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A Matter of Resistance (1966)
"La vie de château" (original title)

7.0
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Ratings: 7.0/10 from 470 users  
Reviews: 7 user | 5 critic

In the countryside near Normandy's beaches lives Marie, unhappy. It's 1945, she's married to Jérôme, a somewhat fussy milquetoast, diffident to the war around him and unwilling to move his ... See full summary »

Writers:

(scenario), (collaboration), 2 more credits »
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Title: A Matter of Resistance (1966)

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Director: Jean-Paul Rappeneau
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Cast

Cast overview:
...
...
Dimanche
...
Jérôme
Henri Garcin ...
Julien
Mary Marquet ...
Charlotte
Carlos Thompson ...
Klopstock
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Storyline

In the countryside near Normandy's beaches lives Marie, unhappy. It's 1945, she's married to Jérôme, a somewhat fussy milquetoast, diffident to the war around him and unwilling to move his wife to Paris, where she longs to live, shop, and party. A German outfit is bivouacked at Jérôme and Marie's crumbling château because its commanding officer is pursuing Marie. She's also eyed by a French spy working with the Allies as they plan D-Day. He woos her (posing to the Germans as her brother) and, in his passion, forgets his mission. Heroics come from an unexpected direction, and Marie makes her choice. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

Certificate:

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Details

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Language:

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Release Date:

25 January 1966 (France)  »

Also Known As:

A Matter of Resistance  »

Company Credits

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Technical Specs

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.66 : 1
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User Reviews

 
La Vie De Château (1965) ***
11 February 2006 | by (Naxxar, Malta) – See all my reviews

Another delightful French pastiche, this time set around the time of the D-Day landings in Normandy; a fine cast headed by Catherine Deneuve, Pierre Brasseur and Philippe Noiret lend themselves admirably to the spirit of the thing. LA VIE DE Château takes in everything from the issues of class difference (farm girl Deneuve is married to wealthy good-for-nothing Noiret), collaboration (Noiret's family flaunts its supposed Nazi sympathies for their own material gain while secretly despising their oppressors) and heroism (it's Noiret who ultimately emerges as the unexpected - and perhaps unwilling - hero, eventually winning back the straying affections of his wife). Director Rappeneau recently returned to the same stylistic territory and historical background with equally terrific results for his BON VOYAGE (2003).


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