A man stumbles out of a car crash with no memory of what transpired. Everyone who he meets suggests that he is a ruthless man with an aggressive temper. Could he be deliberately blocking ... See full summary »

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Cast

Complete credited cast:
...
Steve Mallory
...
Alexandria Mallory
...
Oliver Parsons
...
Dr. Wheeler
Mona Washbourne ...
Catherine Parsons
...
Austin Parsons
...
Dom Guardiano
Charles Drake ...
Lawrence Conway
...
Holly Mitchell
...
Lester Aldrich
Bill Walker ...
Logan
...
Preston
Janine Gray ...
Totti
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Storyline

A man stumbles out of a car crash with no memory of what transpired. Everyone who he meets suggests that he is a ruthless man with an aggressive temper. Could he be deliberately blocking out memories of his past? Written by sol-

Plot Summary | Add Synopsis

Taglines:

ALONE...ON THE DEADLIEST MANHUNT OF ALL! See more »

Genres:

Drama | Mystery

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Details

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Release Date:

13 September 1965 (UK)  »

Also Known As:

El tercer día  »

Company Credits

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Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This was originally planned as a Frank Sinatra vehicle. See more »


Soundtracks

LOVE ME NOW
Words by Jay Livingston & Ray Evans
Music by Percy Faith
Sung by Arte Johnson
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User Reviews

Good, under-rated, under-seen suspenser.
5 October 2000 | by (Cherry Hill, New Jersey) – See all my reviews

All but ignored when it came out in theaters, "The Third Day" is actually a good suspense film very much in the Hitchcock mode. It tells the story of a man accused of killing his mistress in a car accident, in which he was also injured. The problem is, the accident's left him an amnesiac, and, by the time the story is pieced together and the killer's identity revealed, both the protagonists and the audience have been through the emotional ringer.

The performances are all quite good, from then-husband and wife George Peppard and Elizabeth Ashley as the protagonist and his understanding wife, to Roddy MacDowall as Peppard's less-than-honest younger brother, who may know more about the case than he's letting on, to a young Sally Kellerman as the mistress (in flashback), to Dame Mona Washbourne and, in his last role, Herbert Marshall as Peppard and MacDowall's parents. The only casting that doesn't really ring true is a pre-"Laugh-In" Arte Johnson as a sleazy blackmailer. Perhaps it's because he's so thought of as a comic actor, but he just doesn't convince as a heavy.

It's been almost twenty years since I saw this film, but it's obviously made an indelible impression. It's an absolute "must" if you like good suspense.


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