Local goon, Gerry, hires a yellow mini in Kaitaia using a stolen license. John's wife has just left him and moved to Invercargill. He is devastated and needs to talk to her. He has no ... See full summary »
After the Civil War ends, two soldiers return home with a cache of stolen money. They are caught by Union troops. One escapes, but the other is sent to prison for five years. When he gets ... See full summary »
A room gets put up for rent following the mysterious murder of its previous tenant. When an apartment-hunting man sees the deal the brother and sister landlords are offering, he immediately... See full summary »
Norman Thaddeus Vane
Based on a true crime story, the movie is about a wild jazz-loving and boozing wife Roxie Hart who kills her boyfriend in cold blood after he leaves her, and how she finagles her way out ... See full summary »
A criminal drama told in a semi-documentary fashion. The murder of the chief official of Kobe city's Customs triggers an investigation of a prostitution ring called the 'Yellow Line' that sells Japanese women.
Pregnant and living in Canada, Audrey visits her parents in the small French town of her birth. Over the holiday, she comes to learn the story of the grandmother who gave up her family, ... See full summary »
The obscurity of this motion picture is hard to explain after having watched it twice. Maybe it got lost in the crowded field of mid 60's art cinema, neglected amid Woman in the Dunes, Persona, Blowup, Who's Afraid of Virginia Woolf, Masculin/Feminin, Darling, 2001. And the name of the director may be too similar to that of the director of Bicycle Thieves. It has been known to happen. All I can say is that Un Uomo a Meta blew my mind even without understanding all of the dialogue/voice-over in Italian. There's so much more to this film than the words. De Seta uses the medium to reimagine narrative itself. An amazing cinematic venture into the subjective side of a character in full meltdown mode. Perrin delivers 1000% with his mysteriously tormented Michel. Morricone's music is loud, percussive, even intrusive, but always justifiably so as we accompany Michel on his journey to the abyss. Cinematographer Dario DiPalma gets some superb shots that are hard to describe except by their effect, which feels something like "seeing" mental disintegration in 3D. The focus puller deserves special praise for fearlessly staying out of focus! Overexposure is also employed effectively, years ahead of all those Ralph Lauren commercials. The cuts come rapidly, jarringly, as if anticipating a film aesthetic that still has yet to arrive. There must be some way to get this movie subtitled for presentation to a wider audience. De Seta has made one hell of a movie. In the history of films of dissolution Un Uomo a Meta can be placed in a middle period, after Dimitri Kirsanoff's Menilmontant (1926) and before Christopher Nolan's Memento (2000). Yes, it's that good. I also wonder if Cameron Crowe was aware of Un Uomo a Meta when making Vanilla Sky (2001).
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