Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
J.D. Cahill is the toughest U.S. Marshal they've got, just the sound of his name makes bad guys stop in their tracks, so when his two young boys want to get his attention they decide to rob... See full summary »
Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known as Comancheros.
George Washington McLintock, "GW" to friends and foes alike, is a cattle baron and the richest man in the territory. He anxiously awaits the return of his daughter Becky who has been away ... See full summary »
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
The Elder boys return to Clearwater, Texas for their Mother's funeral. John the eldest is a well known gunfighter and trouble follows him wherever he goes. The boys try to get back their ranch from the towns gunsmith who won it from their father in a card game with which he was shortly murdered there after but not before getting through the troubles that come with the Elders name. Written by
Christopher D. Ryan <email@example.com>
I just saw this movie some 30 years after my first viewing of the film--and surprisingly I found it to be a lot more entertaining than my first recollections of the film.
It's a traditional Hollywood western: good wins over evil, the hero gets the girl, and law is maintained. It has no complications. Even the Mexicans are shown squatting at the funeral far apart from the others only getting up to bury the body. That was how most Westerns were made...So what's good about the film?
Elmer Bernstein's music is as good as his music in 'The Magnificent Seven', if not better. The range of actors: a believable John Wayne, an entertaining Dean Martin with "third-eye" act, a menacing George Kennedy, a "likable" Strother Martin in a brief role as the winner of the third eye, and a fine performance by young Dennis Hopper makes the film above average viewing.
The real hero of the movie is "Katie Elder" dead when the film begins, respected as the film unfolds, and never seen on screen. Everyone seems to remember her with awe. She is epitomized by the empty rocking chair (final shot) and a Bible she leaves behind.
Henry Hathaway's westerns will not be reflective ones as are later Westerns such as "Will Penny", "Tell Them Willie Boy is Here" or "Monte Walsh"--his movies tend to affirm the status quo of typical Hollywood westerns with a heart (good Christian values, strong connection with nature and animals--horses in this movie--as he did in "How the West was Won") and no mind (insensitive to Mexicans and Red Indians). The Christian values in the film are fuzzy, e.g., fool some poor gullible guys at a bar and emerge a hero, or sell a blind horse to gain money and remembered for it at your funeral, etc. This film of Hathaway, ably supported by Bernstein's music and Lucien Ballard's camera, is a great movie for an audience that wants to see a traditional western unfold--and but not be asked to think beyond what is shown.
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