| Claudia Cardinale | ... | Sandra Dawson | |
| Michael Craig | ... | Andrew Dawson | |
| Jean Sorel | ... | Gianni Wald-Luzzati | |
| Marie Bell | ... | Mrs. Gilardini, Sandra's Mother | |
| Renzo Ricci | ... | Antonio Gilardini | |
| Fred Williams | ... | Pietro Formari | |
| Amalia Troiani | ... | Fosca - Maid | |
| rest of cast listed alphabetically: | |||
| Vittorio Manfrino | ... | (uncredited) | |
| Renato Moretti | ... | (uncredited) | |
| Paola Piscini | ... | (uncredited) | |
| Isacco Politi | ... | (uncredited) | |
| Giovanni Rovini | ... | (uncredited) | |
| Glenn Saxson | ... | Party Guest (uncredited) | |
| Ferdinando Scarfiotti | ... | (uncredited) | |
Directed by | |||
| Luchino Visconti | |||
Writing credits | ||
| Suso Cecchi D'Amico | (story) & | |
| Enrico Medioli | (story) & | |
| Luchino Visconti | (story) | |
| Suso Cecchi D'Amico | (screenplay) & | |
| Enrico Medioli | (screenplay) & | |
| Luchino Visconti | (screenplay) | |
Produced by | |||
| Franco Cristaldi | .... | producer | |
Cinematography by | |||
| Armando Nannuzzi | (director of photography) | ||
Film Editing by | |||
| Mario Serandrei | |||
Set Decoration by | |||
| Mario Garbuglia | |||
| Laudomia Hercolani | |||
Costume Design by | |||
| Bice Brichetto | |||
Makeup Department | |||
| Iole Cecchini | .... | hair stylist (as Jole Cecchini) | |
| Michele Trimarchi | .... | makeup artist | |
| Alfredo Marazzi | .... | assistant makeup artist (uncredited) | |
Production Management | |||
| Oscar Brazzi | .... | general manager | |
| Rodolfo Martello | .... | production supervisor | |
| Sergio Merolle | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Albino Cocco | .... | assistant director | |
| Rinaldo Ricci | .... | assistant director | |
Art Department | |||
| Andrea Fantacci | .... | assistant set decorator | |
| Ferdinando Giovannoni | .... | assistant production designer (uncredited) | |
Sound Department | |||
| Bruno Borghi | .... | sound mixer | |
| Claudio Maielli | .... | sound engineer | |
Camera and Electrical Department | |||
| Claudio Cirillo | .... | camera operator (uncredited) | |
| Nino Cristiani | .... | camera operator (uncredited) | |
| Amedeo Nannuzzi | .... | assistant camera (uncredited) | |
| Massimo Nannuzzi | .... | assistant camera (uncredited) | |
| Sandro Tamborra | .... | assistant camera (uncredited) | |
| Mario Tursi | .... | still photographer (uncredited) | |
| Enrico Umetelli | .... | assistant camera (uncredited) | |
Costume and Wardrobe Department | |||
| Lucia Baldacci | .... | seamstress (uncredited) | |
| Adriana Masseroni | .... | seamstress (uncredited) | |
Editorial Department | |||
| Roberto Borghi | .... | assistant editor (uncredited) | |
| Eva Latini | .... | assistant editor (uncredited) | |
Music Department | |||
| Augusto D'Ottavio | .... | musician: "Prelude, chorale and fugue" | |
Other crew | |||
| Giulio Biagetti | .... | script supervisor | |
| Enzo Consolini | .... | administrator (uncredited) | |
| Enzo Lucarini | .... | accountant (uncredited) | |
| Andreina Pagnani | .... | voice dubbing: Marie Bell (uncredited) | |
| Aldo U. Passalacqua | .... | production secretary (uncredited) | |
| Giuseppe Rinaldi | .... | voice dubbing: Michael Craig (uncredited) | |
| Massimo Turci | .... | voice dubbing: Jean Sorel (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Italy section |
After watching "Sandra...", for the first time in mi life I wanted to know who the director was. It was 1966 and me 15, so until that moment, I was only interested in who starred what but never fully understood the director's work enormous importance. Since then, Visconti not only became one of my favorite directors ever but a parameter when judging a film. Actually, I had seen The leopard years before, when I was to young to notice more than the beauty in Cardinale and the sumptuous sets. About "Sandra" I still remember vividly not only how beautiful and glamorous Cardinale looked but how handsome and elegant Sorel was; how mysterious the whole black and white atmosphere was and the intriguing plot... which I didn't fully understood because even if the action seemed to say something, the subtitles said something else!. I thought then my mother was right when she used to tell me: You are too young to understand this and that. Well, not without relief, I learn, years later, than the subtitles had been made in Spain, during the Franco's days, so its censorship had erased all incest traces. After that, a new copy was made to match subtitles and story (and thats, thankfully, what you can find, at least in Spanish!). But even after so many years, and in my adulthood, I find Sandra as magical as the first time and still is one of my favorite movies, as many Visconti's works like Rocco and his brothers, Death in Venice or The dammed, as well, of course, The Leopard.