5.7/10
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7 user 5 critic

The Third Day (1965)

A man stumbles out of a car crash with no memory of what transpired. Everyone who he meets suggests that he is a ruthless man with an aggressive temper. Could he be deliberately blocking ... See full summary »

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(based on the novel by), (screenplay) | 1 more credit »
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Cast

Complete credited cast:
...
Steve Mallory
...
Alexandria Mallory
...
Oliver Parsons
...
Dr. Wheeler
Mona Washbourne ...
Catherine Parsons
...
Austin Parsons
...
Dom Guardiano
...
Lawrence Conway
...
Holly Mitchell
...
Lester Aldrich
Bill Walker ...
Logan
...
Preston
...
Totti
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Storyline

A man stumbles out of a car crash with no memory of what transpired. Everyone who he meets suggests that he is a ruthless man with an aggressive temper. Could he be deliberately blocking out memories of his past? Written by sol-

Plot Summary | Add Synopsis

Taglines:

ALONE...ON THE DEADLIEST MANHUNT OF ALL! See more »

Genres:

Drama | Mystery

Certificate:

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Details

Country:

Language:

Release Date:

13 September 1965 (UK)  »

Also Known As:

El tercer día  »

Filming Locations:

 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The car that Lester drives is an early 1960's Ford Anglia Super 124E Saloon. It is the left-drive export version of the Anglia Super 123E Saloon made in the U.K. See more »

Goofs

When Steve walks away from the broken guardrail at the beginning of the film, he walks right through the shadow of the camera. See more »


Soundtracks

Love Me Now
Words by Jay Livingston & Ray Evans
Music by Percy Faith
Sung by Arte Johnson
[Lester and his combo perform the song in the lounge in the flashback scene with Steve and Holly in attendance]
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User Reviews

Good, under-rated, under-seen suspenser.
5 October 2000 | by (Cherry Hill, New Jersey) – See all my reviews

All but ignored when it came out in theaters, "The Third Day" is actually a good suspense film very much in the Hitchcock mode. It tells the story of a man accused of killing his mistress in a car accident, in which he was also injured. The problem is, the accident's left him an amnesiac, and, by the time the story is pieced together and the killer's identity revealed, both the protagonists and the audience have been through the emotional ringer.

The performances are all quite good, from then-husband and wife George Peppard and Elizabeth Ashley as the protagonist and his understanding wife, to Roddy MacDowall as Peppard's less-than-honest younger brother, who may know more about the case than he's letting on, to a young Sally Kellerman as the mistress (in flashback), to Dame Mona Washbourne and, in his last role, Herbert Marshall as Peppard and MacDowall's parents. The only casting that doesn't really ring true is a pre-"Laugh-In" Arte Johnson as a sleazy blackmailer. Perhaps it's because he's so thought of as a comic actor, but he just doesn't convince as a heavy.

It's been almost twenty years since I saw this film, but it's obviously made an indelible impression. It's an absolute "must" if you like good suspense.


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