The Tomb of Ligeia (1964)

Director:

Roger Corman

Writers:

Edgar Allan Poe (short story)
Robert Towne (screenplay)

Release Date:

20 January 1965 (USA)

Genre:

Drama | Horror | Thriller

Tagline:

Even on her wedding night she must share the man she loved with the "female thing" that lived in the Tomb of the Cat!

Plot:

Some years after having buried his beloved wife Ligea, Verden Fell meets and eventually marries the lovely Lady Rowena...

Plot Keywords:

Abbey | Recluse | Black Cat | Cat | Fox

Cast

Vincent Price	...	Verden Fell
Elizabeth Shepherd	...	The Lady Rowena Trevanion / The Lady Ligeia
John Westbrook	...	Christopher Gough
Derek Francis	...	Lord Trevanion
Oliver Johnston	...	Kenrick
Richard Vernon	...	Dr. Vivian
Frank Thornton	...	Peperel
Ronald Adam	...	Minister at Graveside
Denis Gilmore	...	Livery Boy
Penelope Lee	...	Lady Rowena's Maidservant

Directed by
Roger Corman

Writing credits
Edgar Allan Poe		(short story)
Robert Towne		(screenplay)

Produced by
Pat Green	....	producer
Samuel Z. Arkoff	....	producer (uncredited)

Original Music by
Kenneth V. Jones

Cinematography by
Arthur Grant		(photographed by)

Film Editing by
Alfred Cox

Art Direction by
Colin Southcott
Daniel Haller		(uncredited)

Makeup Department
George Blackler	....	makeup artist
Pearl Orton	....	hair stylist

Second Unit Director or Assistant Director
David Tringham	....	assistant director

Sound Department
John Aldred	....	sound recordist
Don Ranasinghe	....	sound editor
Bert Ross	....	sound recordist
Les Wiggins	....	sound editor

Special Effects by
Ted Samuels	....	special effects

Camera and Electrical Department
Moray Grant	....	camera operator
Bob Jordan	....	focus puller (uncredited)

Costume and Wardrobe Department
Mary Gibson	....	wardrobe mistress

Music Department
Kenneth V. Jones	....	conductor

Other crew
John Holmes	....	cat trainer
Peter Howitt	....	title designer
Paul Mayersberg	....	assistant to producer
Francis Rodker	....	title designer

Production Companies

• Alta Vista Film Production

Distributors

• American International Pictures (AIP) (1965) (USA) (theatrical)
• Anglo-Amalgamated Film Distributors (1964) (UK) (theatrical)
• Étoile Distribution (1968) (France) (theatrical)
• Home Box Office Home Video (HBO) (video)
• MGM Home Entertainment (Europe) (2005) (UK) (DVD)
• MGM Home Entertainment (2003) (USA) (DVD)
• Orion Home Video (USA) (VHS)
• Sony Pictures Home Entertainment (2005) (Germany) (DVD)
• Thorn EMI (video)

Other Companies

• Sinfonia of London  music played by

Also Known As:

Runtime:

USA:81 min | UK:81 min

Country:

UK

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Germany:16 | UK:12 (DVD rating) | UK:X (original rating) | Australia:PG | Finland:K-16 | Norway:16 | Sweden:15 | USA:Unrated

Filming Locations:

Castle Acre Priory, Swaffham, Norfolk, England, UK

Company:

Alta Vista Film Production

Trivia:

This was the last of Roger Corman's "Poe" series.

Quotes:

Verden Fell:The eyes, they confound me. There's a blankness, a mindless sort of malice in some Egyptian. They do not readily yield up the mystery.

Movie Connections:

Featured in Corman's World: Exploits of a Hollywood Rebel (2011)

Haunting Tale of Mystery

"The Tomb of Ligeia" was one of a cycle of films made by Roger Corman in the sixties based on the works of Edgar Allen Poe. Verden Fell, an English country gentleman of the 1820s has become obsessed with his dead wife Ligeia. Indeed, although she has been buried in a tomb he built for her, he believes that she is not dead but has, as she promised she would, survived death in some form and will return to him. This obsession survives Fell's remarriage to Rowena, the daughter of a neighbouring landowner. Indeed, his obsession worsens, as he comes to believe that Rowena is possessed by Ligeia's spirit.

This is an unusual horror film in that much of it takes place not only outdoors but also in daylight. The sort of images of ruin and decay traditional in horror films- Fell lives in a gloomy, crumbling, cobwebbed manor house close to the ruins of a mediaeval abbey- are contrasted with sunlit scenes of the beautiful, verdant English countryside. The difference between life and death is the central idea of the film- which ends with a quote from Poe himself: "The boundaries which divide life from death are at best shadowy and vague. Who shall say where the one ends and where the other begins"- so this contrast is possibly symbolic, with the outdoor scenes symbolising life and the indoor ones death. The two main female characters (both played by the same actress, Elizabeth Shepherd) are differentiated in a similar manner. Rowena is a healthy-looking, "English Rose" type blonde with a love of outdoor pursuits, especially hunting. Ligeia is dark haired and gaunt with an unhealthy pallor.

Like many films of this period, and unlike later films such as "The Exorcist", this is an example of an understated horror film, with the horror mostly being implied rather than shown directly. Ligeia makes an appearance in the film, but we are never sure whether this is really her ghost returning from the grave or a hallucination conjured up by Fell's distraught mind. Although it is understated, however, it is genuinely frightening, not because of Exorcist-style special effects, but because of the eerie mood that Corman is able to create. Apart from the atmospheric setting, various objects take on a sinister significance- a bunch of flowers, a dead fox and, most of all, a mysterious, malevolent black cat which may be the reincarnation of Ligeia's soul, or may be just a cat.

The acting is also very good, especially from Shepherd in the dual role of Rowena/Ligeia and from Vincent Price as Fell. In a way this is also a dual role, as there are two separate aspects to Fell's character. On the one hand he is sinister and frightening, the man who threatens Rowena's happiness, her sanity and even her life. (The adjective "fell" significantly means cruel or fierce). On the other hand he is a pitiable character, a victim of his own obsessions and (possibly) also of his late wife's ghost. This duality is very much in keeping with the mood of the film, which is one of ambiguity and doubt. As befits one based upon the work of Poe, it is a tale of mystery and imagination. 7/10