A district attorney investigates the racially charged case of three teenagers accused of the murder of a blind Puerto Rican boy. He begins to discover that the facts in the case aren't ... See full summary »
Ralph and Annabell Willart are a feuding couple who are constantly bickering over their worthless, good-for nothing son Berry-Berry. When Berry-Berry begins yet another meaningless love ... See full summary »
Eva Marie Saint,
As the Allied forces approach Paris in August 1944, German Colonel Von Waldheim is desperate to take all of France's greatest paintings to Germany. He manages to secure a train to transport the valuable art works even as the chaos of retreat descends upon them. The French resistance however wants to stop them from stealing their national treasures but have received orders from London that they are not to be destroyed. The station master, Labiche, is tasked with scheduling the train and making it all happen smoothly but he is also part of a dwindling group of resistance fighters tasked with preventing the theft. He and others stage an elaborate ruse to keep the train from ever leaving French territory. Written by
In the opening sequence, the parade of major artists' names stenciled on packing crates--GAUGUIN, RENOIR, VAN GOGH, MANET, PICASSO, DEGAS, MIRO, CEZANNE, MATISSE, BRAQUE, SEURAT, UTRILLO--is immediately followed by the director's credit for John Frankenheimer. See more »
(at around 35 mins) When Labiche starts to resolve the "problem" with switch 10, he bends down and reaches in with pliers in his hand. When he pulls out the obstruction (the German officer's pipe), there are no pliers in his hand. See more »
I don't like it.
I mean the art train. If the Germans want it so much, maybe we should do something.
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Opening credits prologue: PARIS August 2-1944 1511th day of German occupation See more »
Like everyone else who has posted here, I think this film is superb. Brilliant screenplay, excellent acting, exceptional directing, and so on and so forth. I think there is one little twist to the screenplay that deserves mention. Burt Lancaster has not one spoken line in the final 20 minutes of the movie. I can't recall ever seeing that done with a major character in a mainstream film. His actions ARE his words. In the final scene, we know exactly what he is thinking without him saying a word. A lovely subtle touch and the crowning moment in a truly great film.
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