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The Third Day (1965)

 -  Drama  -  13 September 1965 (UK)
5.9
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A man stumbles out of a car crash with no memory of what transpired. Everyone who he meets suggests that he is a ruthless man with an aggressive temper. Could he be deliberately blocking ... See full summary »

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Title: The Third Day (1965)

The Third Day (1965) on IMDb 5.9/10

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Cast

Complete credited cast:
...
Steve Mallory
...
Alexandria Mallory
...
Oliver Parsons
...
Dr. Wheeler
Mona Washbourne ...
Catherine Parsons
Herbert Marshall ...
Austin Parsons
...
Dom Guardiano
Charles Drake ...
Lawrence Conway
...
Holly Mitchell
...
Lester Aldrich
Bill Walker ...
Logan
...
Preston
Janine Gray ...
Totti
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Storyline

A man stumbles out of a car crash with no memory of what transpired. Everyone who he meets suggests that he is a ruthless man with an aggressive temper. Could he be deliberately blocking out memories of his past? Written by sol-

Plot Summary | Add Synopsis

Taglines:

Alone on the deadliest manhunt of all... See more »

Genres:

Drama

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Details

Country:

Language:

Release Date:

13 September 1965 (UK)  »

Also Known As:

El tercer día  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Connections

Referenced in De familie Knots: Eenzaam maar niet in je uppie (1983) See more »

Soundtracks

LOVE ME NOW
Words by Jay Livingston & Ray Evans
Music by Percy Faith
Sung by Arte Johnson
See more »

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User Reviews

Written and directed like a fifth rate T V show.
12 January 2005 | by (London, United Kingdom) – See all my reviews

I was so surprised to find that other IMDb users admire this film that I had to declare my contempt for it.

Despite the distinguished names in the credits, both in front of and behind the camera, this is a really shoddy movie. Written and directed like a fifth-rate T V show, it spins a totally incredible story of a man who loses his memory after a car crash, and learns that he is widely disliked and despised, and is now suspected of murdering the local slut.

None of the characters behaves in a plausible way. For example, the wife receives a visit from a complete stranger. She goes downstairs to meet him, and although he acts and talks unusually and alarmingly, she nevertheless gets in his car and goes off with him without even knowing where they are going! The film is full of nonsense like that.

Robert Surtees' controlled use of light and Percy Faith's melodic and lushly orchestrated score are welcome, but do not overcome the movie's basic problems.


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