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Who Killed Teddy Bear (1965)

Not Rated | | Crime, Drama, Mystery | 14 August 1967 (Sweden)
In New York, a disco hostess is stalked by a sexual predator and she requests help from a vice squad detective who takes a personal interest in the case.

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(screenplay), (story) | 1 more credit »
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Cast

Cast overview:
...
Lawrence Sherman
...
Norah Dain
Jan Murray ...
Lt. Dave Madden
...
Marian Freeman
Margot Bennett ...
Edie Sherman
...
Carlo (as Dan Travanty)
Diane Moore ...
Pam Madden
Frank Campanella ...
Police Captain
...
Frank
...
Adler
...
Rude Customer
Alex Fisher
Stanley Beck
...
Ms. Nielsen (as Casey Townsend)
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Storyline

A busboy at a disco has sexual problems related to events in his childhood. He becomes obsessed with a disc jockey at the club, leading to obscene phone calls, voyeurism, trips to the porn shop and adult movie palace, and more! A police detective is similarly obsessed with sexual materials, leading him to become personally involved in the case. Written by Steven Rubio <srubio@garnet.berkeley.edu>

Plot Summary | Add Synopsis

Taglines:

Why with everybody else - why with every slob ... and not with me?


Certificate:

Not Rated | See all certifications »
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Details

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Release Date:

14 August 1967 (Sweden)  »

Also Known As:

Cine a ucis ursuletul de plus  »

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Goofs

During the first scene set at the discotheque, Juliet Prowse puts on a new record after we see the crowd dancing to the first song. However, minutes later, we see the crowd dancing to the first song again. See more »

Quotes

Marian Freeman: I never wore a bra until I was 28. And then for a fast ten minutes. Some quack convinced me it helped firm the muscles. I don't like being fenced in. It's a hang-up of mine.
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Connections

References The Pumpkin Eater (1964) See more »

Soundtracks

Who Killed Teddy Bear?
Written by Bob Gaudio and Al Kasha
Sung by Rita Dyson (uncredited)
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User Reviews

 
Who Killed Teddy Bear, Sal Mineo shines in a brilliant performance ahead of its time, in an ignored masterpiece
18 January 2006 | by (United States) – See all my reviews

Hard to believe and very sad to realize that we are coming close to the 30th anniversary of the death, in February-1976,of the brilliant, beautiful, enigmatic, and influential talent of Sal Mineo. He was one of the original 50's heartthrobs who debuted with his poetic performance in the now legendary James Dean classic, Rebel Without a Cause. Later, Mineo became known for his talent and his courage in his art and in his life. He would tackle much more difficult roles and become the first actor to declare his homosexuality, unapologetically. Teddy Bear is Mineo at his most brilliant, most haunting, most daring and most heartbreaking. Coming at a time in his career when he was frustrated with very little roles to choose from, came this harrowing film from director Joseph Cates. It is important to note, and upsetting to say that Teddy Bear is mostly regarded as a "cult classic" and sometimes viewed as a late night schlock/camp film. Nothing could be further from the truth. Here is a film that was not only ahead of its time in subject matter, as well as actors pushing the envelope, but also influencing Martin Scorsese's Taxi Driver(1976) and Alan J. Pakula's Klute (1971).First, it is important to note how much "Teddy Bear" resembles the great Italian films from the late '50's, early'60's. Another great feat for Joseph Cates, is showing the remarkable influence from Michaelangelo Antonioni's L'Eclisse. This is another film dealing with the issues of disillusionment with life and society. Antonioni films Italy as though the surroundings of the characters are being consumed by their environment, a constant theme in Cates' Teddy Bear. Even more remarkable, one can see similarities between Monica Vitti in L'Eclisse and Sal Mineo in Teddy Bear. Both actors never indicating, but truly feeling the confusion, the sadness, and despair with their lives and what they have amounted to. Cates is the one director who beat all others to the punch before imitation of Italian cinema in America became the norm. Joseph Cates dared to show New York as it sadly sometimes can be, a dark, hedonistic, and self absorbed web of sex, self satisfaction and ultimately personal confusion turning to crisis. And he found the perfect actor to personify this as well in the form of the lead character. Mineo never compromises from film's beginning to end. It is a performance of the kind James Dean would have probably played had he lived. And Mineo plays it with all of the same courage, energy and longing that James Dean himself did in Kazan's East of Eden. Alas, Mineo himself had surpassed Dean in some ways with this performance and still, it is ignored. By watching Mineo in this performance, one sees the influence for Robert De Niro's historic Travis Bickle character. A decade earlier Mineo created a character who becomes a victim of an uncaring society, sexual disfunciton and a New York spiraling into hell. Mineo's character certainly would have made movie legend, like DeNiro had done with Driver, if Teddy Bear had been accepted by theatergoers in the first place. Joseph Cates' brilliant directing is overlooked as well. One is reminded of Scorsece's Taxi Driver throughout. The parallels are very easy to see. Cates had made the first movie to address some very upsetting and complicated issues that apparently no one wanted to see on the screen in 1965. Cates treats each character it seems as though they have lost all sensiblility in some cases and are detached from any kind of emotion. Sadly, when each character comes close to any kind of connection, they become even more bitter or face a confusion they can't comprehend or would even want to. Cates also did a brilliant job in creating the other characters through through the other actors in the film. Juliet Prowse as a jaded but still hopeful actress who desperately seeks independence. Jan Murrey as a soul sick cop. And last but not least, the stunning,incandescent Elaine Stritch who steals every scene that she's in and showing a vulnerability and human frailty that would still surprise people in 2006. Teddy Bear has yet to be available on DVD in wide release. It is the last in a series of insults to Cates' vision and Sal Mineo's heartbreaking talent. How soon we forget and overlook an actor of such talent, grace and beauty as Sal Mineo. After seeing his shattering performance in Who Killed Teddy Bear he will be even more greatly missed.


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