The Hollander family's European vacation is interrupted when their plane is forced to land in Vulgaria. The Hollanders leave the plane to take pictures which results in accusations of ... See full summary »
Unsuccessful singing bullfighter Juan arrives in Barcelona to try his luck in a big town. He finally persuades a devious local impresario to book him, but only on the condition that Juan ... See full summary »
Michael James, a notorious womanizer, desperately wants to be faithful to his fiancée Carole, but runs into serious problems since every woman he meets seems to fall in love with him. His psychoanalyst Dr. Fassbender can't help him either since he's busy courting one of his patients who in turn longs for Michael. A catastrophe appears on the horizon as all the characters check into the Chateau Chantelle hotel for the weekend not knowing of each other's presence. Written by
Richard Burton appears in a cameo with Peter O'Toole in a scene in a bar where Burton asks O'Toole "Don't you know me from someplace?" and O'Toole responds "Give my regards to what's her name." The dialogue is a reference to their appearance together in Becket (1964) and to Burton's wife at the time, Elizabeth Taylor. Screenwriter Woody Allen later said of the Burton cameo, "It was so cute, you want to vomit." See more »
Near the end during the go-cart scene, Dr. Fassbender enters a farmyard in his go-cart and ends up on a horse; however immediately afterwards he is seen driving the go-cart again. See more »
"A sports car is a sign of man's virility. You should get two, maybe."
Peter Sellers, to Woody Allen
'What's New, Pussycat?' is not a great movie. There isn't much in the way of a plot, it's constructed haphazardly, and parts of it don't make a lot of sense.
That's part of its charm. 'The Pink Panther', from the same era, also has a large, recognizable, hugely talented cast, and it's a much more coherent, technically proficient film. It is also less funny.
Just in case you've never seen anything about the movie before: Peter O'Toole plays Michael, a magazine writer and philanderer in mid-1960's Paris. His dilemma (dramatic conflict, if you will) is Carol (Romy Schneider) a woman he loves so much he wants to be faithful to her, if indeed he can give up all other women and marry her. Other women include Paula Prentiss, Capucine, and Ursula Andress; Woody Allen is the friend with the not so secret crush on Carol. Michael's psychoanalyst is played by Peter Sellers, which should tell you about as much as you need to know.
WNP? has a mood, created in large part by the Bacharach score, that I don't want to call innocent because it tries so hard to be naughty, but there it is. The drug culture hadn't yet picked up the cultural grip released by post-50's paranoia, and a sloppy, silly picture like this seemed to be a good idea.
And that's enough of that; a movie that contains the line 'it's my wife the creature that ate Europe' shouldn't be over-analyzed. Enjoy it for what it is.
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