The Train (1964) 7.8
In 1944, a German colonel loads a train with French art treasures to send to Germany. The Resistance must stop it without damaging the cargo. Director:John Frankenheimer |
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The Train (1964) 7.8
In 1944, a German colonel loads a train with French art treasures to send to Germany. The Resistance must stop it without damaging the cargo. Director:John Frankenheimer |
|
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| Cast overview, first billed only: | |||
| Burt Lancaster | ... | ||
| Paul Scofield | ... | ||
| Jeanne Moreau | ... | ||
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Suzanne Flon | ... | |
| Michel Simon | ... | ||
| Wolfgang Preiss | ... |
Herren
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Albert Rémy | ... |
Didont
(as Albert Remy)
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Charles Millot | ... | |
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Richard Münch | ... |
Von Lubitz
(as Richard Munch)
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Jacques Marin | ... |
Jacques
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Paul Bonifas | ... |
Spinet
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Jean Bouchaud | ... |
Schmidt
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Donald O'Brien | ... |
Schwartz
(as Donal O'Brien)
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Jean-Pierre Zola | ... |
Octave
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Arthur Brauss | ... |
Pilzer
(as Art Brauss)
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As the Allied forces approach Paris in August 1944, German Colonel Von Waldheim is desperate to take all of France's greatest paintings to Germany. He manages to secure a train to transport the valuable art works even as the chaos of retreat descends upon them. The French resistance however wants to stop them from stealing their national treasures but have received orders from London that they are not to be destroyed. The station master, Labiche, is tasked with scheduling the train and making it all happen smoothly but he is also part of a dwindling group of resistance fighters tasked with preventing the theft. He and others stage an elaborate ruse to keep the train from ever leaving French territory. Written by garykmcd
Like everyone else who has posted here, I think this film is superb. Brilliant screenplay, excellent acting, exceptional directing, and so on and so forth. I think there is one little twist to the screenplay that deserves mention. Burt Lancaster has not one spoken line in the final 20 minutes of the movie. I can't recall ever seeing that done with a major character in a mainstream film. His actions ARE his words. In the final scene, we know exactly what he is thinking without him saying a word. A lovely subtle touch and the crowning moment in a truly great film.