Called out of retirement to settle the affairs of a friend, Smiley finds his old organization, the Circus, so overwhelmed by political considerations that it doesn't want to know what ... See full summary »
Alec Leamas, a British spy is sent to East Germany supposedly to defect, but in fact to sow disinformation. As more plot turns appear, Leamas becomes more convinced that his own people see him as just a cog. His struggle back from dehumanization becomes the final focus of the story. Written by
John Vogel <email@example.com>
The first actor to portray an M character in the Bond films, Bernard Lee, was the first actor ever to do both Bond and Le Carré. Lee appeared as Patmore in this film. See more »
In his defense speech of Mundt, the East German defense attorney (played by George Voskovec) states "Smiley was indeed Leamas's friend. He was also a planner in the section called Satellites Four, which operates behind the Iron Curtain." The term "Iron Curtain" would not have been used by officials of East Germany or other Soviet bloc countries to refer to the east-west divide. Originally created by Winston Churchill, the phrase "behind the Iron Curtain" became a disparaging characterization of the east bloc countries and their socialist systems. It was seen as serving to keep people in and information out, and people mostly throughout the West used the metaphor in that context. See more »
Well, they returned you to me. I'm so grateful. So grateful! I cut tonight's party meeting.
Oh, well, well! Thank you for putting me above history.
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So many poor Cold War spy movies were made in the 1960s, ranging from shtick to schlock. This one is a standout -- great acting, great atmosphere, great plot. It's darker, grittier, and more realistic than any other films of this genre from the mid-60s, and wears even better with age (no "mind control machines" or other ridiculous retro gadgets).
Le Carré is often credited for making the spy novel transcend genre fiction and enter into the realm of literature. It is apt that a similar statement can be said about a movie based on Le Carré; it moves beyond "spy movie" into brilliant cinema. Heavily recommended.
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