Former rancher Clint Brenner and the younger Reese, his equal in skill at gun-fighting, are independently recruited to help farmer Seth Grande free the locals of Manitoba town Glory City ... See full summary »
A group of mountain climbers disappears while climbing the Himalayas in the 1950s. In the present, another group takes the same route and also disappears. A shady rich man hires a professional mountaineer and some scientists to find them.
A high powered business executive takes on an assignment on Christmas Eve, knowing she is to get married immediately after the holiday. Arriving at the Seattle airport, she discovered all ... See full summary »
War seen through the eyes of Serra, a university student from Palermo who volunteers in 1942 to fight in Africa. He is assigned to the Pavia Division on the southern line in Egypt. Rommel ... See full summary »
Mexico, 1864. The country is divided by the struggle against the French occupation and emperor Maximilian. The German doctor Karl Sternau and his friend Andreas Hasenpfeffer come to love ... See full summary »
"Twenty four hours to kill" is set in 1965 Beirut at a time when that city perhaps deserved its soubriquet 'The Playground of the Middle East'. Needless to say, today's Beirut has a quite a different international reputation. It is interesting to see the Beirut of nearly 50 years ago in this movie when the French influence on the city was still evident. Other than that, there is little in this film that will hold the interest of the viewer. Lex Barker is somewhat impressive in the lead role and delivers his lines well, but Mickey Rooney adds nothing to this film. Austria-born Walter Slezak plays the villain, but it is not clear whether he is a Fez-cap wearing Turk living in Beirut, or an Arab who was bestowed with a Fez cap by the film's director who thought that every Arab wore one. Of course, in the 1960s, westerners thought Turks and Arabs to be equally exotic and interchangeable. Despite its Middle Eastern setting, local Lebanese are not much in evidence, in this flick. Instead, we have transplanted Westerners dealing with Walter's Slezak's Malouf. Yet, that is not enough to hold the viewer's interest.
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