Danny Churchill is a young heir who tries to help Ginger, an attractive postal worker in rural Nevada, save her father's ranch from closing due to being heavily in debt with some Reno ... See full summary »
Loring "Red" Nichols is a cornet-playing country boy who goes to New York in the 1920s full of musical ambition and principles. He gets a job playing in Wil Paradise's band, but quits to ... See full summary »
Barbara Bel Geddes,
Pete Porter and Honey Wynn become overnight sensations as a romantic singing duo. But what will become of their budding love affair when their feuding, back-stabbing managers persuade them ... See full summary »
An American wakes up in an English hospital unable to remember anything of his life before a recent car accident. With only a photograph torn from a newspaper to guide him, and an unknown ... See full summary »
Duke Duquesne is a very eccentric magician, and owing to his lifestyle his two-year-old daughter, Cassie, is sent away to live with an aunt. After twenty years, news of her father's death ... See full summary »
Danny Churchill is a young heir who tries to help Ginger, an attractive postal worker in rural Nevada, save her father's ranch from closing due to being heavily in debt with some Reno gangster types for her father's compulsive gambling. Danny, with his college friends help, turn Ginger and her father's ranch into a motel for impending divorcees in order to get out of debit, while Danny courts Ginger, but tries to keep his past reputation a secret when his former girlfriend Tess, a spitefull gold-digger, relentlessly pursues him and his wealth. Written by
This is the third film version of the Gershwins' Broadway hit, "Girl Crazy". The songs "Embraceable You", "Bidin' My Time", "But Not for Me", "Treat Me Rough", and "I Got Rhythm" have been retained from the original score. Added to this are specialty numbers written by or for Connie Francis, Sam the Sham and the Pharaohs, Herman's Hermits, Louis Armstrong, and Liberace. The idea of Louis and Liberace in the same movie is enough for a viewing. The screenplay merely suggests the original libretto. Connie Francis and Harve Presnell are acceptable musical comedy leads. The most interesting aspect of the film for comedy buffs is the stand-up specialty by the comedy team of Davis and Reese. They do an interview with a boxer routine which is reminiscent of, but not a copy of, the fighter routines done by Martin and Lewis and Allen and Rossi. Davis has some spark as a comedian, but Reese is an interchangeable straight man. He's not Bud Abbott, George Burns, Dean Martin, or even Duke Mitchell! This is one of the very few screen appearances of Liberace, and he is hysterical. I wonder if he knew he was that funny! Louis Armstrong is as welcome as ever and Joby Baker is wasted in his comic side-kick role. The film is an interesting mix of trying to integrate 30s musical comedy with rock 'n roll. It really doesn't work, but I give the film makers A for effort.
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