppressors. Thoroughly entertaining and rollicking fun with spectacular visual action. Most of the film was shot on location in Mexico and the railway scenes filmed authentically on the 3ft gauge Interoceanic division of National Railways of Mexico. The featured steam loco is G-023 class 2-8-0 No. 66 (Alco 5209).
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VIVA MARIA, a French-Italian co-production, is set in the revolution-torn Mexico in the early 1900s. Maria (Brigitte Bardot) - the daughter of an IRA operative - journeys to Mexico and meets up with her namesake Jeanne Moreau. Under the guise of circus/vaudevillian entertainers, they pursue their revolutionary activities around the countryside. The illustrious pair are captured but escape to fight with an enthusiastic peasantry to free San Miguel from its Spanish oppressors. Thoroughly entertaining and rollicking fun with spectacular visual action. Most of the film was shot on location in Mexico and the railway scenes filmed authentically on the 3ft gauge Interoceanic division of National Railways of Mexico. The featured steam loco is G-023 class 2-8-0 No. 66 (Alco 5209).