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The Sound of Music (1965)

 -  Biography | Drama | Family  -  29 March 1965 (UK)
8.0
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Ratings: 8.0/10 from 115,842 users  
Reviews: 379 user | 109 critic

A woman leaves an Austrian convent to become a governess to the children of a Naval officer widower.

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(with the partial use of ideas by), (from the stage musical book by), 3 more credits »
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Won 5 Oscars. Another 12 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Louisa (as Heather Menzies)
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Portia Nelson ...
Ben Wright ...
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Storyline

In 1930's Austria, a young woman named Maria is failing miserably in her attempts to become a nun. When the Navy captain Georg Von Trapp writes to the convent asking for a governess that can handle his seven mischievous children, Maria is given the job. The Captain's wife is dead, and he is often away, and runs the household as strictly as he does the ships he sails on. The children are unhappy and resentful of the governesses that their father keeps hiring, and have managed to run each of them off one by one. When Maria arrives, she is initially met with the same hostility, but her kindness, understanding, and sense of fun soon draws them to her and brings some much-needed joy into all their lives -- including the Captain's. Eventually he and Maria find themselves falling in love, even though Georg is already engaged to a Baroness and Maria is still a postulant. The romance makes them both start questioning the decisions they have made. Their personal conflicts soon become ... Written by LOTUS73

Plot Summary | Plot Synopsis

Plot Keywords:

children | love | austria | governess | nun | See more »

Taglines:

The timeless classic every family should share. [2000 video release] See more »


Certificate:

G | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

|

Release Date:

29 March 1965 (UK)  »

Also Known As:

Rodgers and Hammerstein's The Sound of Music  »

Box Office

Budget:

$8,200,000 (estimated)

Gross:

$163,214,286 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints) (magnetic tracks)| (35 mm optical prints)| (some 35 mm prints) (Mag-optical)| (70mm re-release)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The first musical number in the film, The Sound of Music (1965), was the final sequence shot in Europe before the cast and crew returned to Los Angeles. It was filmed in late June and early July of 1964. Despite the warm and sunny appearance, Julie Andrews notes that she was freezing running up that mountain over and over again. Director Robert Wise has said that he had to climb one of the trees nearby to be able to overview the helicopter shoot without getting in the picture. See more »

Goofs

When Rolf gives the telegram from Berlin to Liesl, his black feldmutze still has the Austrian red-white-red roundel on it. See more »

Quotes

[first lines]
Maria: [singing] The hills are alive with the sound of music / With songs they have sung for a thousand years. / The hills fill my heart with the sound of music. / My heart wants to sing every song it hears.
See more »

Crazy Credits

The 20th Century Fox logo is played in complete silence. See more »

Connections

Referenced in The Six Million Dollar Man: The Cross-Country Kidnap (1975) See more »

Soundtracks

Climb Ev'ry Mountain
(1959) (uncredited)
Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Sung by Peggy Wood (dubbed by Margery McKay)
Reprised by the Nun's Chorus at the end
See more »

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User Reviews

The perfect film musical......
29 April 2002 | by (Cincinnati, OH) – See all my reviews

This film is a triumph in all departments. Every aspect, from the cinematography to the acting, the sets to the costumes, the music, choreography, script, is top notch. While the film is family friendly and has a sweet story, it is constantly amazing the way people attack it as saccharine and sugary. This can certainly be said of the stage show, but the movie version has been carefully produced to provide a more well-rounded vision. Ernest Lehman worked wonders with the underdeveloped and unremarkable dialogue of the play. He inserted so many moments of wit, humor, romance and poignancy that are nowhere in sight in the original. the art directors purposefully chose muted settings and colors. Each of the actors bent over backwards to provide a brilliant performance. Andrews is already down in history for the performance of a lifetime (and a voice to match), but Plummer is not to be forgotten. Not only is he regal and handsome, but his decision to play the Captain as a complex, sophisticated man with a sly dose of sarcasm was wonderful. His steely, stern persona is eventually melted down by the irrepressible Andrews to great effect. Every supporting performance is also delivered with the right amount of appeal, humor or menace as called for in the script. However, the one that takes the cake....that amazes each time, is the slinky, catty, toweringly glamorous Parker as Baroness Schraeder. Wisely, her songs were cut, further separating her from all the glee around her, so that she could whip out such zingers as "Why didn't you tell me....to bring along my harmonica?" or when she's told that Andrews may not make a great nun, "If you need anything, I'd be happy to help you." The character is given a much more polished and integral position in the film versus the stage and virtually every line of her dialogue (unlike in the play) is a howler. Though Wood was lovely in her role as the Mother Abbess, it was Parker who should have gotten an Oscar nod....and WON! Every expression, every syllable, every glance belies the decades of experience Parker gained as a leading lady during the 40's and 50's. Her clothes by Dorothy Jeakins are awe-inspiring. This type of film-making is GONE. The location photography, the simplicity of story and design, the sheer good-spiritedness of it all...they just can't do this anymore. Thankfully, there's this flawless gem to turn to when one just want to feel good. But saccharine? No..... Compare this to other beloved musicals with their garish colors and sugary story lines ("Seven Brides...", "Singin' in the Rain", "...Molly Brown", "The Music Man", to name just a few...) They are all highly enjoyable, but are hardly less sweet than this! Just one word.....Nazis!! Though virtually everyone knows the outcome, there is still genuine suspense at the climax of "The Sound of Music". The film has it all.


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