Former rancher Clint Brenner and the younger Reese, his equal in skill at gun-fighting, are independently recruited to help farmer Seth Grande free the locals of Manitoba town Glory City ... See full summary »
A lady killer tracked by the police, takes refuge at a psichiatrist's home, and the doctor tells him three stories, to convince him that crime does not pay. In Vienna, an investigative ... See full summary »
After the Civil War, desperadoes led by a renegade named Rollins, following the settlers moving westward, try to drive a wedge in the friendship between the whites and the Indians. Apache ... See full summary »
Mabel Kingsley arrives at a western town to clear her missing father of the charge that he stole a shipment of government gold. A frontiersman known as "Shatterhand" agrees to guide her in ... See full summary »
In his remote Asian hideaway the evil Fu Manchu plots the death and discredit of his arch rival, Inspector Nayland Smith of Scotland Yard, as the first step in his plan to become leader of ... See full summary »
As Alice and Cora Munro attempt to find their father, a British officer in the French and Indian War, they are set upon by French soldiers and their cohorts, Huron tribesmen led by the evil... See full summary »
"Twenty four hours to kill" is set in 1965 Beirut at a time when that city perhaps deserved its soubriquet 'The Playground of the Middle East'. Needless to say, today's Beirut has a quite a different international reputation. It is interesting to see the Beirut of nearly 50 years ago in this movie when the French influence on the city was still evident. Other than that, there is little in this film that will hold the interest of the viewer. Lex Barker is somewhat impressive in the lead role and delivers his lines well, but Mickey Rooney adds nothing to this film. Austria-born Walter Slezak plays the villain, but it is not clear whether he is a Fez-cap wearing Turk living in Beirut, or an Arab who was bestowed with a Fez cap by the film's director who thought that every Arab wore one. Of course, in the 1960s, westerners thought Turks and Arabs to be equally exotic and interchangeable. Despite its Middle Eastern setting, local Lebanese are not much in evidence, in this flick. Instead, we have transplanted Westerners dealing with Walter's Slezak's Malouf. Yet, that is not enough to hold the viewer's interest.
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