In this sequel to "Knock On Any Door", the residents of a Chicago tenement building band together to insure that the son of Nick Romano does not follow in his father's footsteps...to the electric chair.
Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the ... See full summary »
Fiona, Evelyn and Susanna are sisters. Their mother dies on the Lusitania, their father is killed in France, they must manage their Fifth Avenue mansion by themselves. Fiona marries Charles... See full summary »
Twelve-year-old Nick lives with his Uncle Murray, a Mr. Micawber-like Dickensian character who keeps hoping something won't turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle's iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle's willingness to cave in to society in order to save the relationship. Written by
Warlen Bassham <firstname.lastname@example.org>
Michael Gordon was the original director but left before shooting began. See more »
After Leo leaves the apartment, two different cardboard cutouts of him are used, with different facial appearances. See more »
[shouts at rows of houses]
Neighbors, I have an announcement for you. I have never seen such a collection of dirty windows. Now I want to see all of you out there on the fire escape with your Mr. Clean bottles, and let's snap it up!
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In opening credits: and introducing Barry Gordon as Nick. In the end credits, Gordon is credited to all the different names his character has tried: Nick Burns, Wilbur Malcome Burns, Theodore Burns, Raphael Sabatini, Dr. Morris Fishbein, Woodrow Burns, Chevrolet Burns, Big Sam Burns and Lefty Burns. In the film, however, he is just called Nick. See more »
A choice movie, and an original. The writing is sharp, the characters well played. Highlight is Martin Balsam's defense of "getting along," climaxing in "I am the best possible Arnold Burns." Robards holds it all together, but the supporting cast, especially Daniels and Sax, deserve lots of credit. And of course young Barry Gordon was perfect. Movie makers everywhere take note: It's the script, stupid!
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