Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home in Kansas and help her friends as well.
In 1930's Austria, a young woman named Maria is failing miserably in her attempts to become a nun. When the Navy captain Georg Von Trapp writes to the convent asking for a governess that can handle his seven mischievous children, Maria is given the job. The Captain's wife is dead, and he is often away, and runs the household as strictly as he does the ships he sails on. The children are unhappy and resentful of the governesses that their father keeps hiring, and have managed to run each of them off one by one. When Maria arrives, she is initially met with the same hostility, but her kindness, understanding, and sense of fun soon draws them to her and brings some much-needed joy into all their lives -- including the Captain's. Eventually he and Maria find themselves falling in love, even though Georg is already engaged to a Baroness and Maria is still a postulant. The romance makes them both start questioning the decisions they have made. Their personal conflicts soon become ... Written by
When Dick Van Dyke got the role of Bert in the 1964 movie musical Mary Poppins (1964), Walt Disney asked him if he had a recommendation for a choreographer. Van Dyke recalled working with the team Marc Breaux and Dee Dee Wood, who had created his dance number for NBC's The Jack Benny Hour (1965) "I'm not really a dancer," Van Dyke said. "I could move a little and I was what you call an eccentric dancer - loose limbed and light on my feet. But Marc and Dee Dee took what I could do and made the most of it. I was just thrilled." Disney took Van Dyke's recommendation and the married duo created one of the best know live-action dances in the history of the Disney Studio - the chimney sweep number to the song "Step In Time." Van Dyke remarked, "We had so much fun. Then I took them to Chitty Chitty Bang Bang (1968) with me. 'Mary Poppins' also led them to work on the 1965 film version of 'The Sound of Music.' Robert Wise saw a screening of the chimney sweep number and hired them. Van Dyke said one of his fondest memories of Breaux concerns a step the choreographer put in the "Jolly Holiday" number of "Mary Poppins." It was based on a bit Breaux used to do for fun. "Hard to describe, but it's like you try to step on your own foot, and then jump out of the way. Marc stuck it in there as our little signature. It was our own little joke". See more »
Capt. von Trapp's hair When the children welcome Maria and the Captain home is a brownish color and in a different style from the rest of the film. See more »
The hills are alive with the sound of music / With songs they have sung for a thousand years. / The hills fill my heart with the sound of music. / My heart wants to sing every song it hears.
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The 20th Century Fox logo is played in complete silence. See more »
Let me confess I'm not a Catholic, I don't have children, I can't stand schmaltz and yet I love The Sound Of Music. I've tried to explain this to myself, let alone to others, without ever finding a satisfactory answer. Yesterday I sat to see it again with a group of kids who hadn't seen it before. They all loved it even the ones who loved Transporters. I asked them afterwards why did they loved it so much and a 12 year old boy's reply was: "It makes you feel alive" Wow, I thought, Wow! Of course, that's what I felt too and a 12 year old found the perfect words to express my feelings. Julie Andrews is a the center of this little miracle. She is Sister Maria and her wishes, thoughts and fears are recognizable automatically, because they are, in many ways, my same wishes, thoughts and fears. Perfect. Thank you.
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