Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the ... See full summary »
In this sequel to "Knock On Any Door", the residents of a Chicago tenement building band together to insure that the son of Nick Romano does not follow in his father's footsteps...to the electric chair.
Twelve-year-old Nick lives with his Uncle Murray, a Mr. Micawber-like Dickensian character who keeps hoping something won't turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle's iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle's willingness to cave in to society in order to save the relationship. Written by
Warlen Bassham <firstname.lastname@example.org>
Per William Daniels' memoir, several months after production on the film concluded, he attended a private screening of an initial cut of the movie. This version contained no location filming, no marching band music score (as was featured in the play), and the role of Leo Herman was performed by Paul Richards and not Gene Saks (who had successfully played it on stage but was originally unavailable for filming). This early cut proved to be such a disappointment to the film's makers, Herb Gardner decided to relinquish his screenwriting fee in exchange for permission from the producers to rewrite several scenes, hire the now-available Saks to substitute Richards' performance, shoot a number of exterior scenes on location and extensively re-edit the film into its final version. See more »
As Murray puts on a shirt, his toothbrush appears and disappears in his mouth between shots. See more »
[shouts at rows of houses]
Neighbors, I have an announcement for you. I have never seen such a collection of dirty windows. Now I want to see all of you out there on the fire escape with your Mr. Clean bottles, and let's snap it up!
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In opening credits: and introducing Barry Gordon as Nick. In the end credits, Gordon is credited to all the different names his character has tried: Nick Burns, Wilbur Malcome Burns, Theodore Burns, Raphael Sabatini, Dr. Morris Fishbein, Woodrow Burns, Chevrolet Burns, Big Sam Burns and Lefty Burns. In the film, however, he is just called Nick. See more »
A Thousand Clowns is about a twelve-year-old Barry Gordon who lives with his Uncle, Jason Robards. A social worker played by Barbara Harris shows up and ends up falling in love with Robards. But the child welfare people try to force Robards to get a good job so that they won't have to take Gordon away from him. Gordon, who also fancies Harris, looks up to his Uncle as his role model and loves his lifestyle. But then Gordon sees that Robards is willing to give up that great lifestyle in order to keep his "family" together.
The film is an excellent portrayal of the "not a care in the world" way of life and should definitely be seen by anyone who loves comedy. It's one of only a few films that made me laugh out loud and I'm sure if you see it, you'll agree with me. It's only flaw is one scene in which Gordon sees what his uncle's life has been reduced to. But even that was necessary as it shows the way anyone would succumb to social workers.
The film was nominated for four Academy Awards including Picture, Supporting Actor (Martin Balsam as Robards' down to earth brother), Adapted Screenplay, and Score. Sadly, Best Supporting Actor was the only award that it was able to take home that night.
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