| Photos (See all 23 | slideshow) | Videos (see all 2) |
| Burt Lancaster | ... | Labiche | |
| Paul Scofield | ... | Von Waldheim | |
| Jeanne Moreau | ... | Christine | |
| Suzanne Flon | ... | Mlle Villard | |
| Michel Simon | ... | Papa Boule | |
| Wolfgang Preiss | ... | Herren | |
| Albert Rémy | ... | Didont (as Albert Remy) | |
| Charles Millot | ... | Pesquet | |
| Richard Münch | ... | Von Lubitz (as Richard Munch) | |
| Jacques Marin | ... | Jacques | |
| Paul Bonifas | ... | Spinet | |
| Jean Bouchaud | ... | Schmidt | |
| Donald O'Brien | ... | Schwartz (as Donal O'Brien) | |
| Jean-Pierre Zola | ... | Octave | |
| Arthur Brauss | ... | Pilzer (as Art Brauss) | |
| Jean-Claude Bercq | ... | Major (as Jean-Claude Berco) | |
| Howard Vernon | ... | Dietrich | |
| Louis Falavigna | ... | Railroad Worker | |
| Richard Bailey | ... | Grote | |
| Christian Fuin | ... | Robert | |
| Helmo Kindermann | ... | Ordnance Officer | |
| Roger Lumont | ... | Engineer Officer | |
| Gérard Buhr | ... | Corporal (as Gerard Buhr) | |
| Christian Rémy | ... | Tauber (as Christian Remy) | |
| rest of cast listed alphabetically: | |||
| Victor Beaumont | ... | Bit Part (uncredited) | |
| Jacques Blot | ... | Hubert (uncredited) | |
| Michel Charrel | ... | Bit Part (uncredited) | |
| Nick Dimitri | ... | German Soldier (uncredited) | |
| Max Fromm | ... | Gestapo Officer (uncredited) | |
| Bernard La Jarrige | ... | Bernard - Doctor (uncredited) | |
| Jean-Jacques Leconte | ... | Lieutenant of Retreating Convoy (uncredited) | |
| Daniel Lecourtois | ... | Priest (uncredited) | |
| Wolfgang Sauer | ... | Bit Part (uncredited) | |
Directed by | |||
| John Frankenheimer | |||
| Arthur Penn | (uncredited; fired, replaced by John Frankenheimer) | ||
Writing credits | ||
| Franklin Coen | screen story & | |
| Howard Dimsdale | uncredited & | |
| Nedrick Young | uncredited and | |
| Frank Davis | screen story | |
| Franklin Coen | (screenplay) and | |
| Frank Davis | (screenplay) | |
| Rose Valland | (book "Le front de l'art") | |
| Walter Bernstein | uncredited | |
| Albert Husson | French version (uncredited) | |
Produced by | |||
| Jules Bricken | .... | producer | |
| Bernard Farrel | .... | associate producer | |
Original Music by | |||
| Maurice Jarre | |||
Cinematography by | |||
| Jean Tournier | (photographed by) | ||
| Walter Wottitz | (photographed by) | ||
Film Editing by | |||
| David Bretherton | |||
| Gabriel Rongier | (uncredited) | ||
Production Design by | |||
| Willy Holt | |||
Makeup Department | |||
| Georges Bouban | .... | makeup artist | |
Production Management | |||
| Serge LeBeau | .... | unit manager (as Serge Lebeau) | |
| Robert Velin | .... | production manager | |
Art Department | |||
| Marc Frédérix | .... | assistant production designer (as Marc Frederix) | |
| Roger Volper | .... | assistant production designer | |
Sound Department | |||
| Jacques Carrère | .... | sound re-recordist | |
| Joseph de Bretagne | .... | sound (as Joseph De Bretagne) | |
| Jacques Maumont | .... | sound re-recordist | |
Special Effects by | |||
| Lee Zavitz | .... | special effects | |
Visual Effects by | |||
| Jean Fouchet | .... | optical effects (as Jean Fouchet F.L) | |
Stunts | |||
| Steven Burnett | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| André Domage | .... | camera operator | |
| Vincent Rossell | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Jean Zay | .... | wardrobe | |
Music Department | |||
| Maurice Jarre | .... | conductor | |
Other crew | |||
| Jules Bricken | .... | presenter | |
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| The Longest Day | Au Revoir Les Enfants | Kelly's Heroes | Bon voyage | Is Paris Burning? |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb France section |
The movie is about the Nazis taking 'degenerate' modern paintings out of Paris as the allies are approaching. The officer in charge of the spoils, Colonel Von Waldheim, is secretly in love with the art he is supposed to hate; his official motivation is based on "cash value." The French train workers, led by Labiche, have no appreciation for the art and are unaware of its cultural importance, but nevertheless fight the Germans out of patriotism, against their better instincts.
Frantic, weary tension comes from the closeness of end of the war, a desperate time that drives the characters well past sane restraint. The Germans can no longer deny their impending doom. Grit comes from massive steam locomotives shot in black and white. The mortal struggle plays out on a personal level. The action is relentless.
The director, John Frankenheimer, relies on the intelligence and empathy of the audience to convey his story. Much of the movie is concerned with the mechanicals of how a railroad works. It shows the dignity and solidarity of the workers, and their huge effort.
The theme is the waste, the cost of war -- what is worth fighting for, what you actually do fight for even though it does not seem to be worth it, and the capricious outcome. The tally comes at the final scene.
"The Train" is a perfect action-adventure war drama.