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The Yellow Rolls-Royce (1964)

Three stories about the lives and loves of those who own a certain yellow Rolls-Royce: **First purchased by the Marquess of Frinton for his wife as a belated anniversary present, the ... See full summary »

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Won 1 Golden Globe. Another 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Gerda Millett
...
Lord Charles Frinton - The Marquess of Frinton
...
Mae Jenkins
...
Lady Eloise Frinton - The Marchioness of Frinton
...
Paolo Maltese
...
Davich
...
Stefano
...
Joey Friedlander
Joyce Grenfell ...
Hortense Astor
...
Fane
...
Harnsworth
Lance Percival ...
Assistant Car Salesman
Roland Culver ...
Norwood
...
Harold Scott ...
Taylor
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Storyline

Three stories about the lives and loves of those who own a certain yellow Rolls-Royce: **First purchased by the Marquess of Frinton for his wife as a belated anniversary present, the Marchiness finds her own use for the vehicle - one which prompts her husband to sell the car in disgust. **Gangster Paolo Maltese's moll, Mae, thinks the Rolls is a "classy" car in which to tour Paolo's home town in Italy. When Paolo is called away to the States to finish some "business", a bored Mae takes the Rolls on a spin through the country, enjoying both the sights and the handsome Italian photographer who crosses her path. **By the outbreak of World War II, the car has come into the possession of socialite Gerda Millet. While on her way to visit Yugoslavian royalty, Gerda and the Rolls become (at first) unwitting and then (eventually) most willing participants in the Yugoslavian fight. Written by A.L.Beneteau <albl@inforamp.net>

Plot Summary | Add Synopsis

Taglines:

Everything Happens In The Yellow Rolls Royce!

Genres:

Drama | Romance | Comedy

Certificate:

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Parents Guide:

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Details

Country:

Language:

Release Date:

13 May 1965 (USA)  »

Also Known As:

El Rolls-Royce amarillo  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This was Anthony Asquith's final film as a director before his death on February 20, 1968 at the age of 65. See more »

Goofs

In the opening titles, the roofs of modern cars can be seen as the camera pans along Hyde Park. See more »

Quotes

Paolo Maltese: And this is the girl, my fidanzata, that I am bringing home to meet my folks. Of all the women in the whole world that I can choose from to be my wife, who do I choose? An ignorant slob of a hatcheck girl who thinks Pisa - Piazza del Duomo in Pisa, Joey - is a stopping-off place between hamburger joints.
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Connections

Referenced in Oneirevomai tous filous mou (1993) See more »

Soundtracks

Forget Domani
Words by Norman Newell
Music by Riz Ortolani
Performed by Katina Ranieri
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User Reviews

 
Yellowish
5 January 2005 | by (London, England) – See all my reviews

After the success of "The V.I.P.s" the year before, Anthony Asquith and Terence Rattigan are at it again with uneven results. The excuse this time is a Rolls Royce that passes hands from star to star. It is a formula used before many times, most successfully in Julian Duvivier's "Tales of Manhattan" in which a dinner jacket plays an important part in the destinies of Edward G Robinson, Charles Laughton, Henry Fonda and Paul Robson among others. More recently the formula was used by John Badham in his "The Gun" and then Martin Donovan in the lyrically powerful "Seeds of Tragedy" in which the Rolls Royce there is cocaine. Terence Rattigan was master at dialogue and his characters tended to move in confined spaces, take "Separated Tables" for instance. In "The Yellow Rolls Royce" we travel from England to Italy to Eastern Europe and the only confinement Rattigan finds for his characters is the interior of the luxury car. On the first segment, Rex Harrison and Jeanne Moreau show Rattigan at his best, they are great fun to watch. Harrison, playing a big shot at the foreign office, does wonderful things with Rattigan's words. On the second episode Shirley MacLaine and Art Cartney are lovely as a gangster's moll and her minder but the Italo-American gangster, as played by George C Scott, is so over the top that, practically, sinks the whole little segment. French star Alain Delon plays an Italian gigolo of sorts. He is beautiful to look at but hopeless at delivering Rattigan's lines. On the third episode Ingrid Bergman plays Ingrid Bergman, beautifully and Omar Shariff plays Omar Shariff, just as beautifully. Joyce Grenfell plays a cameo as Bergman's companion, as usually, when she's on, she steals the scene. As you may have gathered, this is the kind of picture that one would enjoy the most on a rainy Sunday afternoon. That in itself is a recommendation.


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