Some years after having buried his beloved wife Ligea, Verden Fell meets and eventually marries the lovely Lady Rowena. Fell is something of a recluse, living in a small part of a now ... See full summary »
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After a long journey, Philip arrives at the Usher mansion seeking his loved one, Madeline. Upon arriving, however, he discovers that Madeline and her brother Roderick Usher have been ... See full summary »
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Director:
William Lustig
Stars:
Joe Spinell,
Caroline Munro,
Abigail Clayton
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Some years after having buried his beloved wife Ligea, Verden Fell meets and eventually marries the lovely Lady Rowena. Fell is something of a recluse, living in a small part of a now ruined Abbey with his manservant Kenrick as the only other occupant. He remains infatuated with his late wife and is convinced that she will return to him. While all goes well when first married, he returns to his odd behavior when they return to the Abbey from their honeymoon. The memories of Ligea continue to haunt him as well as her promise that she would never die. Written by
garykmcd
Verden Fell:
Christopher, not ten minutes ago I... I tried to kill a stray cat with a cabbage, and all but made love to the Lady Rowena. I succeeded is squashing the cabbage and badly frightening the lady. If only I could lay open my own brain as easily as I did that vegetable, what rot would be freed from its grey leaves?
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I was asked recently if I could name any genuinely scary films made before The Exorcist in 1973. The only titles I could come up with were Rosemary's Baby and Night of the Living Dead from the late '60s. I could suggest many horror titles made before 1970, but none were genuinely flesh-crawling enough to make the list. At the time, I had not seen The Tomb of Ligeia. Now I have seen it and, wow! This is one seriously under-rated gem.
It is one of the many Roger Corman films from this era based on an Edgar Allan Poe story. Intelligently scripted by Robert Towne, and acted to perfection by Vincent Price and Elisabeth Shepherd, this film is a treat from start to finish. Shepherd plays a well-to-do lady in Victorian England who falls in love with a mysterious loner (Price) who resides in a crumbling abbey and seems haunted by memories of his previous (now-dead) wife Ligeia. She marries Price, but her chances of love are blighted by spooky happenings which may be the work of the ghost of his jealous ex-bride.
The dream sequence, featuring a dead fox hidden in a bouquet of flowers and a terrifying metamorphosis midway through a passionate kiss, is a marvellous and memorable scene. All scenes featuring the weird black cat are eerily effective. There's also a wonderfully creepy hypnotism episode. The photography is lovely, with colourful outdoor lensing of a real English abbey and superb blending of light and shadows during the ghostly indoor sequences.
So, if you're after a truly spine-tingling film from before 1970 - here you go!
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I was asked recently if I could name any genuinely scary films made before The Exorcist in 1973. The only titles I could come up with were Rosemary's Baby and Night of the Living Dead from the late '60s. I could suggest many horror titles made before 1970, but none were genuinely flesh-crawling enough to make the list. At the time, I had not seen The Tomb of Ligeia. Now I have seen it and, wow! This is one seriously under-rated gem.
It is one of the many Roger Corman films from this era based on an Edgar Allan Poe story. Intelligently scripted by Robert Towne, and acted to perfection by Vincent Price and Elisabeth Shepherd, this film is a treat from start to finish. Shepherd plays a well-to-do lady in Victorian England who falls in love with a mysterious loner (Price) who resides in a crumbling abbey and seems haunted by memories of his previous (now-dead) wife Ligeia. She marries Price, but her chances of love are blighted by spooky happenings which may be the work of the ghost of his jealous ex-bride.
The dream sequence, featuring a dead fox hidden in a bouquet of flowers and a terrifying metamorphosis midway through a passionate kiss, is a marvellous and memorable scene. All scenes featuring the weird black cat are eerily effective. There's also a wonderfully creepy hypnotism episode. The photography is lovely, with colourful outdoor lensing of a real English abbey and superb blending of light and shadows during the ghostly indoor sequences.
So, if you're after a truly spine-tingling film from before 1970 - here you go!