| Photos (See all 24 | slideshow) |
| Frank Sinatra | ... | Col. Joseph L. Ryan | |
| Trevor Howard | ... | Major Eric Fincham | |
| Raffaella Carrà | ... | Gabriella (as Raffaella Carra) | |
| Brad Dexter | ... | Sgt. Bostick | |
| Sergio Fantoni | ... | Capt. Oriani | |
| John Leyton | ... | Orde | |
| Edward Mulhare | ... | Costanzo | |
| Wolfgang Preiss | ... | Major Von Klemment | |
| James Brolin | ... | Private Ames | |
| John Van Dreelen | ... | Col. Gortz (as John van Dreelen) | |
| Adolfo Celi | ... | Battaglia | |
| Vito Scotti | ... | Italian Train Engineer | |
| Richard Bakalyan | ... | Corporal Giannini | |
| Michael Goodliffe | ... | Captain Stein | |
| Michael St. Clair | ... | Sgt. Dunbar | |
| Ivan Triesault | ... | Von Kleist | |
| rest of cast listed alphabetically: | |||
| Ian Abercrombie | ... | English POW (uncredited) | |
| William Berger | ... | Man from the Gestapo (uncredited) | |
| Arthur Brauss | ... | Lt. Gertel--German Mess Officer (uncredited) | |
| William Conroy | ... | German Soldier (uncredited) | |
| John Daheim | ... | American Soldier (uncredited) | |
| Domenick Delgarde | ... | Italian Soldier (uncredited) | |
| Horst Ebersberg | ... | German Pilot (uncredited) | |
| Barry Ford | ... | Ransom's Batman (uncredited) | |
| Brian Gaffikin | ... | English Voices (voice) (uncredited) | |
| Donald F. Glut | ... | P.O.W. (uncredited) | |
| Gino Gottarelli | ... | Gotrz's Aide #2 (uncredited) | |
| Joe Gray | ... | Prisoner (uncredited) | |
| Peter Hellman | ... | Pilot (uncredited) | |
| Robert 'Buzz' Henry | ... | American Soldier (uncredited) | |
| Walter Linden | ... | German Captain (uncredited) | |
| Eric Micklewood | ... | Ransom (uncredited) | |
| John Mitory | ... | Oriani's Aide (uncredited) | |
| Ernesto Molinari | ... | Italian Tailor (uncredited) | |
| Paul Muller | ... | Hauptmann Josef Sonneberg (uncredited) | |
| Benito Prezia | ... | Italian Corporal (uncredited) | |
| Christopher Riordan | ... | Nude P.O.W. (uncredited) | |
| Michael Romanoff | ... | Italian Nobleman (uncredited) | |
| Bob Rosen | ... | P.O.W. Who Opens Sweatbox (uncredited) | |
| James Sikking | ... | American Soldier (uncredited) | |
| Al Silvani | ... | American P.O.W. at Train Station (uncredited) | |
| Lee Stanley | ... | English Prisoner (uncredited) | |
| Jacques Stany | ... | Gortz's Aide (uncredited) | |
| Brad Stevens | ... | German Sergeant (uncredited) | |
| Max Turilli | ... | German Officer at Plane Crash Site (uncredited) | |
| Ron Veto | ... | Italian soldier (uncredited) | |
| Al Wyatt Sr. | ... | American Soldier (uncredited) | |
Directed by | |||
| Mark Robson | |||
Writing credits | ||
| David Westheimer | (novel) | |
| Wendell Mayes | (screenplay) and | |
| Joseph Landon | (screenplay) | |
Produced by | |||
| Saul David | .... | producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| William H. Daniels | (director of photography) | ||
Film Editing by | |||
| Dorothy Spencer | |||
Art Direction by | |||
| Hilyard M. Brown | (as Hilyard Brown) | ||
| Jack Martin Smith | |||
Set Decoration by | |||
| Raphael Bretton | (set decorations) (as Raphael G. Bretton) | ||
| Walter M. Scott | |||
Makeup Department | |||
| Margaret Donovan | .... | hair stylist | |
| Ben Nye | .... | makeup artist | |
| José Luis Pérez | .... | assistant makeup artist (uncredited) | |
| Roy Stork | .... | makeup artist (uncredited) | |
| Harry Thomas | .... | makeup artist (uncredited) | |
| Helen Turpin | .... | hair stylist (uncredited) | |
Production Management | |||
| Harry Caplan | .... | unit production manager (as Harry A. Caplan) | |
| Eduardo García Maroto | .... | unit production manager: Spain (uncredited) | |
Second Unit Director or Assistant Director | |||
| Eli Dunn | .... | assistant director | |
| William Kaplan | .... | second unit director | |
Art Department | |||
| Ed Graves | .... | assistant art director | |
| Lou Korn | .... | assistant art director | |
| José Algueró | .... | assistant art director (uncredited) | |
| Tom Coleman | .... | property master (uncredited) | |
Sound Department | |||
| Carlton W. Faulkner | .... | sound | |
| Elmer Raguse | .... | sound | |
| William Buffinger | .... | recordist (uncredited) | |
| Walter Rossi | .... | sound effects (uncredited) | |
| Don Stern | .... | sound editor (uncredited) | |
Special Effects by | |||
| L.B. Abbott | .... | special photographic effects | |
| Emil Kosa Jr. | .... | special photographic effects | |
| Johnny Borgese | .... | special effects (uncredited) | |
Stunts | |||
| John Daheim | .... | stunts (uncredited) | |
| Dick Dial | .... | stunts (uncredited) | |
| Joe Gray | .... | stunts (uncredited) | |
| Robert 'Buzz' Henry | .... | stunts (uncredited) | |
| Al Wyatt Sr. | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Harold Lipstein | .... | second unit photography | |
| Ted Allan | .... | still photographer (uncredited) | |
| Bill Johnson | .... | camera operator (uncredited) | |
| Al Lane | .... | camera operator (uncredited) | |
| Lou Pazelli | .... | grip (uncredited) | |
| Ramiro Sabell | .... | second assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Mickey Sherrard | .... | wardrobe (uncredited) | |
Music Department | |||
| Arthur Morton | .... | orchestrator | |
| Tommy Tedesco | .... | musician: guitar (uncredited) | |
Transportation Department | |||
| Chris Haynes | .... | driver (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
This is a very logical and well-considered storyline developed from David Westheimer's WWWII thriller by Wendell Mayes and Joseph Landon The escape that ends this film, a trainborne flight across Italian lines toward Switzerland provides a vivid action climax when the train is attacked; it is a bit implausible only because of the length of time the train has to go on unstopped. The film begins its exciting adventure narrative with the arrival of "Von Ryan", then Ryan, among a group of busy British and American sorts trying to escape from a stalag run by a sadistic commandant. They are being punished, but will not give up their attempts. As the now-ranking senior officer, Ryan orders them to stop escaping, then betrays their tunnels to the enemy in return for decent conditions. He is betrayed; then he issues an order that causes him to be put into solitary. he gets respect from this; but he is now "Von Ryan" for the remainder of the film. the war ends; the prisoners revolt successfully and capture the Commandant. Then they have to move overland to escape, and"Von Ryan's" sparing of some prisoners costs lives. But it his great idea once they are captured and put aboard a train to be taken to imprisonment in Germany is to steal the train and head for safety elsewhere. They succeed; against all odds, even though he must kill an Italian officer's loyal betrayer, a beautiful woman; and by ruse, attack, feint, false messages and speed, they do what is necessary. Then as they head for Switzerland, the German planes attack. And at the last, Ryan runs after the train, the last of all--and becomes a legend the hard way. Music by Jerry Goldsmith, makeup by Ben Nye, cinematography by William H. Daniels , art direction by Hilyard B. Brown and John Martin Smith all under the direction of producer-director Mark Robson add up to a recipe for a first-rate color adventure film. As Ryan, Frank Sinatra is not entirely miscast and tries very hard, sensibly underplaying his role, matched every step of the way by Trevor Howard who mostly reacts and gives speeches about the way things ought to be done, very effectively. Edward Mulhare comes off Academy Award level in the film, and others such as John van Dreelin, Sergio Fantoni, Adolfo Celi as the Commandant, and Vito Scotti do well. Raffalla Carra is the girl Ryan must kill, Wolfgang Preiss, Brad Dexter, John Leyton and Richard Bakalyan are soldiers on one side or another. There are many exciting scenes provided, none moreso than Mulhare's impersonation of a German officer; the death of the girl, the final attacks on the train, several of the scenes set in the Stalag and the train's progress which is counterpoised many times to German language scenes of what their pursuers are doing; dialogue scenes lead here to action, action to reassessments, to challenges and to consequences. This is sometimes a slick film, but never a boring one, I suggest. Its characters are not developed as they would have been in a dramatic film; this is an adventure-level film with dramatic elements. And it is a good and occasionally thrilling ride, with the curious sense about it of a dream and a symbol both. Its theme is the courage to dare; and in the enigmatic Ryan, it finds an appropriate hero, a bit tarnished about the edges as a soldier but a first-rate result-getter nevertheless.